Overview

No overview available.

Inscription

Marks and Labels

null

Provenance

Art market, Florence; Philip Lehman [1861-1947], New York, by 1917;[1] sold September 1943 to the Samuel H. Kress Foundation, New York;[2] gift 1952 to NGA.

Exhibition History

1917
Loan Exhibition of Italian Primitives, F. Kleinberger Galleries, New York, 1917, no. 5, repro.
1946
Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946.

Bibliography

1907
Gronau, Hans Dietrich. "Jacopo di Cione." In Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Edited by Ulrich Thieme, Felix Becker and Hans Vollmer. 37 vols. Leipzig, 1907-1950: 26(1932):39.
1917
Sirén, Osvald. Giotto and Some of His Followers. 2 vols. Translated by Frederic Schenck. Cambridge, 1917: 1:220, 224, 225, 275; 2:pl. 187.
1919
Offner, Richard. "Italian Pictures at the New York Historical Society and Elsewhere." Art in America 7 (1919): 14.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 3(1924):466-468; 5(1925):479, fig. 284.
1928
Lehman, Robert. The Philip Lehman Collection, New York: Paintings. Paris, 1928: no. V, repro.
1930
Berenson, Bernard. "Quadri senza casa. Il Trecento fiorentino, 2." Dedalo 11 (1930-1931): 1057.
1930
Mayer, August L. "Die Sammlung Philip Lehman." Pantheon 5 (1930): 113.
1930
Salmi, Mario. "Review of L’arte nelle Marche dalle origini cristiane alla fine del Gotico by Luigi Serra." Rivista d’arte 12 (1930): 309.
1931
Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 43, repro..
1932
Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 275.
1933
Gronau, Hans Dietrich. "Lorenzo di Bicci: ein Rekonstruktionsversuch." Mitteilungen des Kunsthistorischen Institutes in Florenz 4 (1933): 114.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 53, repro.
1936
Berenson, Bernard. Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Translated by Emilio Cecchi. Milan, 1936: 236.
1936
Meiss, Millard. "The Madonna of Humility." The Art Bulletin 18 (1936): 447, fig. 10.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 15, repro.
1946
Friedmann, Herbert. The Symbolic Goldfinch. Its History and Significance in European Devotional Art. Washington, DC, 1946: 145.
1948
Antal, Frederick. Florentine Painting and its Social Background: The Bourgeois Republic before Cosimo de’ Medici’s Advent to Power, XIV and XV Centuries. London, 1948: 145, 194, 225 nn. 126-127, pl. 44a.
1951
Meiss, Millard. Painting in Florence and Siena after the Black Death. Princeton, 1951: 31, 42, 138, fig. 140.
1951
Toesca, Pietro. Il Trecento. Storia dell’arte italiana, 2. Turin, 1951: 637 n. 157.
1954
Shorr, Dorothy C. The Christ Child in Devotional Images in Italy During the XIV Century. New York, 1954: 74, 75, repro. 80.
1956
Laclotte, Michel. De Giotto à Bellini: les primitifs italiens dans les musées de France. Exh. cat. Musée de l’Orangerie, Paris, 1956: 17.
1957
Levi D'Ancona, Mirella. "Don Silvestro dei Gherarducci e il Maestro delle Canzoni. Due miniatori trecenteschi della scuola di S. Maria degli Angeli a Firenze." Rivista d’arte 32 (1957): 11, 13.
1957
Steinweg, Klara. "Die Kreuzigung Petri des Jacopo di Cione in der Pinacoteca Vaticana." Rendiconti. Pontificia Accademia romana di archeologia 30-31 (1957-1959): 244 n. 19.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 22, repro.
1960
Tartuferi, Angelo. "Jacopo di Cione." In Dizionario biografico degli italiani. Edited by Alberto Maria Ghisalberti. 79+ vols. Rome, 1960+: 62(2004):58.
1962
Boskovits, Miklós. "Une Madonne de l’atelier de Niccolò di Pietro Gerini." Bulletin du Musée Hongrois des Beaux-Arts 21 (1962): 27.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 2:106, 163.
1964
Parronchi, Alessandro. Studi sulla “dolce” prospettiva. Milan, 1964: 121.
1965
Marcucci, Luisa. Gallerie nazionali di Firenze. Vol. 2, I dipinti toscani del secolo XIV. Rome, 1965: 102, 129, 136, 137.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 97.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 31-32, fig. 76.
1967
Boskovits, Miklós. "Der Meister der Santa Verdiana: Beiträge zur Geschichte der florentinischen Malerei um die Wende des 14. und 15. Jahrhunderts." Mitteilungen des Kunsthistorischen Institutes in Florenz 13 (1967): 50.
1967
Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 99, 149, 160 (repro.), 255, 397.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 85, repro.
1970
Huter, Carl. "Gentile da Fabriano and the Madonna of Humility." Arte veneta 24 (1970): 29-30, 34 n. 12, fig. 38.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 102, 152, 646.
1973
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 382.
