Provenance
Possibly George Ashburnham, 3rd earl of Ashburnham [1760-1830], Florence and Ashburnham Place, Battle, Sussex;[1] by inheritance to his son, Bertram Ashburnham, 4th earl of Ashburnham [1797-1878], Ashburnham Place;[2] by inheritance to his son, Bertram Ashburnham, 5th earl of Ashburnham [1840-1913], Ashburnham Place; by inheritance to his daughter, Lady Mary Catherine Charlotte Ashburnham [d. 1953], Ashburnham Place;[3] (Duveen Brothers, Inc., London and New York), by 1919;[4] sold 1944 to the Samuel H. Kress Collection, New York;[5] gift 1961 to NGA.
Exhibition History
- 1943
- Possibly Bache Collection, The Metropolitan Museum of Art, New York, 1943.
- 1946
- Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946, no. 796.
- 1988
- Painting in Renaissance Siena, 1420-1500, The Metropolitan Museum of Art, New York, 1988-1989, no. 40, repro. (cat. by Keith Christiansen, Laurence B. Kanter, and Carl Brandon Strehlke).
Bibliography
- 1946
- Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 32-33, repro.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 42.
- 1966
- Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 140, fig. 377.
- 1968
- Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:110. 2:pl.794.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 35, repro.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 108, repro.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:157-158; 2:pl. 111.
- 1980
- Ragghianti, Carlo L. “Galleria di Washington.” Critica d’Arte 45, nos. 154-156 (1980): 218.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 130, repro.
- 1993
- Gagliardi, Jacques. La conquête de la peinture: L’Europe des ateliers du XIIIe au XVe siècle. Paris, 1993: 394, fig. 461.
- 1997
- Chelazzi Dini, Giulietta, Alessandro Angelini, and Bernardina Sani. Sienese Painting From Duccio to the Birth of the Baroque. New York, 1997: 255-256, 261.
- 2003
- Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 513-518, color repro., as Attributed to Matteo di Giovanni.
- 2006
- Fahy, Everett. "Early Italian paintings in Washington and Philadelphia." The Burlington Magazine 148, no. 1241 (August 2006): 539.
- 2010
- Rowley, Neville. “Pittura di luce: La manière claire dans la peinture du Quattrocento.” Ph.D. Diss., Université Paris-Sorbonne, 2010: 145 n. 549, fig. 222.
- 2013
- Walmsley, Elizabeth. "Italian Renaissance Paintings Restored in Paris by Duveen Brothers, Inc., c. 1927-1929." Facture: conservation, science, art history 1 (2013): 58-77, fig. 19.
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