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Inscribed by a later hand lower left in black ink: Elieser et Rebeca gen. 24. v.14.; lower right in brown ink: 9147


Pierre Crozat, Paris (1665 - 1740); (his sale, Paris, 10 April - 13 May 1741) (Mariette's inscription; see Peter Schatborn, "Van Rembrandt tot Crozat," Nederlands Kunsthistorisch Jaarboek 32 (1982), 41ff). George Guy, Earl of Warwick, (his sale, 21 May 1896, Christie's London). Thomas Halstead. Joseph E. Widener, Elkins Park, PA. Gift to NGA, 1942.

Exhibition History
Rembrandt in the National Gallery of Art [Commemorating the Tercentenary of the Artist's Death], National Gallery of Art, Washington, D.C., 1969, no. 30, 37, repro.
NGA Master Drawings 1978, p. 56.
Strokes of Genius: Rembrandt's Prints and Drawings, National Gallery of Art, Washington, D.C.
Valentiner, Wilhelm R. Rembrandt Handzeichnungen. New York, 1925: no. 51
National Gallery of Art. Rembrandt in the National Gallery of Art: Commemorating the tercentenary of the artist's death. Exh. cat. National Gallery of Art, Washington, 1969: 37, no. 30, repro..
Benesch, Otto. The Drawings of Rembrandt. 6 vols. London: Phaidon, 1973. (enlarged and edited by Eva Benesch from 1954-1957 ed.): no. 503.
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 668, no. 1064, color repro.
Macandrew, Hugh. Old Master Drawings from the National Gallery of Scotland. Washington, DC, 1990: 166.
Martinez, Benjamin and Jacqueline Block. Visual Forces: An Introduction to Design. 2nd edition, Englewood Cliffs, NJ, 1995: 95, fig. B.
Röver-Kann, Anne. Rembrandt, oder nicht? Zeichnungen von Rembrandt und seinem Kreis aus den Hamburger und Bremer Kupferstichkabinetten. Bremen, 2000: 70, fig. a.