- Provenance
- Exhibition History
- Bibliography
Overview
No overview.
Inscription
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Marks and Labels
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Provenance
Painted for the sitter, John Musters [1753-1827], Colwick Hall, Nottinghamshire; probably by inheritance to his son, John Musters [1777-1849], Colwick Hall; (his estate sale, at Colwick Hall by J.M. Pott, 9-13 and 16 December 1850, 4th day [Dec. 12], no. 680, bought in); by inheritance to his grandson, John Chaworth Musters [1838-1887], Annesley Park, Colwick Hall, and Wiverton Hall. (William Lockett Agnew, London), by 1895. private collection ["a lady"]; consigned for her by (William Lockett Agnew, London) to (sale, Christie, Manson & Woods, London, 27 April 1901, no.101); (Thos. Agnew & Sons, Ltd., London); sold two days later to Charles Richard John Spencer-Churchill, 9th duke of Marlborough [1871-1934];[1] (sale, Christie, Manson & Woods, London, 14 June 1907, no. 104); bought by (Lane) for Sir W. Hutcheson Poë, Bt., Batchwood Hall, near St. Albans;[2] (sale, Christie, Manson & Woods, London, 8 July 1927, no. 58); (Thos. Agnew & Sons, Ltd., London);[3] sold the same month to Alvan T. Fuller [1878-1958], Boston; The Fuller Foundation, Boston; gift 1961 to NGA.
Exhibition History
- 1878
- Opening Exhibition of the Midland Counties Art Museum, Castle, Nottingham, 1878-1879, no. 57.
- 1885
- Works by the Old Masters, and by Deceased Masters of the British School. Winter Exhibition, Royal Academy of Arts, London, 1885, no. 189.
- 1895
- 20 Masterpieces of the English School, Thos. Agnew & Sons, Ltd., London, 1895, no. 15.
- 1910
- Japan-British Exhibition, Shepherd's Bush, London, 1910, no. 9, repro.
- 1928
- Exhibition of Paintings Loaned by Governor Alvan T. Fuller, Art Club, Boston, 1928, no. 24.
- 1939
- Art in New England: Paintings, Drawings, Prints from Private Collections in New England, Museum of Fine Arts, Boston, 1939, no. 109, pl. 56.
- 1959
- A Memorial Exhibition of the Collection of the Honorable Alvan T. Fuller, Museum of Fine Arts, Boston, 1959, no. 20, repro.
- 2002
- Loan to display with permanent collection, The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California, 2002-2003.
Bibliography
- 1865
- Leslie, Charles Robert and Tom Taylor. Life and Times of Sir Joshua Reynolds. 2 vols. London, 1865: 2:202, 302.
- 1899
- Graves, Algernon and William Vine Cronin. A History of the Works of Sir Joshua Reynolds. 4 vols. London, 1899-1901: 2:487-488.
- 1900
- Armstrong, Sir Walter. Sir Joshua Reynolds. London, 1900: 221.
- 1941
- Waterhouse, Sir Ellis. Reynolds. London, 1941: 69, pl. 192.
- 1963
- Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 319, repro., as Squire Musters.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 114, as Squire Musters.
- 1968
- European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 101, repro., as Squire Musters.
- 1969
- Watson, Ross. "British Paintings in the National Gallery of Art." The Connoisseur 172 (1969): 56, repro., 57-58.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 304, repro., as Squire Musters.
- 1975
- Walker, John. National Gallery of Art, Washington. New York, 1975: no. 505, color repro.
- 1981
- Williams 1981, 12, repro. 14, as Squire Musters.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 361, no. 502, color repro., as Squire Musters.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 349, repro., as Squire Musters.
- 1992
- Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 215-217, repro. 216.
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Related Resources
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