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Provenance

Ugo Bardini, Paris; sold 1925 to (Thomas Agnew & Sons, Ltd., London); sold 1925 to (Arthur J. Sulley & Co., London).[1] Otto H. Kahn [1867-1934, Mogmar Art Foundation], New York, by 1927; (Duveen Brothers, Inc., London and New York); purchased 26 April 1937 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[2] gift 1937 to NGA.

Bibliography
1941
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 74, repro., as by Andrea Mantegna.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 121, no. 32, as by Andrea Mantegna.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 144, as by Andrea Mantegna.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 25, repro., as by Andrea Mantegna.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 82, as by Andrea Mantegna.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 73, repro., as by Andrea Mantegna.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 212, repro., as by Andrea Mantegna.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: I:348, II:pl. 253.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 116, no. 95, color repro., as by Andrea Mantegna.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 298, repro.
1994
Echols, Robert. "Cima and the Theme of Saint Jerome in the Wilderness." Venezia Cinquecento IV, no. 8 (July-December 1994): 47-69, fig. 1.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 444-447, color repro.