Overview

No overview available.

Inscription

on the scroll held by Saint John the Baptist: E[C]CE / AGNU[S] / DEI:[ECCE] / [Q]UI [TOLLIT PECCATUM MUNDI] (from John 1:29)

Marks and Labels

null

Provenance

Church of San Francesco, Pisa; Carlo Lasinio [1759-1838], Pisa;[1] possibly Francis Douce [1757-1834], London, by 1829;[2] Mrs. Fanshaw; (sale, Christie & Manson, London, 21 March 1835, no. 80).[3] (country sale, Patterdale Hall, Ullswater, near Penrith, Cumbria, 8 August 1934); (P. & D. Colnaghi & Co., London); sold 8 April 1935 to (Gualtiero Volterra, Florence);[4] (Count Alessandro Contini-Bonaccossi, Florence), by 1935; sold 1948 to the Samuel H. Kress Foundation, New York;[5] gift 1952 to NGA.

Exhibition History
Bibliography
1941
Coletti, Luigi. I Primitivi. 3 vols. Novara, 1941-1947: 1(1941):33-34.
1948
Longhi, Roberto. "Giudizio sul Duecento." Proporzioni 2 (1948): 16, 45, pls. 19-20.
1948
Pope-Hennessy, John. "Review of Proporzioni II by Roberto Longhi." The Burlington Magazine 90 (1948): 360.
1949
Garrison, Edward B. Italian Romanesque Panel Painting: An Illustrated Index. Florence, 1949: 18, 100 (no. 251 A), repro.
1950
Salvini, Roberto. "Postilla a Cimabue." Rivista d’arte 26 (1950): 54.
1951
Brandi, Cesare. Duccio. Florence, 1951: 135 n. 13.
1951
Galetti, Ugo, and Ettore Camesasca. Enciclopedia della pittura italiana. 3 vols. Milan, 1951: 1:672.
1954
Volpe, Carlo. "Preistoria di Duccio." Paragone 5, no. 49 (1954): 18.
1955
Ragghianti, Carlo Ludovico. Pittura del Dugento a Firenze. Florence, 1955: 124, 127, fig. 191.
1956
Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 50, no. 16, repro., as by Cimabue.
1956
Samek Ludovici, Sergio. Cimabue. Milan, 1956: 24, 32, pls. 8-9.
1958
Salvini, Roberto. "Cimabue." In Enciclopedia Universale dell’Arte. Edited by Istituto per la collaborazione culturale. 15 vols. Florence, 1958-1967: 3(1960):472.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 15, repro., as by Cimabue.
1960
Bologna, Ferdinando. "Un capolavoro giovanile di Duccio." Paragone 11, no. 125 (1960): 9-10, 25 n. 7, 27 n. 16.
1960
Boskovits, Miklós. "Cenni di Pepe (Pepo), detto Cimabue." In Dizionario biografico degli italiani. Edited by Alberto Maria Ghisalberti. 82+ vols. Rome, 1960+: 23(1979):542.
1963
Battisti, Eugenio. Cimabue. Milan, 1963: 109, fig. 35.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:50.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 28.
1966
Michener, James A. “Four Miracles—And A Masterpiece.” Reader’s Digest 89 (November 1966): 164.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 5-6, fig. 9.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 21, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 54, 311, 410, 646, 665.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 70, repro.
1975
Sindona, Enio. L’opera completa di Cimabue e il momento figurativo pregiottesco. Milan, 1975: 117, 118, fig. 49.
1976
Boskovits, Miklós. Cimabue e i precursori di Giotto: affreschi, mosaici e tavole. Florence, 1976: n.p. [9], no. 22.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. National Gallery of Art. 2 vols. Washington, 1979: I:133-134; 2:pl. 93
1980
Lygon, Dorothy, and Russell Francis. "Tuscan Primitives in London Sales: 1801-1837." The Burlington Magazine 122 (1980): 113, 116.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 89, repro.
