Overview

No overview available.

Inscription

Marks and Labels

null

Provenance

This panel, along with NGA 1939.1.41 and 1939.1.42, are stated to have come from the collection of a contessa Giustiniani, Genoa;[1] (Count Alessandro Contini-Bonacossi, Rome); sold July 1930 to the Samuel H. Kress Foundation, New York;[2] gift 1939 to NGA.

Exhibition History

Bibliography

1941
National Gallery of Art. Book of Illustrations. Washington, DC, 1941: 51 (repro.), 236.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 3, no. 154.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 242, repro. 53.
1949
Brandi, Cesare. Quattrocentisti senesi. Milan, 1949: 243.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 36, repro.
1964
Mojzer, Miklós. "Vier sienesische Quattrocento-Tafeln des Christlichen Museums zu Esztergom." Pantheon 22 (1964): 2, repro.
1965
Boskovits, Miklós, Miklós Mojzer, and András Mucsi. Das Christliche Museum von Esztergom (Gran). Budapest, 1965: 44.
1965
Boskovits, Miklós, Miklós Mojzer, András Mucsi, Alfréd Schiller, Elizabeth Hoch, and Susanna Horn. Christian Art in Hungary: Collections from the Esztergom Christian Museum. Budapest, 1965: 52.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 7
1966
Boskovits, Miklós. Early Italian Panel Paintings. Budapest, 1966: 40.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 65-66, fig. 175.
1968
Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:8.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 1, repro.
1971
Carli, Enzo. I pittori senesi. Siena, 1971: 138.
1971
Os, Hendrik W. van. "Andrea di Bartolo’s Assumption of the Virgin." Arts in Virginia 2 (1971): 4.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 7, 645.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 12, repro.
1975
Mucsi, András. Katalog der Alten Gemäldegalerie des Christlichen Museums zu Esztergom. Budapest, 1975: 42.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:4-5; 2:pl. 2.
1981
Carli, Enzo. La pittura senese del Trecento. 1st ed. Milan, 1981: 238.
1982
Il gotico a Siena: miniature, pitture, oreficerie, oggetti d’arte. Exh. cat. Palazzo Pubblico, Siena. Florence, 1982: 317.
1983
Kasten, Eberhard. "Andrea di Bartolo." In Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 83+ vols. Munich and Leipzig, 1983+: 3(1992):512, 514.
1983
L’Art gothique siennois: enluminure, peinture, orfèvrerie, sculpture. Exh. cat. Musée du Petit Palais, Avignon. Florence, 1983: 284.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 82, no. 37, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 18, repro.
1986
Kanter, Laurence B. "Giorgio di Andrea di Bartolo." Arte cristiana 74 (1986): 21-22, 24, repro. 26.
1986
Maderna, Valentina, ed. Il polittico di Andrea di Bartolo a Brera Restaurato. Exh. cat. Pinacoteca di Brera, Milan. Florence, 1986: 17.
1988
Gurrieri, Francesco, and Luciano Bellosi, eds. La Sede storica del Monte dei Paschi di Siena: vicende costruttive e opere d’arte. Florence, 1988: 276.
1991
Chelazzi Dini, Giulietta. "Andrea di Bartolo." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 1(1991):595.
1994
Lorentz, Philippe. "De Sienne a Strasbourg: posterité d’une composition d’Ambrogio Lorenzetti, la Nativité de la Vierge de l’Hôpital Santa Maria della Scala à Sienne." In Hommage à Michel Laclotte: Etudes sur la peinture du Moyen Age et de la Renaissance. Edited by Luciano Bellosi, Pierre Rosenberg, Cécile Scailliérz, and Dominique Thiébault. Milan and Paris, 1994: 130-131 n. 45.
1997
Chelazzi Dini, Giulietta. "La cosidetta crisi della metà del Trecento (1348-1390)." In Pittura senese. Edited by Giulietta Chelazzi Dini, Alessandro Angelini and Bernardina Sani. 1st ed. Milan, 1997: 200.
1997
Dini, Giulietta Chelazzi, Alessandro Angelini, and Bernardina Sani. Sienese Painting From Duccio to the Birth of the Baroque. New York, 1997: 200-201.
1998
Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 69.
2009
Bellosi, Luciano, ed. La collezione Salini: dipinti, sculture e oreficerie dei secoli XII, XIII, XIV e XV. 2 vols. Florence, 2009: 1:238.

Technical Summary

null

Related Works

Related Resources

  • Event Type
    Event Name
    March 1–June 1
    Mon, Tues, and Wed at 1:00
    March 5, 2012 at 2:00
    March 7, 2012 at 4:00
    East Building, Auditorium
    Name of docent
    image:
    Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum
    60 minutes
    Registration for this event begins on April 1, 2012 at noon.
    Download the program notes (100k)
  • Self-Guided Tour
    Italian Collection
    image:
    Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum