Overview

François Clouet, the son of a Netherlandish artist, became court painter to the French kings Francis I, Henry II and Charles IX. In this Renaissance portrait Clouet has depicted a female nude, whose identity is unknown, at her bath. The bather is seated in her tub, which is lined with a white cloth and hung on both sides with regal crimson curtains to ward off the cold. Her left hand draws back the bath sheet revealing the artist's name inscribed below, while her right hand rests on a covered board that displays a sumptuously rendered still life. Slightly behind the bather a young boy reaches for some grapes as a smiling wet nurse suckles a baby. In the background, a maid is seen holding a metal pitcher of bath water as more water is heated in the fireplace. The allusion is to a happy, healthy home.

The masklike symmetry of the bather's face makes exact identification difficult; scholars have suggested that her aristocratic features indicate that she is one of several royal mistresses, most notable among them Diane de Poitiers, the mistress of Henry II. It is possible that the nude, a Venus type, represents ideal beauty rather than a specific individual. The contrast of the smoothly rendered nude figure to the intricate surface details of the fruit, draperies, and jewelry, presents a union of Flemish and Italian motifs that characterized French courtly art of the sixteenth century.

Inscription

lower center on edge of bathtub: FR.IANETII.OPVS

Marks and Labels

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Provenance

Sir Richard Frederick, 6th bt. [1780-1873], Burwood Park, Walton-on-Thames, Surry; (his estate sale, Christie, Manson & Woods, London, 7 February 1874, no. 83, as Portrait of Diane de Poictiers[sic] by Fr. Janetii); purchased by Thibeaudeau,[1] presumably acting as agent for Sir John Charles Robinson [1824-1913], London; purchased 1874 by Sir Francis Cook, 1st bt. [1817-1901], Doughty House, Richmond, Surrey;[2] by inheritance to his son, Sir Frederick Lucas Cook, 2nd bt. [1844-1920], Doughty House; by inheritance to his son, Herbert Frederick Cook, 3rd bt. [1868-1939], Doughty House; by inheritance to his son, Sir Francis Ferdinand Maurice Cook, 4th bt. [1907-1978], Doughty House, and Cothay Manor, Somerset; sold July 1954 to (Margaret Drey, London);[3] (Rosenberg and Stiebel, New York);[4] purchased May 1955 by the Samuel H. Kress Foundation, New York;[5] gift 1961 to NGA.

Exhibition History

1894
Fair Women [Summer Exhibition], Grafton Galleries, London, 1894, no. 20, as Portrait of Diane de Poitiers, Duchesse de Valentinois.
1904
Exposition des primitifs français, Palais du Louvre and Bibliothèque Nationale, Paris, 1904, no. 226, as Portrait d'une dame au bain by François Quesnel?
1911
Exhibition of Old Masters in Aid of the National Art Collections Fund, Grafton Galleries, London, 1911, no. 85, repro. as Portrait of Diane de Poitiers.
1932
Exhibition of French Art 1200-1900, Royal Academy of Arts, London, 1932, no. 53, repro., as Dame au Bain.
1944
Masterpieces from the Cook Collection, Toledo Museum of Art, Ohio, 1944-1945, no. 426, repro., as Portrait of Diane de Poitiers.
1947
Loan for display with permanent collection, The Fitzwilliam Museum, Univerity of Cambridge, England, 1947-1954.

