Provenance

Contessa Falier, Asolo, Italy.[1] (Count Alessandro Contini-Bonacossi, Florence and Rome); sold 1932 to the Samuel H. Kress Foundation, New York; gift 1939 to NGA.

Exhibition History
1988
The Pastoral Landscape: The Legacy of Venice, National Gallery of Art, Washington, D.C., 1988-1989, no. 7, repro.
Bibliography
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 79, no. 253, as by Giorgione (?).
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 244, repro. 114, as by Giorgione (?).
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 156, repro., as by Giorgione (?).
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 134, as Venetian School (Possibly Giorgione).
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 122, repro., as Venetian School (Possibly Giorgione).
1968
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 152, fig. 371.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 360, repro., as Venetian School (Possibly Giorgione).
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:216-217, II:pl. 147, as Follower of Giorgione.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 199, no. 234, color repro., as by Venetian School, possibly Giorgione.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 177, repro.
1997
Anderson, Jaynie. Giorgione: The Painter of "Poetic Brevity". New York, 1997: 344, repro.
Related Content