Overview

No overview available.

Inscription

Marks and Labels

null

Provenance

John M. Romadka [d. 1898], Prague and Milwaukee, by 1858; his widow, Mrs. John M. Romadka [d. 1936]; their daughter, Mary Tekla Romadka, Pasadena, California.[1] (Duveen Brothers, New York), by 1945; purchased 1949 by the Samuel H. Kress Foundation, New York; gift 1952 by exchange to NGA.

Exhibition History

1945
An Exhibition of Painting and Sculpture of Saint Jerome, Durlacher Galleries, New York, 1945, no. 9.
1945
Exhibition of Paintings by Old Masters, Flint Institute of Art, Michigan, 1945, no. 4.
1945
Ten Masterpieces of Art, Crandall Public Library, Glens Falls, New York, 1945, no. 2.
1946
An Exhibition of Flemish Paintings of the Fifteenth and Early Sixteenth Centuries, Duveen Art Galleries, New York, 1946, no. 8.
2010
Jan Gossaert's Renaissance, The Metropolitan Museum of Art, New York; The National Gallery, London, 2010-2011, no. 22, repro. (not in London catalogue).

Bibliography

1907
Winkler, Friedrich. "Gossaert, Jan." In Thieme-Becker. 37 vols. Leipzig, 1907-1950: 2(1921):412.
1916
Friedländer, Max J. Von Eyck bis Bruegel. Berlin, 1916: 188.
1924
Friedländer, Max J. Die altniederländische Malerei 14 vols.,1924-1937. Berlin, 1930: 8:154, no. 22, pl. 23. (English ed., 14 vols., 1967-1976. Leiden, 1972: 8:93, 120, no. 22, pl. 21.)
1933
Held, Julius. "Overzicht der Litteratuur betreffende Nederlandsche Kunst." Oud Holland 50 (1933): 137-138.
1933
Smits, K. De Ikonographie van de Nederlandsche Primitieven. Amsterdam, 1933: 187.
1945
Anon. "Old Masters Feature Flint Victory Show." The Art Digest 19 (15 September, 1945): 8, repro.
1945
Breuning, Margaret. "Portraying St. Jerome." Art Digest 19 (15 March, 1945): 21.
1945
Glück, Gustav. "Mabuse and the Development of the Flemish Renaissance." The Art Quarterly 8 (1945): 127, fig. 8.
1945
Louchheim, Aline. "Saint Jerome. Variations on a Theme." Art News 44 (15-31 March, 1945): 10, 31, repro.
1951
Folie, Jacqueline. "Les Dessins de Jean Gossaert dit Mabuse." Gazette des Beaux-Arts 38 (appeared 1960) (1951): 84.
1951
Frankfurter, Alfred. "Interpreting Masterpieces: Twenty-four Paintings from the Kress Collection." Art News 50 (1951): 114-115, repro. 109, 115.
1951
_Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1945-1951. Introduction by John Walker, text by William E. Suida. National Gallery of Art, Washington, 1951: 198, no. 87, repro.
1952
Frankfurter, Alfred M. "Interpreting Masterpieces: Twenty-four Paintings from the Kress Collection." Art News Annual 16 (1952): 114-115, repro. 109.
1957
Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 20.
1959
_Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 281, repro.
1960
Broadley Hugh T. Flemish Painting in the National Gallery of Art (Booklet no. 5 in Ten Schools of Painting in the National Gallery of Art, Washington, DC). Washington, 1960: 7, 28-29, color repro.
1961
Osten, Gert von der. "Studien zu Jan Gossaert." De Artibus Opuscula XL. Essays in Honor of Erwin Panofsky. 2 vols. New York, 1961: 457, fig. 1.
1961
Seymour, Charles. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 86, 87, 211, fig. 79
1962
Winkler, Friedrich. "Aus der ersten Schaffenzeit des Jan Gossaert." Pantheon 20 (1962): 150-151, fig. 11.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 304, repro.
1965
Bruyn, Josua. "The Jan Gossaert Exhibition in Rotterdam and Bruges." The Burlington Magazine 107 (1965): 463.
1965
_Jean Gossaert dit Mabuse. Exh. cat. Museum Boymans-van Beuningen, Rotterdam; and Groeningemuseum, Bruges, 1965: 53.
1965
_Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 60.
1968
Cuttler, Charles D. Northern Painting, from Pucelle to Bruegel: Fourteenth, Fifteenth, and Sixteenth Centuries. New York, 1968: 428.
1968
_European Paintings and Sculpture: Illustrations (Companion to the Summary Catalogue, 1965). Washington, 1968: 52, no. 1125, repro.
1968
Herzog, Sadja. "Jan Gossaert called Mabuse (ca. 1478-1532): A Study of his Chronology with a Catalogue of his Works." Ph.D. diss., Bryn Mawr College, 1968: 60-62, 210-213, no. 5, pl. 6.
1968
_The Picture Gallery. Summary Catalogue of Paintings in the Dahlem Museum. Berlin, 1968: 51, no. 551A.
1969
Osten, Gert von der, and Horst Vey. Painting and Sculpture in Germany and the Netherlands 1500 to 1600. Harmondsworth, 1969: 156.
1970
Herzog, Sadja. "Gossaert, Italy and the National Gallery's Saint Jerome Penitent." Studies in the History of Art 3 (1969-70):59-73, figs. 1-5.
1972
Hand, John Oliver. Joos van Cleve and the Saint Jerome in the Norton Gallery and School of Art. West Palm Beach, 1972: unpaginated, fig. 2.
1974
Kuretsky, Susan. "Rembrandt's Tree Stump: An Iconographic Attribute of St. Jerome." The Art Bulletin 56, no. 4 (December 1974): 573-574, fig. 4.
1975
_European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 156, repro. 157.
1975
_Gemäldegalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Katalog der ausgestellten Gemälde des 13.-18. Jahrhunderts. Berlin, 1975: 179-180, no. 551A.
1975
Walker, John. National Gallery of Art, Washington. New York, 1975: 134, figs. 137, 138.
1977
Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 78-81, figs. 73-75.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 135, no. 131, color repro.
1985
_European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 181, repro.
1986
Hand, John Oliver and Martha Wolff. Early Netherlandish Painting. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1986: 99-103, repro. 100.

Technical Summary

The "yellow glazes" in the figure of Jerome mentioned by Eisler and others are actually discolored restorations probably applied to mask areas of abrasion.

Related Works

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