Bibliography

1903
Cook, Francis. Abridged Catalogue of the Pictures at Doughty House, Richmond. London, 1903: 6, no 14.
1904
Dimier, Louis. Le Portrait du XVIe siècle aux primitifs français. Notes et corrections au catalogue officiel sur cette partie de l'exposition d'avril-juillet 1904. Paris, 1904: 23-25.
1904
Durand-Gréville, Emile. "The Sixteenth Century at the Exhibition of French Primitives." The Burlington Magazine 6, no. 20 (November 1904):155, no. 226, repro.
1904
Lafenestre, Georges. “L’exposition des primitifs français.” Gazette des Beaux-Arts 3é pér. 32 (1904): 138-139, repro. (As “by François Quesnel?”)
1905
Reinach, Salomon. Répertoire de peintures du Moyen Age et de la Renaissance (1280-1580). 6 vols., 1905-1923. Paris, 1922: 5:36, fig. 2.
1907
Dimier, Louis. "Clouet, François." In Thieme-Becker. 37 vols. Leipzig, 1907-1950: 7(1912):117-118.
1915
Brockwell, Maurice W. A Catalogue of the Paintings at Doughty House, Richmond, & Elsewhere in the Collection of Sir Frederick Cook, Bt, Visconde de Monserrate. 3 vols. London, 1915: 3:44-45, no. 426, repro.
1920
Reinach, Salomon. "Diane de Poitiers et Gabrielle d'Estrées." Gazette des Beaux-Arts 5e pér, 62, no. 21 (1920): 163-170, repro.
1924
Moreau-Nélaton, Étienne. Les Clouet et leurs émules. Paris, 1924: 1, 75, fig. 20.
1926
Hendy, Philip. "French Painting in the XVIth Century. The Clouets and the Birth of Decorative Painting." Apollo: A Journal of the Arts 3 (January to June 1926): 50-51, repro.
1929
Adler, Irene. "Die Clouet. Versuch einer Stilkritik." Jahrbuch des kunsthistorischen Sammlungen in Wein. N.F.3 (1929): 214, 227, 230, 232-234, 246, no. 13, repro.
1929
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1931
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1931
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1931
Marle, Raimond van. Iconographie de l'art profane au Moyen-Age et à la Renaissance. The Hague, 1931: 509.
1932
Brockwell, Maurice W. Abridged Catalogue of the Pictures at Doughty House, Richmond, Surrey, in the Collection of Sir Herbert Cook, Bart. London, 1932: 7, no. 426, pl. 1.
1932
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1932
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1932
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1932
Dézarrois, André. "Chroniques. L'art français à Londres." La Revue de l'art Ancien et Moderne 61 (1932): 83-84, repro.
1932
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1933
Commemorative Catalogue of the Exhibition of French Art, 1200-1900. Exh. cat. Royal Academy of Arts, London, January - March 1932. Oxford and London, 1933: 15-16, no. 49., pl. 21.
1935
Ver Heyden de Lancey. "A Picture of Gabrielle d'Estrées attributed to Françios Pourbus le Jeune." The Connoisseur 96, no. 409 (September 1935): 138, repro. 139.
1937
Dimier, Louis. "L'Art du portrait en France au XVIe s[iècle]: François Clouet." Le Dessin 9 (March 1937): 470.
1937
Taylor, Francis Henry. "La Belle Diane: Two Portraits of the French Renaissance." Worcester Art Museum Annual 3 (1937-1938): 49.
1939
Réau, Louis. French Painting in the XIVth, XVth, and XVIth Centuries. London, Paris, New York, 1939: 33, 83, repro.
1945
Adhémar, Jean. "French Sixteenth Century Genre Paintings." Journal of the Warburg and Courtauld Institutes 8 (1945): 193.
1945
"The Cook Collection." The Studio 130 (1945): 25, repro.
1948
Brion, Marcel. Lumière de la Renaissance. Paris, 1948: 154.
1949
Wilenski, Reginald H. French Painting. Boston, 1949: 31-32.
1950
Colombier, Pierre du. L'Art Renaissance en France. Paris, 1950: 90, 96, fig. 115.
1950
"Diane de Poitiers au Bain." Aesculape (October, 1950): 192, repro.
1951
Hevesy, André de. "L'Histoire véridique de la Jaconde." Gazette des Beaux-Arts 6e pér., 40 (1952): 17-19, repro.
1951
Polaillon-Kerven, Gisèle. "Beautés de légend et légendes de beauté." Amour de l'Art 49-51 (1951): 29, 31, repro.
1951
Sabin, André. La Peinture française du XVIe siècle. Paris, 1951: 2.
1954
Blunt, Anthony. Art and Architecture in France 1500-1700. Baltimore, 1954: 69-70, pl. 48.
