Overview

No overview available.

Inscription

on base of the frame: AVE.GRATIA.PLENA.DO[MINUS TECUM] (Hail, full of grace, the Lord is with thee; from Luke 1:28)

Marks and Labels

null

Provenance

Gustav Adolf Wilhelm von Ingenheim [1789-1855], who acquired it in the first half of the nineteenth century, probably in Italy;[1] Ingenheim family, Schloss Reisewitz, Silesia; sold 1922 to (A.S. Drey, Munich); sold 1923 to Henry Goldman [1856-1937], New York;[2] sold January 1937 to (Duveen Brothers, Inc., London, New York, and Paris);[3] sold 1937 to the Samuel H. Kress Foundation, New York;[4] gift 1939 to NGA.

Exhibition History

2008
L'eredità di Giotto. Arte a Firenze 1340-1375, Galleria degli Uffizi, Florence, 2008, no. 36, repro.

Bibliography

1907
Gronau, Hans Dietrich. "Nardo di Cione." In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Edited by Ulrich Thieme and Felix Becker. 37 vols. Leipzig, 1907-1950: 26(1932):40.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 3(1924):655.
1924
Offner, Richard. "Nardo di Cione and His Triptych in the Goldman Collection." Art in America 12 (1924): 99, 101, 105-106, 111, fig. 1.
1927
Gommosi, Gyorgy. "Nardo di Cione és a Szépművészeti Múzeum somzée-féle Madaonnaja." Az Országos Magyar Szépművészeti Múzeum. Évkönyvei 5 (1927-1928): 16.
1927
Offner, Richard. Italian Primitives at Yale University: Comments and Revisions. New Haven, 1927: 16.
1927
Offner, Richard. Studies in Florentine Painting: The Fourteenth Century. New York, 1927: 97, 100, 101, 103-105, fig. 1.
1931
Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 44, repro.
1932
Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 384.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 54, repro.
1936
Berenson, Bernard. Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Translated by Emilio Cecchi. Milan, 1936: 330.
1937
Gronau, Hans Dietrich. Andrea Orcagna und Nardo di Cione: eine stilgeschichtliche Untersuchung. Berlin, 1937: 86 n. 152, 89.
1940
Suida, Wilhelm. "Die Sammlung Kress: New York." Pantheon 26 (1940): 274.
1941
National Gallery of Art. Book of Illustrations. Washington, 1941: 154 (repro.), 241.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 138, no. 372.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 247, repro. 157.
1944
Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 52, repro. no. 83
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 14, repro., as Madonna and Child with Saints.
1949
Coletti, Luigi. "Il Maestro colorista di Assisi." Critica d’arte 8-9 (1949-1950): 447.
1951
Toesca, Pietro. Il Trecento. Storia dell’arte italiana, 2. Turin, 1951: 638 n. 159.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 21, repro.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:152.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 95.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 34, fig. 75.
1967
Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 294, 371.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 84, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 146, 312, 418, 440, 645, 661.
1972
"Nardo di Cione." In Dizionario Enciclopedico Bolaffi dei pittori e degli Incisori italiani: dall’XI al XX secolo. Edited by Alberto Bolaffi and Umberto Allemandi. 11 vols. Turin, 1972-1976: 8(1975):85.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 252, repro.
1978
Gealt, Adelheid Medicus. "Nardo di Cione’s Standing Madonna with the Child." The Minneapolis Institute of Art Bulletin 64 (1978-1980): 79 n. 7.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: 1:342; 2:pl. 249.
1980
de Botton, Judith. "Notes sur Bartolomeo Bulgarini." Revue de l’art 48 (1980): 29 n. 5.
1982
Ladis, Andrew. Taddeo Gaddi: Critical Reappraisal and Catalogue Raisonné. Columbia, 1982: 75 fig. 43.
1983
Cole, Bruce. "Some Thoughts on Orcagna and the Black Death Style." Antichità viva 22, no. 2 (1983): 27-28, 36, fig. 1.
1983
Kreytenberg, Gert. "Cione, Nardo di." In Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meißner. 83+ vols. Munich and Leipzig, 1983+: 19(1998):262.
1984
Kotalíka, Jiřího, ed. Národní Galerie v Praze. Prague, 1984: 52.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 290, repro.
1991
Petrocchi, Stefano. "Nardo di Cione." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 8(1997):650.
1992
Ladis, Andrew. "The Reflective Memory of a Late Trecento Painter: Speculations on the Origins and Development of the Master of San Martino a Mensola." Arte cristiana 80 (1992): 328-329.
1994
Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:176-178; 2:punch chart 6.10.
1995
Skerl Del Conte, Serena. Antonio Veneziano e Taddeo Gaddi nella Toscana della seconda metà del Trecento. Pasian di Prato (Udine), 1995: 108, fig. 63.
1996
Kreytenberg, Gert. "Cione." In The Dictionary of Art. Edited by Jane Turner. 34 vols. New York and London, 1996: 7:336.
1998
Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 50, 509.
1998
Ladis, Andrew. "Richard Offner: The Unmaking of a Connoisseur " In A Discerning Eye: Essays on Early Italian Painting. Edited by Andrew Ladis. University Park, PA, 1998: 12.
2000
Kreytenberg, Gert. Orcagna, Andrea di Cione: ein universeller Künstler der Gotik in Florenz. Mainz, 2000: 173.
2001
Tartuferi, Angelo. Dal Duecento agli Orcagna: il restauro della Madonna col Bambino di ignoto fiorentino del Duecento e del trittico di Santa Maria degli Angeli di Nardo di Cione. Livorno, 2001: 68, 75 n. 32.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 13, no. 8, color repro.
2004
Secrest, Meryle. Duveen: A Life in Art. New York, 2004: 466.
2005
Schmidt, Victor M. Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250-1400. Florence, 2005: 68 n. 76.
2008
Tartuferi, Angelo, ed. L’eredità di Giotto: arte a Firenze 1340-1375. Exh. cat. Galleria degli Uffizi, Florence, 2008: 16 (repro.), 168, repro. 169.
2009
Kanter, Laurence B. "Riconsiderazioni orcagnesche: due pannelli della collezione Crespi attribuiti al Maestro della Predella dell’Ashmolean Museum." In I fondi oro della collezione Alberto Crespi al Museo Diocesano: Questioni iconografiche e attributive. Edited by Museo Diocesano di Milano. Cinisello Balsamo (Milan), 2009: 55.

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