Inscription

lower left: Robert Henri / Mar 5 1902

Provenance

Sold 1902 to A.J. Crawford.[1] (Sale, Silo's, New York, 21 February 1925, no. 268); Chester Dale [1883-1962], New York; gift 1954 to NGA.

Exhibition History
1902
Exhibition of Pictures by Robert Henri, Macbeth Gallery, New York, 1902, no. 6.
1937
An Exhibition of American Paintings from the Chester Dale Collection, The Union League Club, New York, 1937, no. 45, as New York Street in Winter.
1937
New York Realists 1900-1914, Whitney Museum of American Art, New York, 1937, no. 26.
1943
Paintings from the Chester Dale Collection, Philadelphia Museum of Art, 1943-1951, unnumbered catalogue, repro.
1965
The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
2010
From Impressionism to Modernism: The Chester Dale Collection, National Gallery of Art, January 2010-January 2012, unnumbered catalogue, repro.
Bibliography
1943
Dale 1943, unpaginated, repro.
1965
Paintings other than French in the Chester Dale Collection. National Gallery of Art, Washington, 1965: 47, repro., color repro. as frontispiece, as New York Street in Winter.
1970
American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1970: 66, repro.
1980
American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 174, repro.
1980
Wilmerding, John. American Masterpieces from the National Gallery of Art. National Gallery of Art, Washington, D.C., 1980: 134, repro.
1981
Williams 1981, color repro. 167, 199, 201.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 572, no. 875, color repro.
1988
Wilmerding, John. American Masterpieces from the National Gallery of Art. Rev. ed. National Gallery of Art, Washington, D.C., 1988: 154, repro.
1992
American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 199, repro.
1997
Southgate, M. Therese. The Art of JAMA: One Hundred Covers and Essays from The Journal of the American Medical Association. St. Louis, 1997: 62, 202, color repro.
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