Overview

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Marks and Labels

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Provenance

Probably Aloisi-Vicoli-Caccialupi family, San Severino Marche; by inheritance to Count Augusto Caccialupi Olivieri [1834-1897], Macerata, by 1870;[1] purchased by Robert Jenkins Nevin [1839-1906], Rome.[2] Dan Fellows Platt [1873-1938], Englewood, New Jersey, in 1906;[3] sold November 1943 by the trustees of the Platt estate to the Samuel H. Kress Foundation, New York;[4] gift 1952 to NGA.

Exhibition History

1917
Loan Exhibition of Italian Primitives, F. Kleinberger Galleries, New York, 1917, no. 52, repro.
1939
Masterpieces of Art. European Paintings and Sculpture from 1300-1800, New York World's Fair, 1939, no. 347a, repro., as St. Anthony leaves the Monastery for Alexandria by Sassetta.
1940
Golden Gate International Exposition, Palace of Fine Arts, San Francisco, 1940, no. 120, repro., as St. Anthony Leaves the Monastery for Alexandria by Sassetta.
1946
Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946, no. 818, as by Sassetta.
1988
Painting in Renaissance Siena, 1420-1500, The Metropolitan Museum of Art, New York, 1988-1989, no. 10c, repro., as Saint Anthony Blessed by an Old Hermit by the Master of the Osservanza.
2010
Da Jacopo della Quercia a Donatello. Le Arti a Siena nel Primo Rinascimento, Complesso Museale Santa Maria della Scala, Siena, 2010, no. C.34c, repro.

Bibliography

1907
Perkins, F. Mason. "Quattro tavole inedite del Sassetta," Rassegna d'Arte Senese 7 (1907): 45-46.
1931
Waterhouse, Ellis K. "Sassetta and the Legend of St. Anthony Abbot." The Burlington Magazine 59 (September 1931): 108-113.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. New York and Milan, 1933: 1:138, repro.
1939
Pope-Hennessy, John. Sassetta. London, 1939: 69-77, 82-86, 91-93, n. 35-50, repro. pl. xiii.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 39, repro., as by Sassetta.
1946
Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 27, repro., as by Sassetta
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 40, repro., as by Sassetta.
1959
Shapley, Fern Rusk. Early Italian Painting in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Three in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 18, color repro., as by Sassetta.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 120, as by Sassetta and Assistant.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 141, fig. 379.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 107, repro., as by Sassetta and Assistant.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 318, repro., as by Sassetta and Assistant.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:319-323, II:pl. 232, as Master of the Osservanza Triptych.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 80, no. 28, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 368, repro.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 481-495, color repro., as by Master of the Osservanza (Sano di Pietro).

Technical Summary

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