Overview

No overview available.

Inscription

across bottom below saints: S ANDREAS APPUS; S BENEDICTUS; center right on book: AUSCU/LTA O/FILI PR/ECEPTA/MAGIS/[T]RI ET IN/CLINA AUREM/CORDIS T/UI ET AMONITIONE M

Marks and Labels

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Provenance

Probably in the sacristy of the church of San Miniato al Monte, Florence, from whence the triptych may have been removed shortly after 1830.[1] Bertram Ashburnham [1797-1878], 4th earl of Ashburnham, Ashburnham Place, Battle, Sussex;[2] by inheritance to his son, Bertram Ashburnham [1840-1913], 5th earl of Ashburnham, Ashburnham Place; by inheritance to his daughter, Lady Mary Catherine Charlotte Ashburnham [1890-1953], Ashburnham Place; (Robert Langton Douglas, London);[3] purchased 19 June 1919 by(Duveen Brothers, Inc., London, New York, and Paris);[4] sold 15 December 1936 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[5] gift 1937 to NGA.

Exhibition History

1933
Italian Paintings of the XIV to XVI Century, Detroit Institute of Arts, 1933, no. 11, repro., as Altarpiece by Gherardo Starnina.

Bibliography

1931
Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 52, repro.
1933
Valentiner, Wilhelm R. "Die Leihausstellung frühitalienischer Malerei in Detroit." Pantheon 12 (1933): 238.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 63, repro.
1941
Duveen Brothers. Duveen Pictures in Public Collections in America. New York, 1941: no. 24, as by Gherardo Starnina.
1941
National Gallery of Art. Book of Illustrations. Washington, DC, 1941: 104 (repro.), 233.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 69, no. 4.
1941
Richter, George Martin. "The New National Gallery in Washington." The Burlington Magazine for Connoisseurs 78 (June 1941): 177.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 106.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 8, repro.
1951
Galetti, Ugo, and Ettore Camesasca. Enciclopedia della pittura italiana. 3 vols. Milan, 1951: 3:2351 repro.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 2:69.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 54.
1967
Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 316.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 46, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 77, 301, 315, 369, 378, 381, 645.
1975
Boskovits, Miklós. Pittura fiorentina alla vigilia del Rinascimento, 1370-1400. Florence, 1975: 118-121, 123, 216 n. 84, 234 n. 140, 304, pl. 127.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 140, repro.
1975
Fremantle, Richard. Florentine Gothic Painters from Giotto to Masaccio: A Guide to Painting in and near Florence, 1300 to 1450. London, 1975: 271, fig. 553.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:192-194, II:pl. 134
1979
Sutton, Denys. "Robert Langton Douglas. Part III." Apollo 109 (June 1979): 447 [165] fig. 1, 452 [170].
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 73, no. 16, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 162, repro.
1986
Ford, Terrence, compiler and ed. Inventory of Music Iconography, no. 1. National Gallery of Art, Washington. New York 1986: 1, no. 5.
1990
Boskovits, Miklós, and Serena Padovani. The Thyssen-Bornemisza Collection: Early Italian Painting 1290-1470. London, 1990: 116 n. 1.
1994
Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:262, 263; 2:punch chart 8.2.
1995
Halpine, Susana M. "An Investigation of Artists' Materials Using Amino Acid Analysis: Introduction of the One-Hour Extraction Method." Studies in the History of Art 51 (1995): 41-48, 61, repro. no. 7.
1996
Symposium, Early Italian Paintings Techniques and Analysis, Maastricht, 1996: 81, repro.
1997
Bustin, Mary. "Recalling the Past: Evidence for the Original Construction of Madonna Enthroned with Saints and Angels by Agnolo Gaddi." Studies in the History of Art 57 (1997): 35-64, repro. no. 2.
1998
Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 100, 244, 283, 290, 322, 481.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 11, no. 6, color repro.
2004
Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 438.
2005
Boskovits, Miklós, and Daniela Parenti, eds. Da Bernardo Daddi al Beato Angelico a Botticelli: dipinti fiorentini del Lindenau-Museum di Altenburg. Exh. cat. Museo di San Marco. Florence, 2005: 80.
2009
Boskovits, Miklós, ed. The Alana Collection, vol. 1, Italian Paintings from the 13th to 15th Century. Florence, 2009: 4, repro. 10.
2011
Gordon, Dillian. The Italian Paintings Before 1400. National Gallery Catalogues. London, 2011: under 220, no. NG568.

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