1975
Boskovits, Miklós. Pittura fiorentina alla vigilia del Rinascimento, 1370-1400. Florence, 1975: 54, 96, 211 n. 52, 330.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 256, repro.
1976
Laclotte, Michel, and Elisabeth Mognetti. Avignon, Musée du Petit Palais: peinture italienne. 2nd ed. Paris, 1976: no. 78.
1979
Gealt, Adelheid Medicus. Lorenzo di Niccolò. PhD diss. Indiana University, 1979. Ann Arbor, MI, 1980: 55 n. 22.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. National Gallery of Art, Washington, 1979: 1:248-249; 2:pl. 169, as by Jacopo di Cione.
1980
Gli Uffizi: catalogo generale. 2nd ed. Florence, 1980: 288.
1980
Strom, Deborah Phyl. "A New Look at Jacopo della Quercia’s Madonna of Humility." Antichità viva 19, no. 6 (1980): 19, fig. 6.
1981
Padoa Rizzo, Anna. "Per Andrea Orcagna pittore." Annali della Scuola normale superiore di Pisa. 11 (1981): 852, 887, pl. lxiii-2.
1983
Kreytenberg, Gert. "Cione, Andrea di." In Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meißner. 83+ vols. Munich and Leipzig, 1983+: 19(1998):259.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 294, repro.
1989
Eisenberg, Marvin. Lorenzo Monaco. Princeton, 1989: 7, 53 n. 27, fig. 266.
1990
Kreytenberg, Gert. "Orcagna’s Madonna of Humility in the National Gallery of Art in Washington: Fragen nach Attribution und Ikonographie." Center / National Gallery of Art, Center for Advanced Study in the Visual Arts 10 (1990): 57-58.
1991
Deimling, Barbara. "Il Maestro di Santa Verdiana. Un polittico disperso e il problema dell’identificazione." Arte cristiana 79 (1991): 406.
1991
Kreytenberg, Gert. "Andrea di Cione." In Enciclopedia dell’arte medievale. Edited by Istituto della Enciclopedia italiana. 12 vols. Rome, 1991-2002: 1(1991):607.
1993
Joannides, Paul. Masaccio and Masolino: A Complete Catalogue. London, 1993: 41, 48, 380, pl. 28.
1993
Roberts, Perri Lee. Masolino da Panicale. Oxford, 1993: 25, 253, fig. 7.
1994
Kanter, Laurence B., Barbara Drake Boehm, Carl Brandon Strehlke, Gaudenz Freuler, and Christa C. Mayer-Thurman. Painting and Illumination in Early Renaissance Florence, 1300-1450. Exh. cat. The Metropolitan Museum of Art, New York, 1994: 130, 168.
1994
Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:195; 2:punch chart 6.14.
1995
Kreytenberg, Gert. "L’arca di San Ranieri di Tino di Camaino. Questioni di tipologia e di iconografia." In Storia ed arte nella Piazza del Duomo: Conferenze 1992-1993. Edited by Opera della Primaziale pisana. Pisa, 1995: 36-37, fig. 17.
1995
Tamassia, Marilena. Collezioni d’arte tra Ottocento e Novecento: Jacquier Fotografi a Firenze, 1870-1935. Naples, 1995: 85.
1996
Kreytenberg, Gert. "Cione." In The Dictionary of Art. Edited by Jane Turner. 34 vols. New York and London, 1996: 7:335.
1998
Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 514.
2000
Kreytenberg, Gert. Orcagna, Andrea di Cione: ein universeller Künstler der Gotik in Florenz. Mainz, 2000: 164-166, 180, 250, pl. 47.
2001
Deimling, Barbara. "The Contamination of the Senses and the Purification of the Air in Mid-Fourteenth-Century Florence." In Opere e giorni: studi su mille anni di arte europea dedicati a Max Seidel. Edited by Klaus Bergdolt and Giorgio Bonsanti. Venice, 2001: 171 fig. 6.
2001
Parenti, Daniela. "Studi recenti su Orcagna e sulla pittura dopo la ‘peste nera’." Arte cristiana 89 (2001): 330.
2002
Franci, Beatrice. "Orcagna, Andrea." In La pittura in Europa. Il Dizionario dei pittori. Edited by Carlo Pirovano. 3 vols. Milan, 2002: 2:660-661.
2003
Boskovits, Miklós, and Angelo Tartuferi, eds. Dipinti. Vol. 1, Dal Duecento a Giovanni da Milano. Catalogue of the Galleria dell'Accademia, Florence. 1st ed. Florence, 2003: 124, 136.
2004
Strehlke, Carl Brandon. Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art. Philadelphia, 2004: 415 (repro.), 416.
2005
Laclotte, Michel, and Esther Moench. Peinture italienne: Musée du Petit Palais, Avignon. Paris, 2005: 103.
2006
Tartuferi, Angelo, and Daniela Parenti, eds. Lorenzo Monaco: dalla tradizione giottesca al Rinascimento. Exh. cat. Galleria dell’Accademia, Florence, 2006: 101, fig. 1.
2009
Deimling, Barbara. "Tommaso del Mazza: The Portrait of a Painter in Late Trecento Florence." In Discovering a Pre-Renaissance Master: Tomasso del Mazza. Edited by Anne Short. Greenville, S.C., 2009: 3.
2010
Boskovits, Miklós, and Daniela Parenti, eds. Cataloghi della Galleria dell’Accademia di Firenze: Dipinti. Vol. 2, Il tardo Trecento: dalla tradizione orcagnesca agli esordi del gotico internazionale.. Florence, 2010: 154, 174.

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