Overview

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Inscription

Marks and Labels

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Provenance

NGA 1939.1.141 formed part of the rear predella of Duccio's double-sided altarpiece the Maestà, which was in the course of execution by October 1308 and was placed on the high altar of the Cathedral of Siena on 30 June 1311;[1] the altarpiece was removed from the cathedral in 1506, stored, and then displayed on the wall of the left transept, close to the altar of Saint Sebastian, but probably by this time the predella and gable panels had already been separated from it;[2] the altarpiece was moved to the church of Sant'Ansano in 1777, where its two sides were separated and returned to the cathedral;[3] by 1798 the gables and eight panels of the predella were reported as being housed in the Sacristy of the cathedral, whereas the rest, including NGA 1939.1.141, must already have been in private hands;[4] Giuseppe and Marziale Dini, Colle Val d'Elsa (Siena), by 1879;[5] purchased 1886 by (Charles Fairfax Murray [1849-1919], London and Florence) for Robert Henry [1850-1929] and Evelyn Holford [1856-1943] Benson, London and Buckhurst Park, Sussex;[6] sold 1927 with the entire Benson collection to (Duveen Brothers, Inc., London, New York, and Paris);[7] Clarence H. Mackay [1874-1938], Roslyn, New York, by 1929;[8] sold 1934 to the Samuel H. Kress Foundation, New York;[9] gift 1939 to NGA.

Exhibition History

1904
Exhibition of Pictures of the School of Siena, Burlington Fine Arts Club, London, 1904, nos. 1 and 7.
1927
Loan Exhibition of the Benson Collection of Old Italian Masters, City of Manchester Art Gallery, 1927, no. 108.
1935
Exposition de L'Art Italien de Cimabue à Tiepolo, Petit Palais, Paris, 1935, no. 150.

Bibliography

1894
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1894
Portfolio of Photographic Reproductions of Pictures in the Early Italian Art Exhibition. London, 1894: pl. 42.
1894
Richter, Jean Paul. "Die Ausstellung italienischer Renaissancewerke in der New Gallery in London." Repertorium für Kunstwissenschaft 17 (1894): 238.
1894
Ulmann, Hermann. "Photographische Reproductionen der in der New Gallery 1894 aus englishem Privatbesitz ausgestellten italienischen Bilder." Repertorium für Kunstwissenschaft 17 (1894): 489.
1897
Berenson, Bernard. The Central Italian Painters of the Renaissance. New York, 1897: 140.
1902
Douglas, Robert Langton. A History of Siena. London, 1902: 345, 349.
1903
Crowe, Joseph Archer, and Giovan Battista Cavalcaselle. A History of Painting in Italy from the Second to the Sixteenth Century. 6 vols. Edited by Robert Langton Douglas (vols. 1-4) and Tancred Borenius (vols. 5-6). Vol. 3, The Sienese, Umbrian, and North Italian Schools. London, 1903-1914: 3(1908):10-11 n. 2.
1903
Douglas, Robert Langton. "Duccio and the Early History of Italian Painting." The Monthly Review 35, no. 2 (1903): 142-143.
1904
Frizzoni, Gustavo. "L’esposizione d’arte senese al Burlington Fine Arts Club." L’Arte 7 (1904): 257-258, fig. 1.
1904
Fry, Roger. "La mostra d’arte senese al Burlington Club di Londra." Rassegna d’arte 4 (1904): 116.
1905
Reinach, Saloman. Répertoire de peintures du Moyen Age et de la Renaissance (1280-1580). 6 vols. Paris, 1905-1923: 1(1905):463.
1906
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Cust, Lionel. "La collection de M. R. H. Benson (Londres)." Les Arts 70 (1907): 24.
1907
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1907
Venturi, Adolfo. Storia dell’arte italiana. Vol. 5, La pittura del Trecento e le sue origini. Milan, 1907: 560, 566, 568-570, figs. 458, 459, 460, 463.
1907
Weigelt, Curt H. "Duccio di Buoninsegna." In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Edited by Ulrich Thieme and Felix Becker. 37 vols. Leipzig, 1907-1950: 10(1914):26-27.
