Overview

No overview available.

Inscription

upper left: 1522; below date, the artist's device, a serpent with upright wings holding a ring in its mouth, facing right

Marks and Labels

null

Provenance

Dr. Friedrich Campe [1777-1846], Nuremberg, by 1844.[1] Bernhard von Lindenau, Altenburg; by inheritance to his niece, Mrs. von Watzdorf-Bachoff, Altenburg.[2] (Paul Cassirer, Berlin, by 1921).[3] Private collection, possibly von der Heydt.[4] August and Serena Lederer, Vienna, possibly by 1923, but certainly before 1932;[5] Lederer family; sold by 1954 to (Rosenberg & Stiebel, Inc., New York); purchased January 1954 by the Samuel H. Kress Foundation, New York;[6] gift 1959 to NGA.

Exhibition History

1921
Paul Cassirer Gallery, Berlin, 1921.
1994
Lucas Cranach: Ein Maler-Unternehmer aus Franken [Lucas Cranach: Painter-Entrepeneur from Franconia], Festung Rosenberg, Kronach, Germany; Museum der bildenden Künste, Leipzig, Germany, 1994, no. 157, figs. A6 and A7, repro.
2007
Cranach der Ältere, Städel Museum, Frankfurt; Royal Academy of Arts, London, 2007-2008, no. 70, repro.

Bibliography

1921
Scheffler, Karl. "Kunstausstellungen." Kunst und Künstler 19 (1921): 298, repro. 270.
1923
Glaser, Curt. Lukas Cranach. Leipzig, 1923: 179, 238, fig. 101.
1932
Friedländer, Max J. and Jakob Rosenberg. Die Gemälde von Lucas Cranach. Berlin, 1932: 53-54, no. 123, repro. English rev. ed., Amsterdam, 1978: 99, no. 145, repro.
1933
Mayer, August L. "Lukas Cranach D.Ä." Pantheon/Der Cicerone 6, no. 4 (April 1933): 270, 298, repro.
1944
Winkler, Friedrich. Altdeutsche Tafelmalerei. Munich, 1944: repro. 151.
1956
Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 56, 58, no. 18, repro. 57.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 310, repro.
1959
Richardson, E. P., ed. "Accessions of American and Canadian Museums, April-June 1959." The Art Quarterly 22, no. 3 (Autumn 1959): 275, 277, repro.
1960
Broadley Hugh T. German Painting in the National Gallery of Art (Booklet no. 9 in Ten Schools of Painting in the National Gallery of Art, Washington, DC). Washington, 1960: 7, 30-31, color repro.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 305, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 33.
1968
European Paintings and Sculpture: Illustrations (Companion to the Summary Catalogue, 1965). Washington, 1968: 27, no. 1371, repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 86, repro.
1975
Walker, John. National Gallery of Art, Washington. New York, 1975: 165, no. 184, repro. 164.
1977
Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 23-24, fig. 24.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 165, no. 178, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 105, repro.
1993
Hand, John Oliver, with the assistance of Sally E. Mansfield. German Paintings of the Fifteenth through Seventeenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1993: 40-44, color repro. 42.
1995
Löcher, Kurt. Review of German Paintings of the Fifteenth through Seventeenth Centuries, by John Oliver Hand with the assistance of Sally E. Mansfield. Kunstchronik 43 no. 1 (January 1995): 15.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 134-135, no. 101, color repro.
2007
Proske, Mirela. Lucas Cranach the Elder. Translated by Paul Aston. Munich, 2007: 30, color fig. 19.

Technical Summary


[1] The wood was indentified by Peter Klein, examination report, 10 April 1987, in NGA curatorial files, and by the National Gallery's scientific research department.

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