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Inscription

lower right: E. Lawson

Provenance

(Charles Daniels, New York); purchased 1916 by the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.

Associated Names

Corcoran Gallery of Art

Exhibition History

1916
Sixth Exhibition of Oil Paintings by Contemporary American Artists, Corcoran Gallery of Art, Washington, 17 December 1916 - 21 January 1917, no. 88.
1934
Art League. Washington, 26 May - August 1934.
1967
Ernest Lawson, 1873-1939, National Gallery of Canada, Ottawa; Confederation Art Gallery and Museum, Charlottetown, P.E.I.; Nova Scotia College of Art, Halifax; Saskatoon; Sarnia; Agnes Etherington Art Centre, Queen's University, Kingston; Sir George William's College, Montreal; London Public Library, Ontario,1967, no. 36.
1976
Corcoran [The American Genius], Corcoran Gallery of Art, Washington, 1976, no checklist.
1980
Guy Pene du Bois: Artist About Town, Corcoran Gallery of Art, Washington; Joslyn Art Museum, Omaha; Mary and Leigh Block Gallery, Northwestern University, Evanston, 1980-1981, no. 100.
1985
Henri's Circle, Corcoran Gallery of Art, Washington, 20 April-16 June 1985, unnumbered checklist.
1998
The Forty-Fifth Biennial: The Corcoran Collects, 1907–1998, Corcoran Gallery of Art, Washington, 17 July - 29 September 1998, unnumbered catalogue.
2003
The Impressionist Tradition in America, Corcoran Gallery of Art, Washington, 2004, unpublished checklist.
2005
Encouraging American Genius: Master Paintings from the Corcoran Gallery of Art, Corcoran Gallery of Art, Washington; Museum of Fine Arts, Houston; Parrish Art Museum, Southampton, NY; Mint Museum of Art, Charlotte; John and Mable Ringling Museum of Art, Sarasota, 2005-2007, checklist no. 74 (shown only in Washington).
2013
American Journeys: Visions of Place, Corcoran Gallery of Art, Washington, 21 September 2013-28 September 2014, unpublished checklist.

Bibliography

2011
Larkin, Susan G. "Ernest Lawson, Boathouse, Winter, Harlem River." In Corcoran Gallery of Art: American Paintings to 1945. Edited by Sarah Cash. Washington, 2011: 214-215, 279, repro.

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