1955
Le Triomphe du maniérisme européen de Michel-Ange au Greco. Exh. cat., Rijksmuseum, Amsterdam, 1955:57, 67, no. 34, no. 52.
1955
Murray, Linda. "The French Portrait." History Today 5, no. 9 (September 1955): 585, repro.
1955
Sterling, Charles. A Catalogue of French Paintings. 3 vols. Vol. 1, XV-XVIII Centuries, Metropolitan Museum of Art. Cambridge, Mass., 1955: 1:53-54.
1956
Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 52-55, no. 17, repro.
1956
Walker, John. "The Nation's Newest Old Masters." The National Geographic Magazine 110, no. 5 (November 1956): 624, 628, color repro. 642.
1957
Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): 33, 38, 43, 50, 127, frontispiece, pl. 127.
1957
"The Story Behind the Painting, 10: The Lady of the Ice-Cold Bath." Look 21, no. 6 (March 19, 1957): 100-101, color repro.
1959
Cooke, Hereward Lester. French Paintings of the 16th-18th Centuries in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Four in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 12, color repro.
1959
Huebner, Fr. M. "Ein wertvoller Fund." Die Weltkunst 29 (1959): 5.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 335, repro.
1960
Béguin, Sylvie. L'Ecole de Fontainebleau. Le Maniérisme à la cour de France. Paris, 1960: 94-95, 106, repro.
1960
The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 9, color repro. 12.
1961
Babelon, Jean. La Civilisation française de la Renaissance. Tournai, 1961: 193.
1961
Blumer, Marie-Louise. "Clouet (François, dit Janet)." Dictionnaire de Biographie française 17 vols., 1933-1989. Paris, 1961: 9:38.
1961
Goldblatt, Maurice H. Deux grandes maîtres français: le maître de Moulins identifié; Jean Perréal, 40 portraits identifiés. Paris, 1961: 40.
1961
Seymour, Charles. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 114-115, 209, fig. 105, color fig. 106-107.
1962
Cairns, Huntington, and John Walker, eds., Treasures from the National Gallery of Art, New York, 1962: 100, color repro.
1962
Neugass, Fritz. "Die Auflösung der Sammlung Kress." Die Weltkunst 32 (1962): 3-4, repro.
1963
Châtelet, Albert, and Jacques Thuillier. French Painting from Fouquet to Poussin. Geneva, 1963: 111-112, 126, 128-130, repro.
1963
Haycraft, Robert Kenneth. “François Clouet’s Diane de Poitiers in Her Bath at the National Gallery of Art, Washington, D.C.” M.A. thesis, Johns Hopkins University, 1963.
1963
Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 200, repro.
1964
Guilly, R. "Clouet, François." In Kindlers Malerei Lexikon edited by Germain Bazin et al. 6 vols., 1964-1971. Zürich, 1964: 1:758-:759, repro.
1964
Mirimonde, Albert P. de. Review of La Peinture française de Fouquet à Poussin by Albert Châtelet and Jacques Thuillier. Gazette des Beaux-Arts 6e pér, no. 63 (1964): 370-371.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 29.
1965
Réunion des musées nationaux. Le XVIe siècle européen: Peintures et dessins dans les collections publiques françaises. Exh. cat. Paris, Petit Palais, October 1965-January 1966. Paris, 1965: 59, 61, 277, under no. 74 and 338.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:2882-283, color repro.
1966
Chastel, André. "Diane de Poitiers: 'L'Eros de la beauté froide'." In Friendship's Garland: Essays Presented to Mario Praz on his Seventieth Birthday. Rome, 1966: 1:101, fig. 1. (Reprinted in Fables, Formes, Figures, Paris, 1978: 1: 269-270, repro.)
1966
The Women I Love: These Lovely Immigrants Are Part of Our National Treasure.” This Week Magazine (January 9, 1966): 10, color repro.
1966
Trinquet, Roger. "L'Allégorie politique au XVIe siècle: la Dame au Bain de François Clouet (Washington)." Bulletin de la Société de l'Histoire de l'Art Français (1966): 99-119, repro.
1967
Sterling, Charles. "Un Portrait inconnue par Jean Clouet." In Studies in Renaissance & Baroque Art, Presented to Anthony Blunt on his 60th Birthday. London, 1967: 88-89, fig. 3.
1968
Cuttler, Charles D. Northern Painting from Pucelle to Breughel. Fourteenth, Fifteenth and Sixteenth Centuries. New York, 1968: 466, repro.
