Georgia Engelhard

1920

Alfred Stieglitz

Artist, American, 1864 - 1946

Media Options

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Artwork overview

  • Medium

    palladium print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    image: 23.2 × 18.8 cm (9 1/8 × 7 3/8 in.)
    sheet: 25.1 × 20.2 cm (9 7/8 × 7 15/16 in.)
    mount: 51.3 × 40.3 cm (20 3/16 × 15 7/8 in.)

  • Accession

    1949.3.496

  • Stieglitz Estate Number

    55A

    Part of Stieglitz Key Set Online Edition

    Learn more
  • Key Set Number

    638

Alfred Stieglitz

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Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.


Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Exhibition History

1983

  • Photographs by Alfred Stieglitz, National Gallery of Art, Washington, DC, February 3–May 8, 1983; Metropolitan Museum of Art, New York, June 17–August 14, 1983; The Art Institute of Chicago, October 18, 1983–January 3, 1984

2010

  • Alfred Stieglitz: The Lake George Years, Art Gallery of New South Wales, Sydney, 2010

Bibliography

1983

  • Greenough, Sarah, and Juan Hamilton. Alfred Stieglitz: Photographs and Writings. Washington, 1983: no. 106, pl. 50.

1990

  • Paulson, Ronald. Figure and Abstraction in Contemporary Painting. New Brunswick and London, 1990: repro. 145.

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 638.

2010

  • Annear, Judy, ed. Alfred Stieglitz: The Lake George Years. Exh. cat. Art Gallery of New South Wales, Sydney, 2010.

Inscriptions

by Doris Bry, on mount, lower left, in graphite: Treated by Steichen - 6/50

Wikidata ID

Q64035056

Scholarly Remarks and Key Set Data

Remarks

“I remember once when I was fourteen years old sitting on the very edge of a cottage window, bending over with an armful of apples clutched to my bosom as if I were just about to leap down. At best a difficult pose to hold even for a few minutes, but I had to do this for more than an hour with no respite until Stieglitz was satisfied that the light was right, that my pose and expression were right, in other words until all conditions were perfect” (Georgia Engelhard, “Alfred Stieglitz: Master Photographer,” American Photography 39:4 [April 1945], 9).

Stieglitz Collections

A corresponding print was given to the following institution(s) by Alfred Stieglitz during his lifetime, or was received or acquired from the estate:

The Art Institute of Chicago, 1949.716


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