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Marks and Labels



Gustav Adolf Wilhelm von Ingenheim [1789-1855], who acquired it in the first half of the nineteenth century, probably in Italy;[1] Ingenheim family, Schloss Reisewitz, Silesia; sold 1922 to (A.S. Drey, Munich); sold 1923 to Henry Goldman [1856-1937], New York;[2] sold January 1937 to (Duveen Brothers, Inc., London, New York, and Paris);[3] sold 1937 to the Samuel H. Kress Foundation, New York;[4] gift 1939 to NGA.

Exhibition History
L'eredità di Giotto. Arte a Firenze 1340-1375, Galleria degli Uffizi, Florence, 2008, no. 36, repro.
Gronau, Hans Dietrich. "Nardo di Cione." In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Edited by Ulrich Thieme and Felix Becker. 37 vols. Leipzig, 1907-1950: 26(1932):40.
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 3(1924):655.
Offner, Richard. "Nardo di Cione and His Triptych in the Goldman Collection." Art in America 12 (1924): 99, 101, 105-106, 111, fig. 1.
Gommosi, Gyorgy. "Nardo di Cione és a Szépművészeti Múzeum somzée-féle Madaonnaja." Az Országos Magyar Szépművészeti Múzeum. Évkönyvei 5 (1927-1928): 16.
Offner, Richard. Italian Primitives at Yale University: Comments and Revisions. New Haven, 1927: 16.
Offner, Richard. Studies in Florentine Painting: The Fourteenth Century. New York, 1927: 97, 100, 101, 103-105, fig. 1.
Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 44, repro.
Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 384.
Venturi, Lionello. Italian Paintings in America. Translated by Countess Vanden Heuvel and Charles Marriott. 3 vols. New York and Milan, 1933: 1:no. 54, repro.
Berenson, Bernard. Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Translated by Emilio Cecchi. Milan, 1936: 330.
Gronau, Hans Dietrich. Andrea Orcagna und Nardo di Cione: eine stilgeschichtliche Untersuchung. Berlin, 1937: 86 n. 152, 89.
Suida, Wilhelm. "Die Sammlung Kress: New York." Pantheon 26 (1940): 274.
National Gallery of Art. Book of Illustrations. Washington, 1941: 154 (repro.), 241.
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 138, no. 372.
Book of Illustrations. National Gallery of Art, Washington, 1942: 247, repro. 157.
Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 52, repro. no. 83
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 14, repro., as Madonna and Child with Saints.
Offner, Richard. A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century. Sec. III, Vol. V: Master of San Martino alla Palma; Assistant of Daddi; Master of the Fabriano Altarpiece. New York, 1947: 150, 296.
Coletti, Luigi. "Il Maestro colorista di Assisi." Critica d’arte 8-9 (1949-1950): 447.
Toesca, Pietro. Il Trecento. Storia dell’arte italiana, 2. Turin, 1951: 638 n. 159.
Offner, Richard. A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century. Sec. III, Vol. VIII: Workshop of Bernardo Daddi. New York, 1958: 99, 115.
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 21, repro.
Offner, Richard. A Critical and Historical Corpus of Florentine Painting. The Fourteenth Century. Sec. IV, Vol. II: Nardo di Cione. New York, 1960: iv, v, xiii, 23–25, 27, 83, 98, pls. IIIa–c.
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:152.
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 95.
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 34, fig. 75.
Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 294, 371.
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 84, repro.
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 146, 312, 418, 440, 645, 661.
"Nardo di Cione." In Dizionario Enciclopedico Bolaffi dei pittori e degli Incisori italiani: dall’XI al XX secolo. Edited by Alberto Bolaffi and Umberto Allemandi. 11 vols. Turin, 1972-1976: 8(1975):85.
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 252, repro.
Gealt, Adelheid Medicus. "Nardo di Cione’s Standing Madonna with the Child." The Minneapolis Institute of Art Bulletin 64 (1978-1980): 79 n. 7.
Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:342; 2:pl. 249.
de Botton, Judith. "Notes sur Bartolomeo Bulgarini." Revue de l’art 48 (1980): 29 n. 5.
Cole, Bruce. "Some Thoughts on Orcagna and the Black Death Style." Antichità viva 22, no. 2 (1983): 27-28, 36, fig. 1.
Kotalíka, Jiřího, ed. Národní Galerie v Praze. Prague, 1984: 52.
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 290, repro.
Petrocchi, Stefano. "Nardo di Cione." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 8(1997):650.
Kreytenberg, Gert. "Cione, Nardo di." In Allgemeines Künstlerlexikon: Die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meißner. 87+ vols. Munich and Leipzig, 1992+: 19(1998):262.
Ladis, Andrew. "The Reflective Memory of a Late Trecento Painter: Speculations on the Origins and Development of the Master of San Martino a Mensola." Arte cristiana 80 (1992): 328-329.
Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:176-178; 2:punch chart 6.10.
Skerl Del Conte, Serena. Antonio Veneziano e Taddeo Gaddi nella Toscana della seconda metà del Trecento. Pasian di Prato (Udine), 1995: 108, fig. 63.
Kreytenberg, Gert. "Cione." In The Dictionary of Art. Edited by Jane Turner. 34 vols. New York and London, 1996: 7:336.
Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 50, 509.
Ladis, Andrew. "Richard Offner: The Unmaking of a Connoisseur " In A Discerning Eye: Essays on Early Italian Painting. Edited by Andrew Ladis. University Park, PA, 1998: 12.
Offner, Richard. “Nardo di Cione.” In A Discerning Eye: Essays on Early Italian Painting. Edited by Andrew Ladis. University Park, PA, 1998: 189-208.
Kreytenberg, Gert. Orcagna, Andrea di Cione: ein universeller Künstler der Gotik in Florenz. Mainz, 2000: 173.
Tartuferi, Angelo. Dal Duecento agli Orcagna: il restauro della Madonna col Bambino di ignoto fiorentino del Duecento e del trittico di Santa Maria degli Angeli di Nardo di Cione. Livorno, 2001: 68, 75 n. 32.
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 13, no. 8, color repro.
Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 466.
Schmidt, Victor M. Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250-1400. Florence, 2005: 68 n. 76.
Tartuferi, Angelo, ed. L’eredità di Giotto: arte a Firenze 1340-1375. Exh. cat. Galleria degli Uffizi, Florence, 2008: 16 (repro.), 168, repro. 169.
Kanter, Laurence B. "Riconsiderazioni orcagnesche: due pannelli della collezione Crespi attribuiti al Maestro della Predella dell’Ashmolean Museum." In I fondi oro della collezione Alberto Crespi al Museo Diocesano: Questioni iconografiche e attributive. Edited by Museo Diocesano di Milano. Cinisello Balsamo (Milan), 2009: 55.
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