Saint Jerome, c. 1470

Not on View

Medium

metalcut, hand-colored in orange-brown, light yellow, and olive

Dimensions

image: 15.9 x 11.8 cm (6 1/4 x 4 5/8 in.)

sheet: 20 x 13.8 cm (7 7/8 x 5 7/16 in.)
overall (external frame dimensions): 39.4 x 31.8 cm (15 1/2 x 12 1/2 in.)

Credit Line

Rosenwald Collection

Catalogue Raisonné

Schreiber, no. 2681

Accession Number

1943.3.706

Artists / Makers

German 15th Century (artist)

Master of the Aachen Madonna (related artist) German, active c. 1460/1480

Image Use

This image is in the public domain.
Read our full Open Access policy for images .

Inscription

in margin above image, by hand in ink: Possit non eiciam [sic] picture demon ut nullus apparere suo tanto / temuit [?] ipse pauore. Obiectum [sic] fuerit nam si quod demone corpus / hunc mox in tuitus [sic] depellet ymage [sic] alme (The picture [is] so powerful that when it appears, the demon will fear and tremble. If any body is obsessed by a demon, as soon as it is displayed, the sacred image will dispel it.)

[translation from Parshall, Peter, and Rainer Schoch. _Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public._ Washington, DC: National Gallery of Art, 2005, p. 183.]

Exhibition History

1941: The First Century of Printmaking 1400-1500, The Art Institute of Chicago, 1941, no. 48a.

1965: Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 357, repro.

1965: Master Prints from the Rosenwald Collection, Virginia Museum of Fine Arts, Richmond, 1965, no. 18.

2005: Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 48, repro.

Bibliography

1926: Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.

1965: Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965.

2013: Brisman, Shira. "The Image That Wants to Be Read: An Invitation for Interpretation in a Drawing by Albrecht Dürer." Word & Image 29, no. 3 (July/September 2013): 291-292, fig. 13.