National Gallery of Art :: The Collection :: Madonna and Child Enthroned
  • Inscription
  • Provenance
  • Exhibition History
  • Bibliography

Overview

No overview.

Inscription

across bottom: MARGARIT' [DE A]RITIO ME FECIT (Margaritus of Arezzo made me)

Marks and Labels

null

Provenance

Executed for the church of a Benedictine monastery in the area of Arezzo, possibly for the Badia delle Sante Flora e Lucilla near the city walls;[1] probably (art market, Rome); acquired by William Blundell Spence [1814–1900], Florence and London, by 1859;[2] Ralph Nicholson Wornum [1812–1877], London, by 1865.[3] Augustus Henry Lane Fox Pitt-Rivers [1827–1900], Rushmore House and King John’s House, Tollard Royal, Wiltshire, by 1894;[4] by descent to his grandson, George Henry Lane Fox Pitt-Rivers [1890–1966], Hinton St. Mary, Dorset, by 1926.[5] Robert Langton Douglas [1864–1951], London; (Arthur Ruck, London);[6] sold to Philip Lehman [1861–1947], New York, by 1928; sold June 1943 to the Samuel H. Kress Foundation, New York;[7] gift 1952 to NGA.

[1] This is suggested by the presence in the background of the painting of three saints identifiable as Benedict, Flora, and Lucilla. On the two latter saints and their cult, see Giuseppe Palazzini, “Lucilla, Flora, Eugenio e compagni,” BS (1967): 275-276.

[2] On Spence, painter, collector and dealer, see Donata Levi, “William Blundell Spence a Firenze,” in Studi e ricerche di collezionismo e museografia. Firenze 1820 – 1920, Pisa, 1985: 85-149. On 27 July 1859, Spence offered for sale to Lord Lindsay three pictures he had received from Rome shortly before, stating that one of them was signed by Margarito. John Fleming ("Art Dealing in the Risorgimento II - III,” The Burlington Magazine 121 (1979): 503 n. 62) plausibly identifies this otherwise undescribed painting with NGA 1952.5.12; see also Hugh Brigstocke, “Lord Lindsay as a collector,” Bullettin of the John Rylands University Library of Machester 64, n° 2 (1982): 321 n. 4. Lord Lindsay did not buy the panel, which evidently remained for some time with Spence.

[3] Wornum was Keeper of the National Gallery, London, from 1854 until his death. He lent the painting to an exhibition at the British Institution in 1865.

[4] The names of Wornum and Pitt-Rivers are given by Oskar Wulff (“Zwei Tafelbilder des Duecento in Kaiser – Friederich – Museum,” Jahrbuch der Königlich preussischen Kunstsammlungen, 37 (1916): 92 n. 6) and by Robert Lehman (The Philip Lehman Collection, New York and Paris,1928: no. 1). Lehman lists first the Pitt-Rivers collection and then that of Wornum. However, Wornum died in 1877, and, as Daniela Parenti kindly pointed out to Miklós Boskovits, it was only in 1880 that Augustus Henry Lane Fox assumed the surname Pitt-Rivers and took up residence at Rushmore. The painting is described in 1894 by Roach Le Schonix as the earliest European picture displayed by Pitt-Rivers in King John’s House at Tollard Royal as part of “a valuable series of small original pictures illustrating the history of painting from the earliest times. . . . ” (“Notes on Archaeology in Provincial Museums. No. XXXVII–The Museums at Farnham, Dorset, and at King John’s House, Tollard Royal,” The Antiquary 30 [July–December 1894]: 166–171).

[5] The painting is described as among those seen on 19 June 1926, by staff members of Duveen Brothers, Inc. (Duveen Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los Angeles: Scouts Books: England, Things Seen, 1922–1935, reel 71, box 201, folder 1; kindly brought to the attention of NGA by an e-mail, 7 July 2004, from Maria Gilbert of the Project for the Study of Collecting and Provenance, Getty Research Institute, in NGA curatorial files).

[6] Denys Sutton, "Robert Langton Douglas. Part III," Apollo CIX, no. 208 (June 1979): 459 (fig. 22), 468, provides the information that Douglas sold the painting to Ruck, but implies the sale took place before the 1920s, which is not correct (see note 5).

[7] The bill of sale for the Kress Foundation’s purchase of fifteen paintings from the Lehman collection, including NGA 1952.5.12, is dated 11 June 1943; payment was made four days later (copy in NGA curatorial files). The documents concerning the 1943 sale all indicate that Philip Lehman’s son Robert Lehman (1892–1963) was owner of the paintings, but it is not clear in the Lehman Collection archives at the Metropolitan Museum of Art, New York, whether Robert made the sale for his father or on his own behalf. See Laurence Kanter’s email of 6 May 2011, about ownership of the Lehman collection, in NGA curatorial files.

Exhibition History

1865
Pictures by Italian, Spanish, Flemish, Dutch, French, and English Masters, British Institution, London, 1865, no. 75, as The Madonna and Child, enthroned with Saints Bruno and Benedict, and Two Cistercian Nuns as Wise Virgins.
1946
Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946, no. 807.

Bibliography

1928
Lehman 1928, no. I, repro.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 3, repro.
1946
Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 13, repro.
1951
Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 12-15, repro.
1959
Kress 1957, 9, repro.
1959
Shapley, Fern Rusk. Early Italian Painting in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Three in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 3, fig. 1
1963
Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 297, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 83
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 3-4, fig. 1.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 73, repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 214, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:301-302, II:pl. 215
1979
Sutton, Denys. "Robert Langton Douglas. Part III." Apollo 109 (June 1979): 459 [177] fig. 22, 468 [186].
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 67, no. 5, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 250, repro.
1998
Wheeler, Marion, ed. His Face--Images of Christ in Art: Selections from the King James Version of the Bible. New York, 1998: 126, no. 22, color repro.

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