1908
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1909
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1909
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1911
Fry, Roger. "Exhibition of Old Masters at the Grafton Galleries, 1." The Burlington Magazine for Connoisseurs 20 (1911): 71.
1911
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1911
Weigelt, Curt H. Duccio di Buoninsegna: Studien zur Geschichte der frühsienesischen Tafelmalerei. Leipzig, 1911: 89, 94, 232, 238, 280, pls. 12, 18.
1912
Howe, William Norton. Animal Life in Italian Painting. London, 1912: 49.
1913
Vasari, Giorgio. Vita di Duccio di Buoninsegna. Introd. e note di Arturo Jahn Rusconi. Florence, 1913: 20-22.
1914
Benson, Robert Henry. Catalogue of Italian Pictures at 16 South Street, Park Lane, London and Buckhurst in Sussex. London, privately printed, 1914: no. 4.
1914
Borenius, Tancred. Catalogue of Italian Pictures at 16 South Street, Park Lane, London and Buckhurst in Sussex Collected by Robert and Evelyn Benson. London, 1914: no. 4.
1916
Berenson, Bernard. "Ugolino Lorenzetti." Art in America 5 (1916-1917): 264, 267 fig. 1.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 2(1924):21, 28-31, 33.
1924
Vitzthum, Georg Graf, and Wolgang Fritz Volbach. Die Malerei und Plastik des Mittelalters in Italien. Handbuch der Kunstwissenschaft 1. Wildpark Potsdam, 1924: 239-240.
1926
Gielly, Louis. Les primitifs siennois. Paris, 1926: 9, 11 n. 106.
1927
Borenius, Tancred. "The Benson Collection." Apollo 6 (1927): 66 (repro.), 68.
1927
Comstock, Helen. "Panels from Duccio’s Majestas for America." International Studio 88, no. 364 (1927): 63, 65, 67-68.
1927
Douglas, Robert Langton. "I dipinti senesi della Collezione Benson passati da Londra in America." Rassegna d’arte senese e del costume 1, no. 5 (1927): 99, 100 (repro.), 103 n.
1927
Washburn Freund, Frank E. "Die Sammlung Benson." Der Cicerone 19 (1927): 499.
1928
Cecchi, Emilio. Trecentisti senesi. Rome, 1928: 35-36, 41, 42, 43, 127, pl. 25.
1928
Washburn Freund, Frank E. "Die Vier Duccios der Sammlung Benson." Der Cicerone 20 (1928): 333-336, repro. 335.
1929
Toesca, Pietro. "Duccio di Buoninsegna." In Enciclopedia italiana di scienze, lettere ed arti. 36 vols. Rome, 1929-1939: 13(1932):245.
1930
Weigelt, Curt H. Die sienesische Malerei des vierzehnten Jahrhunderts. Pantheon Edition. Florence and Munich, 1930: 10, 15, 69 n. 16, 71.
1931
Hautecoeur, Louis. Les primitifs italiens. Paris, 1931: 119, 120.
1931
Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 15, repro.
1932
Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 176.
1932
Edgell, George Harold. A History of Sienese Painting. New York, 1932: 49.
1932
Marle, Raimond van. Le scuole della pittura italiana. 2 vols. The Hague and Florence, 1932-1934: 2(1934):32-34, fig. 21.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 18, repro.
1935
Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 30, repro.
1936
Berenson, Bernard. Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Translated by Emilio Cecchi. Milan, 1936: 152.
1939
Tietze, Hans. Masterpieces of European Painting in America. New York, 1939: 30, repro.
1940
Suida, Wilhelm. "Die Sammlung Kress: New York." Pantheon 26 (1940): 274.
1941
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: nos. 8-10, repros.
1941
Frankfurter, Alfred M. "On the Italian Renaissance Painters in the National Gallery." Art News 40 (15-31 March 1941): 16, 26.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 60, no. 252, pl. IV.
1941
Richter, George Martin. "The New National Gallery in Washington." The Burlington Magazine for Connoisseurs 78 (June 1941): 177.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 244, repro. 100.
1944
Cairns, Huntington, and John Walker, eds., Masterpieces of Painting from the National Gallery of Art. New York, 1944: 16, color repro.
