Overview

No overview available.

Inscription

Marks and Labels

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Provenance

Altarpiece of the "capilla mayor (main chapel)", church of San Lázaro, Palencia, commissioned c. 1508, until c. 1945.[1] Arcadio Torres Martín, Palencia, 1950-1951. [2] Acquired c. 1952 by (Frederick Mont, New York); [3] purchased 11 February1953 by the Samuel H. Kress Foundation, New York; gift 1961 to NGA.

Exhibition History

Bibliography

1887
Justi, Carl. "Juan de Flandes, ein niederländischer Hofmaler Isabella der Katholischen." Jahrbuch der königlich Preussischen Kunstsammlungen (Jahrbuch der Berliner Museen) 8 (1887): 167.
1907
Winkler, [Friedrich]. "Juan de Flandes." In Thieme-Becker. 37 vols. Leipzig, 1907-1950:19(1926):279.
1908
Justi, Carl. Miscellaneen aus drei Jahrhunderten spanischen Kunstlebens. 2 vols. Berlin, 1908: 1:324.
1909
Mayer, August L. "Studien zur Quattrocento-malerei in Nordwestkastilien." Repertorium für Kunstwissenschaft 32 (1909): 519.
1913
Mayer, August L. Geschichte der spanischen Malerei. 2 vols. Leipzig, 1913: 1:149.
1917
Moreno Villa, José. "Un pintor de la reina católica." Boletín de la Sociedad Española de Excursiones 25 (1917): 281.
1932
H[ulin] de L[oo], [Georges]. Trésor de l'art flamand du moyen âge au XVIIIe siècle. Mémorial de l'exposition d'art flamand ancien à Anvers. 1930. 2 vols. Paris, 1932: 1:51.
1933
Post, Chandler Rathfon. A History of Spanish Painting. 14 vols. Cambridge, Mass., 1933: 4, part 1:45, 50.
1950
Revilla Vielva, Ramón. "Retablo Mayor de la Santa Iglesia Catedral de Palencia." Publicaciones de la Institución "Tello Téllez de Meneses" no. 5 (1950): 98.
1952
Brans, Jan V. L. Isabel la Católica y el arte Hispano-Flamenco. Madrid, 1952: 96-98, pl. 43.
1952
Museo del Prado. Catálogo. Madrid (and later editions), 1952: 204.
1953
Brans, Jan V. L. "Juan de Flandes, pintor de la Reina y de Castilla." Clavileño 4, no. 21 (1953): 29, 32.
1954
Sánchez Cantón, Francisco Javier. "Las adquisiciones del Museo del Prado en los años 1952 y 1953." Archivo Español de Arte y Arqueologia 27 (1954): 5.
1955
Gudiol Ricart, José. Pintura Gótica. In Ars Hispaniae. 22 vols. Madrid, 1955: 9:259-260.
1956
_Paintings and Sculpture from the Kress Colllection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 108-110, no. 39, repro.
1957
Gudiol, José. "Oeuvres inédites de Jean de Flandres." Miscellanea Prof. Dr. D. Roggen. Antwerp, 1957: 116, 118.
1958
Gaya Nuño, Juan Anotonio. La pintura española fuera de España; historia y catàlogo. Madrid, 1958: 148, nos. 761, 762.
1958
Post, Chandler Rathfon. A History of Spanish Painting. 14 vols. Cambridge, Mass., 1958: 12, part 2:615, 618, 620, 622-625, figs. 262, 263.
1959
Brans, Jan V. L. Vlaamse schilders in dienst der Koningen van Spanje. Louvain, 1959: 55.
1959
Eisler, Colin. "Juan de Flandes's Saint Michael and Saint Francis." Metropolitan Museum of Art Bulletin n.s. 18 (1959): 130.
1959
_Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 264, repro.
1959
Sánchez Cantón, Francisco Javier. The Prado. New York, 1959: 138.
1961
Seymour, Charles. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 74-75, 212, color fig. 67.
1962
Bermejo, Elisa. Juan de Flandes. Madrid, 1962: 28-31, 44, pls. 36-39.
1962
Puyvelde, Leo van. La peinture flamande au siècle de Bosch et Breughel. Paris, 1962: 353.
1963
_Sammlung Heinz Kisters. Altdeutsche und altniederländische Gemälde. Exh. cat. Germanisches Nationalmuseum, Nürnberg, 1963: 14-15, under no. 76.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 305, repro.
1964
Anzelewsky, Fedja. "Der Meister der Lübecker Bibel von 1494." Zeitschrift für Kunstgeschichte 27 (1964): 57.
1965
Held, Julius S. "The Bearing of the Cross Hitherto Attributed to Juan de Flandes." The Art Quarterly 38 (1965): 31.
1965
_Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 71
1967
Vandevivere, Ignace. Primitifs flamands. Corpus. La cathédrale de Palencia et l'église paroissiale de Cervera de Pisuerga. Brussels, 1967: 44-47.
1968
_European Paintings and Sculpture: Illustrations (Companion to the Summary Catalogue, 1965). Washington, 1968: 62, no. 1382, repro.
1969
Osten, Gert von der, and Horst Vey. Painting and Sculpture in Germany and the Netherlands 1500 to 1600. Harmondsworth, 1969: 142.
1975
_European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 182, 184, repro. 183, 185.
1976
Lurie, Ann Tzeutschler. "Birth and Naming of St. John the Baptist Attributed to Juan de Flandes: A Newly Discovered Panel from a Hypothetical Altarpiece." Bulletin of the Cleveland Museum of Art 63 (1976): 127, fig. 21.
1977
Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 186, fig. 187.
1978
Rogers, Millard F., Jr. Spainish Paintings in the Cincinnati Art Museum. Cincinnati, 1978: 12.
1979
De Coo, Josef, and Nicole Reynaud. "Origen del retablo de San Juan Bautista atribuido a Juan de Flandes." Archivo Español de Arte y Arqueologia 52 (1979): 140-141, figs. 7, 9.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. Washington, 1984: 138, no. 136, color repro.
1985
_European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 211, repro.
1986
Hand, John Oliver and Martha Wolff. Early Netherlandish Painting. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1986: 125-133, repro. 126.
1998
Apostolos-Cappadona, Diane. "Virgin/Virginity." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:905.
1998
Denny, Don. "Annunciation." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 1:37.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 58, no. 42, color repro.
2011
Weniger, Matthias. Sittow, Morros, Juan de Flandes: Drei Maler aus dem Norden am Hof Isabellas der Katholischen. Kiel, 2011: 250-253, 254, no. 12.1, fig. 174, 176.

Technical Summary


[1] The nail holes that secured the battens are also visible in the x-radiographs of 1961.9.24 and 1961.9.25, though the battens themselves had already been removed from these panels. X-radiographs of all four panels in the Gallery and of the Prado panels also show an irregular row of holes above the center of the panels that have been filled with a dense substance. Their function is unclear. However, since the actual holes are not visible on the back of the Prado panels, they must lie below the isolating fibrous layer. In a forthcoming article in the Boletín del Museo del Prado, María del Carmen Garrido and Martha Wolff discuss the structure and technique of the eight panels in greater detail.
[2] Eisler 1977, 186-187.
[3] The original unpainted edges have been removed at top and bottom. Although it is difficult to determine how much, if any, of the design has been cut away, the difference of approximately 14 cm in the height of the painted image between the Adoration of the Magi and the Baptism (1961.9.24 and 1961.9.25), which retain their unpainted edges, and the six panels removed from San Lázaro relatively recently suggests that the six were rather substantially cut down; see under 1961.9.25, The Baptism of Christ.

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