1968
European Paintings and Sculpture: Illustrations (Companion to the Summary Catalogue, 1965). Washington, 1968: 22, no. 1370, repro.
1969
Gebelin François. L’époque Henri IV et Louis XIII. Paris, 1969: 179.
1970
Blunt, Anthony. Art and Architecture in France 1500-1700. 2nd ed. Baltimore, 1970: 65, pl. 48.
1970
Châtelet, Albert, François-Georges Pariset and Raoul de Broglio. Chantilly, Musée Condé: Peintures de l'Ecole française. Paris, 1970: under no. 75.
1970
Muehsam, Gerd. French Painters and Paintings from the Fourteenth Century to Post-Impressionism. New York, 1970: 40, 43-45, repro.
1970
Sterling, Charles. "A Male Portrait by Jean Clouet." Museum Monographs: Papers on Objects in the Collection of City Art Museum of Saint Louis 2 (1970): 60-61, fig. 7.
1972
L'Ecole de Fontainebleau, Exh. cat. Grand Palais, Paris, 1972: 54, no. 54, 214, no 242, 215, no. 243, 220, no. 246.
1972
Johnson, W. McAllister. "L'Ecole de Fontainebleau: The Paintings." La Chronique des Arts, Supplément à la Gazette des Beaux-Arts 6e pér, 150 no. 81 (January 1972): 42, fig. 42.
1972
Laclotte, Michel. "Pour un Louvre ideal." Jardin des Arts no. 212-213 (July-August 1972): 34, repro.
1972
Ragghianti, Carlo L. "Pertineuze francesi nel Cinquecento." Critica d'Arte 19 (1972): 46.
1972
Sterling, Charles. “Pertenenze francesi nel Cinquecento.” Critica d’Arte ser. 2, 19 (37), no. 122 (March-April 1972): 46.
1973
Fontainebleau: Art in France 1528-1610. Exh. cat. Ottowa, National Gallery of Canada, 1973. 2 vols. Ottowa, 1973: 2:39.
1974
Rich, Daniel Catton. "French School." In European Paintings in the Collection of the Worcester Art Museum. Edited by Louisa Dresser. 2 vols. Worcester, 1974: 1:242, under no. 1932.23.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 72, repro.
1976
Bunch, Fredrick. "Diane de Poitiers: Iconography as a Window on History." In College Art Association Abstracts of Papers Delivered in Art History Sessions, "Northern Art at the End of the Middle Ages." Chicago, February 1-4, 1976, 64th annual meeting. Chicago, 1976: 101.
1976
Risatti, Howard. "A French Court Portrait." Bulletin of the Krannert Art Museum 2 (1976): 18, 20, fig. 8.
1977
Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 253-257, figs. 241-243, as Lady Bathing with Children and Attendants.
1977
Pope-Hennessy, John. "Completing the Account." Review of Colin Eisler, Paintings from the Samuel H. Kress Collection, London 1977. Times Literary Supplement no. 3927 (17 June 1977).
1978
Branshaw, Lilian and Dorothy M. Jones. "Luxury, Love, and Charity: Four Paintings from the School of Fontainebleau." Australian Journal of Art 3 (1978): 39-40, 43-45, 47-49, 53-57, repro.
1978
Brown, David Alan, and Konrad Oberhuber. "Monna Vanna and Fornarina: Leonardo and Raphael in Rome." In Essays Presented to Myron P. Gilmore. 2 vols. Florence, 1978: 1:37.
1978
Tanaka, Hidemichi. "Les deux Venus au bain: Un nouvelle analyse sur la 'Gabrielle d'Estrées et une de des soeurs' du Louvre." Art History (Tohuku University, Japan) 1 (1978): 23, 28, fig. 5.
1979
Chastel, André. Fables, formes, figures. 2 vols. Paris, 1978: 1:269-270, repro.
1979
Watson, Ross. National Gallery of Art. London, 1979: 60, pl. 42, color repro.
1980
Blunt, Anthony. Art and Architecture in France 1500-1700. 4th ed. Harmondsworth, 1980: 119, fig. 90.
1984
Ingenhoff-Danhäuser, Monika. Maria Magdalena: Heilige und Sünderin in der italienischen Renaissance. Tübingen, 1984: 59, fig 56.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 224, no. 280, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 92, repro.
1985
Snyder, James. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350-1575. New York, 1985: 518, fig. 588.
1987
Delay, Florence. Les Dames de Fontainebleau. Milan, 1987: 53, 57, 60, fig. 39.
1987
Lawner, Lynne. Lives of the Courtesans: Portraits of the Renaissance. New York, 1987: 159-160, 208, nt. 40, repro.
1990
Campbell, Lorne. Renaissance Portraits: European Portrait-Painting in the 14th, 15th, and 16th Centuries. New Haven, 1990: 6-7, 109, color fig. 15.