1944
Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 19, repro.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 8, repro.
1947
Carli, Enzo. I capolavori dell’arte senese. 2nd ed. Florence, 1947: 17.
1950
Papi, Vittorio. Duccio’s Majestas: The History and Poetry of a Famous Picture. Siena, 1950: 70.
1951
Brandi, Cesare. Duccio. Florence, 1951: 60, 144, pls. 42, 51.
1951
Davies, Martin. National Gallery Catalogues. The Earlier Italian Schools. London, 1951: 134-135.
1951
Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 16, repro. 14.
1951
Galetti, Ugo, and Ettore Camesasca. Enciclopedia della pittura italiana. 3 vols. Milan, 1951: 1:862.
1951
Toesca, Pietro. Il Trecento. Storia dell’arte italiana, 2. Turin, 1951: 501 n. 37.
1952
Carli, Enzo. Duccio. Astra Arengarium. Collection de Monographies d’Art Peintres 31. Milan, 1952: figs. 63, 73.
1952
Cecchini, Giovanni. L’opera metropolitana e il suo museo. Siena, 1952: 26.
1953
Brandi, Cesare. Duccio di Buoninsegna (La Maestà). Milan, 1953: 10.
1953
Oertel, Robert. Die Frühzeit der italienischen Malerei. Stuttgart, 1953: 123, 226 n. 218.
1955
Carli, Enzo. La pittura senese. Milan, 1955: 46.
1955
DeWald, Ernest T. "Observations on Duccio’s Maestà." In Late Classical and Mediaeval Studies in Honor of Albert Mathias Friend Jr. Edited by Kurt Weitzmann. Princeton, 1955: 373, 374, 379.
1955
Stubblebine, James H. "Duccio and His Collaborators on the Cathedral Maestà." The Art Bulletin 55 (1973): 185, 190, 203, fig. 1.
1956
D’Ancona, Paolo. Duccio. Milan, 1956: 11, repro. 22.
1956
Walker, John. National Gallery of Art, Washington. New York, 1956: 14, repro.
1959
Brandi, Cesare, ed. Il restauro della Maestà di Duccio. Rome, 1959: 8, 9, 11, 12.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 14, repro.
1960
Bologna, Ferdinando. "Duccio di Buoninsegna." In Dizionario biografico degli italiani. 79+ vols. Edited by Alberto Maria Ghisalberti. Rome, 1960+: 41(1992):747.
1961
Carli, Enzo. Duccio di Buoninsegna. Milan, 1961: 22, 31, pls. 15, 16, 26.
1961
DeWald, Ernest T. Italian Painting 1200-1600. New York, 1961: 112, 117.
1961
Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings and Sculpture in the Samuel H. Kress Collection. London, 1961: 6, repro. 8.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 66, repro.
1965
Cooper, Frederick A. "A Reconstruction of Duccio’s Maestà." The Art Bulletin 47 (1965): 156 n. aa, 168 n. 116, figs. 2, 3.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 44
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:6, color repro.
1966
Parronchi, Alessandro. "Segnalazione Duccesca." Antichità viva 5 (1966): 5 n. 1.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 13-14, fig. 28.
1968
Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 2:118, pl. 34.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 37, repro.
1968
Oertel, Robert. Early Italian Painting to 1400. London, 1968: 358 n. 7.
1968
Ruhemann, Helmut. The Cleaning of Paintings: Problems and Potentialities. London, 1968: 41, fig. 1.
1968
The Frick Collection: An Illustrated Catalogue, vol. 2, Paintings, French, Italian and Spanish. New York, 1968: 226.
1969
Stubblebine, James H. "The Angel Pinnacles on Duccio’s Maestà." Art Quarterly 32 (1969): 137, figs. 11 & 14.
1971
Carli, Enzo. I pittori senesi. Siena, 1971: 56.
1972
Cattaneo, Giulio and Edi Baccheschi. L’opera completa di Duccio. 1st ed. Milan, 1972: 7, 92, 93, pls. 22, 27, 61, figs. 68-70, 82.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 68, 268, 277, 645, 660.
