Overview

No overview available.

Inscription

Marks and Labels

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Provenance

Art market, Florence; Philip Lehman [1861-1947], New York, by 1917;[1] sold September 1943 to the Samuel H. Kress Foundation, New York;[2] gift 1952 to NGA.

Exhibition History

1917
Loan Exhibition of Italian Primitives, F. Kleinberger Galleries, New York, 1917, no. 5, repro.
1946
Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946.

Bibliography

1917
Sirén, Osvald. Giotto and Some of His Followers. 2 vols. Translated by Frederic Schenck. Cambridge, 1917: 1:220, 224, 225, 275; 2:pl. 187.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 3(1924):466-468.
1931
Venturi, Lionello. Pitture italiane in America. Milan, 1931: no. 43, repro..
1932
Berenson, Bernard. Italian Pictures of the Renaissance: A List of the Principal Artists and their Works with an Index of Places. Oxford, 1932: 275.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. Translated by Countess Vanden Heuvel and Charles Marriott. New York and Milan, 1933: 1:no. 53, repro.
1936
Berenson, Bernard. Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere con un indice dei luoghi. Translated by Emilio Cecchi. Milan, 1936: 236.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 15, repro.
1951
Meiss, Millard. Painting in Florence and Siena after the Black Death. Princeton, 1951: 31, 42, 138, fig. 140.
1951
Toesca, Pietro. Il Trecento. Storia dell’arte italiana, 2. Turin, 1951: 637 n. 157.
1954
Shorr, Dorothy C. The Christ Child in Devotional Images in Italy During the XIV Century. New York, 1954: 74, 75, repro. 80.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 22, repro.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 2:106, 163.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 97
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 31-32, fig. 76.
1967
Klesse, Brigitte. Seidenstoffe in der italienischen Malerei des 14. Jahrhunderts. Bern, 1967: 99, 149, 160 (repro.), 255, 397.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 85, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 102, 152, 646.
1975
Boskovits, Miklós. Pittura fiorentina alla vigilia del Rinascimento, 1370-1400. Florence, 1975: 54, 96, 211 n. 52, 330.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 256, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:248-249, II:pl. 169, as by Jacopo di Cione.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 294, repro.
1994
Skaug, Erling S. Punch Marks from Giotto to Fra Angelico: Attribution, Chronology, and Workshop Relationships in Tuscan Panel Painting with Particular Consideration to Florence, c. 1330-1430. 2 vols. Oslo, 1994: 1:195; 2:punch chart 6.14.
1998
Frinta, Mojmír S. Punched Decoration on Late Medieval Panel and Miniature Painting. Prague, 1998: 514.
2004
Strehlke, Carl Brandon. Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art. Philadelphia, 2004: 415 (repro.), 416.

Technical Summary

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