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Provenance

(Count Alessandro Contini-Bonacossi, Rome); purchased July 1930 by the Samuel H. Kress Foundation, New York;[1] gift 1960 to NGA.

Bibliography
1956
Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 248, 250, no. 103, repro. 252, as by Master of the Mascoli Alter.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 394, repro., as by Master of the Mascoli Altar.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 162, as Master of the Mascoli Altar.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 143, repro., as Master of the Mascoli Altar.
1976
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 12.
1976
Wolters, Wolfgang. La Scultura Veneziana Gotica (1300-1460). 2 vols. Venice, 1976: 1:165, no. 36; 2:fig. 118.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 227, repro.
1999
Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110, esp. 104, 106-107.
2014
Bourdua, Louise. "What Petrarch Saw: Venice Revisited in the Later Middle Ages." Center 34: Record of Activities and Research Reports. Washington, 2014: 61-63.