1973
Preiser, Arno. Das Entstehen und die Entwicklung der Predella in der italienischen Malerei. Hildesheim and New York, 1973: 78.
1973
White, John. "Measurement, Design and Carpentry in Duccio’s Maestà, 1." The Art Bulletin 55 (1973): 335, 336, 343, 346, 348, 349, fig. 4.
1973
White, John. "Measurement, Design and Carpentry in Duccio’s Maestà, 2." The Art Bulletin 55 (1973): 562, 566, fig. 78.
1974
Pesenti, Franco Renzo. "Dismembered works of art - Italian painting." In An Illustrated Inventory of Famous Dismembered Works of Art: European Painting. Paris, 1974: 20, 26-27, repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 112, repro.
1976
Fowles, Edward. Memories of Duveen Brothers. London, 1976: 183.
1976
Stoichita, Victor Ieronim. Ucenicia lui Duccio di Buoninsegna. Bucharest, 1976: 39, 40, figs. 55, 59.
1977
Stubblebine, James H. "The Back Predella of Duccio’s Maestà." In Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss. 2 vols. Edited by Irving Lavin and John Plummer. New York,1977: 1:430, 435, 436 n. 26.
1979
Amico, Leonard N. "Reconstructing an Early Fourteenth Century Pentaptych by Ugolino di Nerio: St. Catherine Finds Her Niche." Bulletin Krannert Art Museum 5, no. 1 (1979): 13.
1979
Carli, Enzo. Il Duomo di Siena. Genoa, 1979: 67-69.
1979
Gardner von Teuffel, Christa. "The Buttressed Altarpiece: A Forgotten Aspect of Tuscan Fourteenth-Century Altarpiece Design." Jahrbuch der Berliner Museen 21 (1979): 36-41.
1979
Hartt, Frederick. History of Italian Renaissance Art: Painting, Sculpture, Architecture. 2nd ed. New York, 1979: 104-105, fig. 99.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:172; 2:pl. 120.
1979
Stubblebine, James H. Duccio di Buoninsegna and His School. 2 vols. Princeton, 1979: 1:10, 31, 32, 36, 37, 55, 56, 62, 100, 107, pls. 581, 582, figs. 74, 93.
1979
Sutton, Denys. "Robert Langton Douglas. Part I." Apollo 109 (April 1979): 295 [49], 296 [50] fig. 3.
1979
Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 17, pl. 1.
1979
White, John. Duccio: Tuscan Art and the Medieval Workshop. New York, 1979: 57, 86, 89, 93, 102, 123, 125, pls. 11, 20, figs. 5, 27, 52.
1980
Conti, Alessandro. "Review of Duccio, Tuscan Art and the Medieval Workshop by John White." Prospettiva 23 (1980): 99-101.
1981
Carli, Enzo. La pittura senese del Trecento. 1st ed. Milan, 1981: 49.
1981
Seidel, Max. "Das Frühwerk von Pietro Lorenzetti." Städel Jahrbuch 8 (1981): 105.
1983
Brink, Joel. "From Carpentry Analysis to the Discovery of Symmetry in Trecento Painting." In La pittura nel XIV e XV secolo, il contributo dell’analisi tecnica alla storia dell’arte. Edited by Hendrik W. van Os and J. R. J. van Asperen de Boer. Bologna, 1983: 347.
1983
Pope-Hennessy, John. "Some Italian Primitives." Apollo 118 (1983): 10.
1983
Schmidt, Victor M. "Duccio di Buoninsegna." In Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 83+ vols. Munich and Leipzig, 1983+: 30(2001):157.
1984
Brown, Howard Mayer. "Catalogus. A Corpus of Trecento Pictures with Musical Subject Matter, pt. 1." Imago Musicae 1 (1984): 242-243.
1984
Deuchler, Florens. Duccio. Milan, 1984: 73, 74, 76, 77, 214, 78 (repro.), pls. 134-136, 157.
1984
Os, Hendrik W. van. Sienese Altarpieces 1215-1460. Form, Content, Function. 2 vols. Groningen, 1984-1990: 1(1984):43, 46, figs. 41, 42.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 68, no. 9, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 137, repro.
