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Provenance

Possibly San Domenico, Fiesole; (Galerie Caspari, Munich).[1] Count Friedrich von Pourtalès [d. 1928], Silesia.[2] (A.S. Drey, Munich and New York); sold by 1929 to Carl W. Hamilton [1886-1967], New York;[3] (A.S. Drey, Munich and New York); sold 1930 to William R. Timken [1866-1949], New York; by inheritance to his widow, Lillian Guyer Timken [1881-1959], New York; bequest 1960 to NGA.

Bibliography
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 12, as Attributed to Giovanni Bellini.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 5, repro., as Attributed to Giovanni Bellini.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 24, repro., as Attributed to Giovanni Bellini.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:521-522, II:pl. 363
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 419, repro.
2003
Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 668-670, color repro.