1991
Plogsterth, Ann. "The Institution of the Royal Mistress and the Iconography of Nude Portraiture in Sixteenth-Century France." Ph.D. diss., Columbia University, 1991: 2-3, 34, 150-151, 157-158, 172-188, 221, 263-267, fig. 19.
1992
Châtelet, Albert. La peinture française, XVe et XVIe siècles. Geneva, 1992: 96, 110-113, repro.
1992
Grèce, Michel de. Portrait et seduction. Paris, 1992: 164-165, repro.
1992
National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 160, repro.
1992
Sixteenth Century Renaissance Painting. Vol. 2: A Reading and Viewing of Famous Paintings. Tokyo, 1992: 123-125, repro. (in Japanese).
1992
Romm, Sharon. The Changing Face of Beauty. St. Louis, 1992: 209, repro.
1993
Kurzel-Runtscheiner, Monica. Glanzvolles Elend: Die Inventare der Herzogin Jacobe von Jüglich-Kleve-Berg (1558-1597) und die Bedeutung von Luxusgüttern für die höfische Frau des 16. Jahrhunderts. Vienna, 1993: fig. 60.
1994
Kamekura, Yusaku and Kijima, Shunsuke. Jozo ["Portraits of Women"]. Tokyo, 1994: 149, repro.
1994
Sewell, Brian. "Lesbian Images." Antique International 8 (Summer 1994): 646-648, repro.
1996
Berstein, Serge, et al. Histoire seconde. Paris, 1996: 165, no. 18, repro.
1996
Knab, Eckhart. “Clouet.” In The Dictionary of Art. 34 vols. London, 1996: 7:465, repro.
1996
Mori Yoko, Wakakuwa Midori. Manierisumu. New History of World Art series, 1992-1997, vol. 15. Tokyo, 1996: 390, fig. 82.
1996
Zerner, Henri. L'art de la renaissance en France: L'invention du classicisme. Paris, 1996: 189-191, 198, 199, color fig. 215, 216.
1997
Jollet, Etienne. Jean & François Clouet. Paris, 1997: 266-267, 272-273, repro.
1998
Apostolos-Cappadona, Diana. “Toilet Scenes." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:873.
1998
Cécile Scaillierez. “Clouet, François.” In Allgemeines Künstler-Lexicon: Die bildenden Künstler aller Zeiten und Völker. München, Leipzig, 1998: 19:595, 596.
1998
Yūkō Shuppan. Seiyō kaiga 300-sen. Tokyo, 1998: 162, repro.
1999
Smeyers, Jos and Maurits Smeyers. Misschein het tedere begrijpen: Dicter bij kunst. Leuven, 1999: 45, repro.
2000
Brauchitsch, Boris von. Renaissance - Das 16. Jahrhundert: Galerie der grossen Meister. Text by Ulrich Pfisterer and Anna Rühl. Cologne, 2000: 146-147, color repro.
2004
Danziger, Elon. "The Cook Collection: Its Founder and Its Inheritors." The Burlington Magazine 146, no. 1216 (July 2004): 448.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 116-117, no. 89, color repro.
2004
Ruby, Sigrid. "Das Porträt der schönen Frau bei François Clouet and Pierre de Ronsard.” In (En)gendered: Frühneuzeitlicher Kunstdiskurs und weibliche Porträtkultur nördlich der Alpen, edited by Simone Rogendord and Sigrid Ruby. Marburg, 2004: 71-74, 79-86, repro.
2005
Fahy, Everett, ed. The Wrightsman Pictures. New Haven, 2005: 21.
2005
The Arts of France from François Ier to Napoléon Ier: A Centennial Celebration of Wildenstein's Presence in New York. Exh. cat. Wildenstein & Co., Inc., New York, 2005: 99-100, fig. 10b (Not in the exhibition).
2005
Richard, Paul. "From the Collection: Washington's Prized Possessions." Washington Post (December 18, 2005): N8, color repro.
2007
Ruby, Sigrid. “Diane de Poitiers: veuve et favorite.” In Patronnes et mecènes en France à la Renaissance, edited by Kathleen Wilson-Chevalier with Eugene Pascal. Saint-Étienne, 2007: 382, nt. 5.
2009
Fagnard, Laure. Léonard de Vinci en France: collections et collectionneurs (XVème – XVIIème siècles). Rome: Bretschneider, 2009: 70, 128, 393, fig. 24a.
2009
Hand, John Oliver. "A Lady in Her Bath." In French Paintings of the Fifteenth through the Eighteenth Century by Philip Conisbee et al. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 2009: 115-122, no. 23, color repro.
2012
Christie's New York. "School of Fontainbleau, circa 1600: Gabrielle d'Estrés and Her Sister, the Duchess of Villars." In The Art of France, sale code "Honore 2625" (January 25, 2012): 12, under lot 103.

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