1985
Sutton, Denys. "Aspects of British Collecting, pt. 4." Apollo 122 (1985): 123, 124 repro.
1985
Wilkins Sullivan, Ruth. "The Anointing in Bethany and Other Affirmations of Christ’s Divinity on Duccio’s Back Predella." The Art Bulletin 67 (1985): 33, 34, 35, 46-47, figs. 1, 2, 25.
1986
Leoncini, Monica. "Duccio di Boninsegna." In La Pittura in Italia. Il Duecento e il Trecento. Edited by Enrico Castelnuovo. 2 vols. Milan, 1986: 2:569.
1987
Simpson, Colin. The Partnership: The Secret Association of Bernard Berenson and Joseph Duveen. London, 1987: 236.
1987
White, John. Art and Architecture in Italy, 1250 to 1400. The Pelican History of Art. 2nd (integrated) ed. Harmondsworth, Middlesex, 1987: 291, 627, figs. 173-174.
1988
Davies, Martin, and Dillian Gordon. National Gallery Catalogues. The Earlier Italian Schools. Rev. ed. London, 1988: 17, 20.
1988
Sebag-Montefiore, Charles. "Three Lost Collections of London." National Art Collections Fund Magazine 38 (Christmas 1988): 54.
1988
Tronzo, William. "Between Icon and the Monumental Decoration of a Church: Notes on Duccio’s Maestà and the Definition of the Altarpiece." In Icon: Four Essays. Washington, DC; Baltimore, 1988: repro. 38-39.
1988
Wilkins Sullivan, Ruth. "Duccio’s Raising of Lazarus Reexamined." The Art Bulletin 70 (1988): 375 n. 6.
1989
Bomford, David, Jill Dunkerton, Dillian Gordon, Ashok Roy, and Jo Kirby. Art in the Making: Italian Painting before 1400. Exh. cat. National Gallery, London, 1989: 73-74 (repro.), 190, fig. 40.
1989
Carli, Enzo. Il Museo dell’Opera del Duomo. Opera della Metropolitana di Siena. Siena, 1989: 22.
1989
"Duccio di Buoninsegna." In Dizionario della pittura e dei pittori. Edited by Enrico Castelnuovo and Bruno Toscano. 6 vols. Turin, 1989-1994: 2(1990):139.
1989
Ragionieri, Giovanna. Duccio: catalogo completo dei dipinti. Florence, 1989: 12, 13, 14, 16, 88, 89, 104, repros.
1989
Vos, Rik, and Hendrik W. van Os, eds. Aan de oorsprong van de schilderkunst: vroege italiaanse schilderijen in Nederlands bezit. The Hague, 1989: repro. 126.
1990
Boskovits, Miklós, and Serena Padovani. The Thyssen-Bornemisza Collection: Early Italian Painting 1290-1470. London, 1990: 72, 73, 74 fig. 2.
1991
Bellosi, Luciano. "Duccio di Buoninsegna." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 5(1994):746.
1991
Jannella, Cecilia. Duccio di Buoninsegna. Antella (Florence), 1991: 22, 24, 30, 31, 36, 38, pls. 28, 43.
1991
Riedl, Helmut Philipp. Das Maestà-Bild in der sieneser Malerei des Trecento unter besonderer Berücksichtigung der Darstellung im Palazzo Comunale von San Gimignano. Tübingen, 1991: 16, figs. 8, 11.
1991
Zeri, Federico. Giorno per giorno nella pittura: scritti sull’arte toscana dal Trecento al primo Cinquecento. Turin, 1991: 520, 521.
1992
Hall, Nicholas H. J., ed. Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi, New York. New York, 1992: 9, 10, fig. 2.
1992
Landi, Alfonso, and Enzo Carli (commentary). “Racconto” del Duomo di Siena (1655). Florence, 1992: 106-107 n. 21.
1992
National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 11, repro.
1993
Harpring, Patricia. The Sienese Trecento Painter Bartolo di Fredi. London and Toronto, 1993: 70, repro. 72.
1996
Apostolos Cappadona, Diane. Encyclopedia of Women in Religious Art. New York, 1996: 47, fig. 14.