1985
Tartuferi, Angelo. "Pittura fiorentina del Duecento." In La Pittura in Italia. Le origini. Edited by Enrico Castelnuovo. Milan, 1985: 236, 240 n. 43.
1986
Tartuferi, Angelo. "Pittura fiorentina del Duecento." In La Pittura in Italia. Il Duecento e il Trecento. Edited by Enrico Castelnuovo. 2 vols. Milan, 1986: 1:278, 282 n. 41.
1987
Marques, Luiz. La peinture du Duecento en Italie centrale. Paris, 1987: 5, 107, 135, 244 n. 173, 282, pl. C.
1988
Tartuferi, Angelo. "Un libro e alcune considerazioni sulla pittura del Duecento in Italia centrale." Arte cristiana 76 (1988): 434, 440 n. 26.
1990
Grabski, Józef, ed. Opus Sacrum: Catalogue of the Exhibition from the Collection of Barbara Piasecka Johnson. Exh. cat. Zamek Królewski, Warsaw, 1990. Vienna, 1990: 30.
1990
Tartuferi, Angelo. La pittura a Firenze nel Duecento. Florence, 1990: 47, 49, 57 no. 56, fig. 180.
1992
Hall, Nicholas H. J., ed. Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi, New York. New York, 1992: 134.
1992
Tartuferi, Angelo. "Cimabue." In Allgemeines Künstlerlexikon: Die bildenden Künstler aller Zeiten und Völker. Edited by Günter Meissner. 87+ vols. Munich and Leipzig, 1992+: 19(1998):223.
1993
Levi, Donata. "Carlo Lasinio, Curator, Collector and Dealer." The Burlington Magazine 135 (1993): 147.
1994
Carli, Enzo. La pittura a Pisa dalle origini alla Bella Maniera. Pisa, 1994: 23.
1995
Ciatti, Marco, and Cecilia Frosinini, eds. La Madonna di San Giorgio alla Costa di Giotto: studi e restauro. Problemi di conservazione e restauro 3. Florence, 1995: 36.
1998
Bellosi, Luciano. Cimabue. Edited by Giovanna Ragionieri. 1st ed. Milan, 1998: 163-164, 241 n. 41, 251, 267, 289.
1998
Labriola, Ada. "Gaddi, Gaddo." In Dizionario biografico degli italiani. Edited by Alberto Maria Ghisalberti. 82+ vols. Rome, 1960+: 51(1998):155.
2000
Labriola, Ada. "Lo stato degli studi su Cimabue e un libro recente." Arte cristiana 88 (2000): 344.
2002
Giorgi, Silvia. "Azzo di Mazzetto." In La pittura in Europa. Il Dizionario dei pittori. Edited by Carlo Pirovano. 3 vols. Milan, 2002: 1:39.
2003
Boskovits, Miklós, and Angelo Tartuferi, eds. Dipinti. Vol. 1, Dal Duecento a Giovanni da Milano. Catalogue of the Galleria dell'Accademia, Florence.1st ed. Florence, 2003: 227.
2004
Tartuferi, Angelo, and Mario Scalini, eds. L’arte a Firenze nell’età di Dante (1250-1300). Exh. cat. Galleria dell’Accademia, Florence, 2004: 116.
2005
Wollesen, Jens T. Hasten to My Aid and Counsel: The Answers of the Pictures. Private Devotional Panel Painting in Italy around 1300. New York, 2005: 87-88, 182-183, 257 fig. 61.
2006
Flora, Holly. Cimabue and Early Italian Devotional Painting. New York, 2006: 38 n. 89.
2006
Morozzi, Luisa. "Da Lasinio a Sterbini: ‘primitivi’ in una raccolta romana di secondo Ottocento." In AEIMNEΣTOΣ. Miscellanea di studi per Mauro Cristofani. 2 vols. Edited by Benedetta Adembri. Florence, 2006: 2:915 n. 30.
2007
Boskovits, Miklós. A Critical and Historical Corpus of Florentine Painting. Sec. I, Vol. II: The Mosaics of the Baptistery of Florence. Florence, 2007: 214 n. 174.
2012
Evans, Lisa. "Anomaly or Sole Survivor? The Impruneta Cushion and Early Italian 'Patchwork'." Medieval Clothing and Textiles 8 (2012): 144-152, fig. 7.5
Technical Summary