Overview

No overview.

Inscription

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Marks and Labels

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Provenance

Prince de Carignan; (his sale, Paris, 18 June 1743 and days following, no. 101). François-Louis de Bourbon, Prince de Conti [d. 1776], Paris; (his sale, Paris, 8 April - June 1777, no. 104); Langlier. Antoine Poullain, Paris [d. 1780]; (his estate sale, Hôtel de Bullion by J.B.P. Lebrun, Paris, 15-21 March 1780, 3rd day, no. 4); Lebrun; Joseph-Hyacinthe-François de Paul de Rigaud, comte de Vaudreuil [d. 1817], Paris; (his sale, J.B.P. Lebrun, Paris, 24-25 November 1784, 2nd day, no. 6); (Lebrun, Paris and London). Welbore Ellis Agar [d. 1805], London; by inheritance to Welbore Felix Agar and Emmanuel Felix Agar; purchased 1806 with the entire Agar collection by Robert Grosvenor, 1st marquess of Westminster [d. 1845], Eaton Hall, Cheshire, England;[1] by inheritance to Richard Grosvenor, 2nd marquess of Westminster [d. 1869], Eaton Hall; by inheritance to Hugh Lupus Grosvenor, 1st duke of Westminster [d. 1899], Eaton Hall; by inheritance to Hugh Richard Arthur Grosvenor, 2nd duke of Westminster, Eaton Hall; (Westminster sale, Christie, Manson & Woods, London, 4 July 1924, no. 58); (Buttery, London). (Julius Böhler, Munich and Lucerne); sold 17 February 1925 to Julius H. Haass [d. 1931], Detroit; by inheritance to his wife, Lillian Henkel Haass, until at least 1949.[2] (Newhouse Galleries, New York). (Frederick Mont, Inc., New York), from at least 1956; sold 14 February 1957 to the Samuel H. Kress Foundation, New York;[3] gift 1959 to NGA.

Exhibition History

1876
Royal Academy of Arts, London, 1876, no. 130.
1903
Royal Academy of Arts, London, 1903, no. 52.
1927
Fifth Loan Exhibition of Old and Modern Masters, The Detroit Institute of Arts, 1927, no. 24.
1929
[Loan Exhibition], The Detroit Institute of Arts, 1929.
1939
Mostra di Paolo Veronese, Ca' Giustinian, Venice, 1939, no. 86.
1941
Masterpieces of Art from European and American Collections. Twenty-second Loan Exhibition of Old Masters, The Detroit Institute of Arts, 1941, no. 63.
1949
Masterpieces of Painting from Detroit Private Collections, The Detroit Institute of Arts, 1949.

Bibliography

1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 209, repro.
1959
Richardson, E. P., ed. "Accessions of American and Canadian Museums, April-June 1959." The Art Quarterly 22, no. 3 (Autumn 1959): 277.
1961
Seymour 1961 (Kress), 126, repro. pl. 118
1963
Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 308, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 136
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 123, repro.
1973
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 39-40, fig. 73.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 364, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:524-525, II:pl. 365, as Veronese and Studio.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 215, no. 260, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 422, repro.

Conservation Notes

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