1996
Gordon, Dillian. “Duccio (di Buoninsegna).” In The Dictionary of Art. Edited by Jane Turner. 34 vols. New York and London, 1996: 9:344-345.
1996
Popp, Dietmar. Duccio und die Antike: Studien zur Antikenvorstellung und zur Antikenrezeption in der sieneser Malerei am Anfang des 14. Jahrhunderts. Munich, 1996: fig. 41.
1997
Moskowitz, Anita Fiderer. "A Late Dugento Male Nude Studied from Life." Source 16 (1997): 7 n. 11.
1998
Bellosi, Luciano. Duccio, la Maestà. Milan, 1998: 17, 22, 264, 268, repro. 274.
1998
Wheeler, Marion, ed. His Face: Images of Christ in Art, New York, 1998: 126, no. 45, color repro.
1999
Schmidt, Victor M. "A Duccesque Fragment of the Coronation of the Virgin." Bulletin du Musée Hongrois des Beaux-Arts 90-91 (1999): 42 n. 10.
2001
Strehlke, Carl Brandon. "Carpentry and Connoisseurship: The Disassembly of Altarpieces and the Rise in Interest in Early Italian Art." In Rediscovering Fra Angelico: A Fragmentary History. Edited by Laurence B. Kanter and Carl Brandon Strehlke. Exh. cat. Yale University Art Gallery, New Haven, 2001: 41-42, repro.
2002
Schmidt, Victor M. "Duccesque Painting Representing St John the Baptist Bearing Witness in the Museum of Fine Arts." Bulletin du Musée Hongrois des Beaux-Arts 96 (2002): 54, repro. 55.
2002
Seiler, Peter. "Duccio’s Maestà: The Function of the Scenes from the Life of Christ on the Reverse of the Altarpiece." In Italian Panel Painting of the Duecento and Trecento. Edited by Victor M. Schmidt. Studies in the History of Art 61 (2002): repros. 252 and 253, 271-272 n. 26.
2003
Bagnoli, Alessandro, Roberto Bartalini, Luciano Bellosi, and Michel Laclotte, eds. Duccio: Siena fra tradizione bizantina e mondo gotico. Exh. cat. Santa Maria della Scala, Siena; Museo dell’Opera del Duomo, Siena. Cinisello Balsamo (Milan), 2003: 218-220.
2004
Eclercy, Bastian. Suis manibus? Studien zur Beteiligung von Mitarbeitern am Entwurfsprozess von Duccios Maestà. Munich, 2004: 53, 74.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 10, no. 5, color repro.
2004
Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 337.
2004
Strehlke, Carl Brandon. Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art. Philadelphia, 2004: 130-131 repro.
2006
Hartt, Frederick and David G. Wilkins. History of Italian Renaissance Art: Painting, Sculpture, Architecture. 6th ed. Upper Saddle River, 2006: 106, color fig. 4.6, no. 12.
2006
Sander, Jochen, Matthias Theodore Kloft, Rita Sauer, and Stefan Weppelmann. Kult Bild: das Altar- und Andachtsbild von Duccio bis Perugino. Exh. cat. Städelsches Kunstinstitut, Frankfurt am Main. Petersberg, 2006: 70, 71, 74.
2010
Sahaydachny, Antonina. "The Madonna Protectress of Siena in the Maestà Altarpiece by Duccio (1308-1311)." In 1308: eine Topographie historischer Gleichzeitigkeit. Edited by Andreas Speer and David Wirmer. Berlin, 2010: 664.
2011
Gordon, Dillian. The Italian Paintings Before 1400. National Gallery Catalogues. London, 2011: 175-176, under no. NG1330, color fig. 2.
2013
Cappelletti, Lorenzo. "La vocazione dei santi Pietro e Andrea, o piuttosto l’imposizione del nome di Cefa (Pietro) a Simone." Arte cristiana 101, no. 877 (2013): repro. 274.

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    Name of docent
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    60 minutes
    Registration for this event begins on April 1, 2012 at noon.
    Download the program notes (100k)
  • Self-Guided Tour
    Italian Collection
    image:
    Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum