Overview

No overview.

Inscription

null

Marks and Labels

null

Provenance

Count Grigory Stroganov [1829-1910], Rome.[1] (Count Alessandro Contini-Bonacossi, Rome, 1927); purchased 1931 by the Samuel H. Kress Foundation, New York;[2] gift 1939 to NGA.

Exhibition History

1929
Il Settecento italiano, Palazzo delle Biennale, Venice, 1929, no. 19.
1932
An Exhibition of Italian Paintings Lent by Mr. Samuel H. Kress of New York to Museums, Colleges, and Art Associations, travelling exhibition, 24 venues, 1932-1935, mostly unnumbered catalogues, p. 46 or p. 52, repro.
1938
Exhibition of Venetian Painting From the Fifteenth Century through the Eighteenth Century, California Palace of the Legion of Honor, San Francisco, 1938, no. 50, repro., as Saint Francis of Paola Resuscitating a Boy.
1938
Tiepolo and His Contemporaries, The Metropolitan Museum of Art, New York, 1938, no. 2, repro., as Saint Francis of Paolo Resuscitating a Boy.
1938
Venetian Paintings from the Samuel H. Kress Collection, Seattle Art Museum; Portland Art Museum, Oregon; Montgomery Art Museum, 1938, no cat.
1989
Sebastiano Ricci, Villa Manin di Passariano, Udine, 1989, no. 69 (cat. by Aldo Rizzi).
2010
Sebastiano Ricci. Il trionfo dell'invenzione nel Settecento veneziano., Exhibition Facilities, Ex Convitto, Island of San Giorgio Maggiore, Venice, 2010, no. 26, repro.

Bibliography

1932
Frankfurter, Alfred M. "Eighteenth Century Venice in a New York Collection." The Fine Arts 19 (December 1932): 30.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 169.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 243, repro. 177.
1950
Pallucchini, Rodolfo. "Giunte a Sebastiano Ricci." Proporzioni 3 (1950): 214.
1952
Palluchini, Rodolfo. "Studi Ricceschi I, Contributo a Sebastiano." Arte Veneta 6 (1952): 83.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 232, repro.
1960
Pallucchini 1960, 17, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 114.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 102, repro.
1969
Daniels, Jeffery. "Sebastiano Ricci: The Last Phase." Apollo 90 (1969): 10, color pl. 2.
1972
Fredericksen and Zeri 1972, 175.
1973
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 128-129, fig. 255.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 304, repro.
1976
Daniels, Jeffery. L'opera completa di Sebastiano Ricci. Milan, 1976: 137, no. 520, color pl. 62.
1976
Daniels, Jeffery. Sebastiano Ricci. Hove, 1976: 153, no. 529-a, fig. 310.
1976
Martini, Egidio. "Due bozzetti di Sebastiano Ricci e alcune osservazioni sulla sua tecnica pittorica." In Atti del Congress internationzale di studi su Sebastiano Ricci e il suo tempo. Milan, 1976: 37.
1976
Pallucchini, Rodolfo. "Sebastiano Ricci e il rococò europeo." In Atti del Congresso internazionale di studi su Sebastiano Ricci e il suo tempo. Milan, 1976: 15-16.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:398-400, II:pl. 283.
1980
Fornari Schianchi, Lucia. In Arte e Pietà. I patrimoni culturali delle opere pie. Exh. cat. Museo Civico, Palazzo Pepoli Campogrande, and Conservatorio del Baraccano. Bologna, 1980: 328.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 351, repro.
1987
Cirillo, Giuseppe, and Giovanni Godi. La Pinacoteca Stuard di Parma. Parma, 1987: 146.
1988
Tanzi, Marco. In Bozzetti, modelli e grisailles dal XVI al XVIII secolo. Exh. cat. Fondazione Lungarotti at Museo del Vino, Torgiano. Milan, 1988: 74.
1996
De Grazia, Diane, and Eric Garberson, with Edgar Peters Bowron, Peter M. Lukehart, and Mitchell Merling. Italian Paintings of the Seventeenth and Eighteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1996: 224-230, color repro. 227.

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