National Gallery of Art :: The Collection :: Saint Anthony Leaving His Monastery
  • Provenance
  • Exhibition History
  • Bibliography

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Provenance

Probably Aloisi-Vicoli-Caccialupi family, San Severino Marche; by inheritance to Count Augusto Caccialupi Olivieri [1834-1897], Macerata, by 1870;[1] purchased by Robert Jenkins Nevin [1839-1906], Rome.[2] Dan Fellows Platt [1873-1938], Englewood, New Jersey, by 1907;[3] sold November 1943 by the trustees of the Platt estate to the Samuel H. Kress Foundation, New York;[4] gift 1952 to NGA.

[1] See Filippo Raffaelli, Catalogo di quadric divarie scuole pittoriche raccolti dal Sig. Conte Augusto Caccialupi in Macerata, Macerata, 1870: 6, nos. V, VI. Count Augusto Caccialupi's family inherited, apart from the Caccialupi estate, also those of the Aloisi and Vicoli families of San Severino. The Caccialupis were also from this city; Count Augusto, however, lived in Macerata; see Vittorio Spreti, Enciclopedia storico-nobiliare italiana, Milan, 1929: 2:226-229, and Aldo Adversi, Dante Cecchi, and Libero Paci, Storia di Macerata, 5 vols., Macerata, 1971-1977: 2(1972):59.

[2] In the preface to the Catalogo della vendita della collezione del fu reverendo Dottor Roberto I. Nevin..., sale cat. Galleria Sangiorgi, Rome, 22-27 April 1907: 8, Frederick Mason Perkins mentions that a group of paintings was acquired by Nevin from the Caccialupi collection. According to Giusepe Vitalini Sacconi (Pittura marchigiana. La scuola camerinese, Trieste, 1968: 238 n. 285), Nevin bought all of what at that remained of the collection, a considerable part of which was already sold before 1870. The provenance of NGA 1952.5.20 and NGA 1952.5.21 from the Nevin collection is first stated by Lionello Venturi, Pitture italiane in America, Milan, 1931: no. CXXV. They must have been sold before Nevin died, as they are not in the catalogue of his 1907 estate sale.

[4] gift 1952 to NGA. [1] See Filippo Raffaelli, Catalogo di quadric divarie scuole pittoriche raccolti dal Sig. Conte Augusto Caccialupi in Macerata, Macerata, 1870: 6, nos. V, VI. Count Augusto Caccialupi's family inherited, apart from the Caccialupi estate, also those of the Aloisi and Vicoli families of San Severino. The Caccialupis were also from this city; Count Augusto, however, lived in Macerata; see Vittorio Spreti, Enciclopedia storico-nobiliare italiana, Milan, 1929: 2:226-229, and Aldo Adversi, Dante Cecchi, and Libero Paci, Storia di Macerata, 5 vols., Macerata, 1971-1977: 2(1972):59. [2] In the preface to the Catalogo della vendita della collezione del fu reverendo Dottor Roberto I. Nevin..., sale cat. Galleria Sangiorgi, Rome, 22-27 April 1907: 8, Frederick Mason Perkins mentions that a group of paintings was acquired by Nevin from the Caccialupi collection. According to Giusepe Vitalini Sacconi (Pittura marchigiana. La scuola camerinese, Trieste, 1968: 238 n. 285), Nevin bought all of what at that remained of the collection, a considerable part of which was already sold before 1870. The provenance of NGA 1952.5.20 and NGA 1952.5.21 from the Nevin collection is first stated by Lionello Venturi, Pitture italiane in America, Milan, 1931: no. CXXV. They must have been sold before Nevin died, as they are not in the catalogue of his 1907 estate sale. [3] There seen already by Frederick Mason Perkins 1907: 76.

[5] The bill of sale for six paintings from Ethel Bliss Platt, as trustee of the estate of Dan Fellows Platt, to the Kress Foundation is dated 30 November 1943. A letter of the same date from the Foundation to Mrs. Platt confirms that the purchase is "made with the understanding that [the paintings] are to be deeded to the National Gallery of Art, Washington, D.C." (Copies of both documents are in NGA curatorial files.)

Exhibition History

1917
Loan Exhibition of Italian Primitives, F. Kleinberger Galleries, New York, 1917, no. 52, repro.
1939
Masterpieces of Art. European Paintings and Sculpture from 1300-1800, New York World's Fair, 1939, no. 347a, repro., as St. Anthony leaves the Monastery for Alexandria by Sassetta.
1940
Golden Gate International Exposition, Palace of Fine Arts, San Francisco, 1940, no. 120, repro., as St. Anthony Leaves the Monastery for Alexandria by Sassetta.
1946
Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946, no. 818, as by Sassetta.
1988
Painting in Renaissance Siena, 1420-1500, The Metropolitan Museum of Art, New York, 1988-1989, no. 10c, repro., as Saint Anthony Blessed by an Old Hermit by the Master of the Osservanza.
2010
Da Jacopo della Quercia a Donatello. Le Arti a Siena nel Primo Rinascimento, Complesso Museale Santa Maria della Scala, Siena, 2010, no. C.34c, repro.

Bibliography

1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 39, repro., as by Sassetta.
1946
Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 27, repro., as by Sassetta
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 40, repro., as by Sassetta.
1959
Shapley, Fern Rusk. Early Italian Painting in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Three in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 18, color repro., as by Sassetta.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 120, as by Sassetta and Assistant.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 141, fig. 379.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 107, repro., as by Sassetta and Assistant.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 318, repro., as by Sassetta and Assistant.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:319-323, II:pl. 232, as Master of the Osservanza Triptych.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 80, no. 28, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 368, repro.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 481-495, color repro., as by Master of the Osservanza (Sano di Pietro).

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