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Provenance

Barsanti, Rome. (Count Alessandro Contini-Bonacossi, Rome); sold October 1927 to Samuel H. Kress [1863-1955], New York;[1] gift 1939 to NGA.

Exhibition History
1935
Sculptures of the Italian Renaissance, A.S. Drey Galleries, New York, 1935, no. 39.
1996
Obras Maestras de la National Gallery of Art de Washington, Museo Nacional de Antropología, Mexico City, 1996-1997, unnumbered catalogue, 32-33, color repro.
Bibliography
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 218,no. A-25, as by Giovanni Antonio Amadeo (or Omodeo).
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 253, repro. 224, as by Giovanni Antonio Amadeo (or Omodeo).
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 416, repro., as by Giovanni Antonio Amadeo.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 145, as by Giovanni Antonio Amadeo.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 129, repro., as by Giovanni Antonio Amadeo.
1976
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 54.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 21, repro.
1999
Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.