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Marks and Labels
Probably the painting recorded in the posthumous 1638 inventory of Vincenzo Giustiniani [1564-1637], Rome, who may have commissioned it, and probably the painting still recorded in the Palazzo Giustiniani in 1688. Conte Niccolò Soderini [d. 1779], Rome, by 1750; sold by 20 September 1764 for 500 crowns through (James Byres, Rome) to Brownlow Cecil, 9th earl of Exeter [1725-1793], Burghley House, Stamford, Lincolnshire; by inheritance to his nephew, Henry Cecil, 10th earl and 1st marquess of Exeter [1754-1804], Burghley House; by inheritance to his son, Brownlow Cecil, 2nd marquess of Exeter [1795-1867], Burghley House; by inheritance to his son, William Alleyne Cecil, 3rd marquess of Exeter [1825-1895], Burghley House; by inheritance his son, Brownlow Henry George Cecil, 4th marquess of Exeter [1849-1898], Burghley House; by inheritance to his son, William Thomas Brownlow Cecil, 5th marquess of Exeter [1876-1956], Burghley House; by inheritance to his son, David George Brownlow Cecil, 6th marquess of Exeter [1905-1981], Burghley House; sold 1962 to (Wildenstein & Co., Inc., Paris, New York, and London); sold 1963 to NGA.
- Exhibition of the Works of the Old Masters. Winter Exhibition, Royal Academy of Arts, London, 1885, no. 172.
- Exposition Nicolas Poussin, Musée du Louvre, Paris, 1960, no. 7, repro.
- In Memoriam, Ailsa Mellon Bruce, National Gallery of Art, Washington, D.C., 1969, unnumbered checklist.
- France in the Golden Age: Seventeenth Century French Paintings in American Collections, Galeries nationales du Grand Palais, Paris; The Metropolitan Museum of Art, New York; The Art Institute of Chicago, 1982, no. 88, repro.
- Poussin: The Early Years in Rome, Kimbell Art Museum, Fort Worth, 1988, no. 68.
- Nicolas Poussin, Galeries nationales du Grand Palais, Paris; Royal Academy of Arts, London, 1994-1995, no. 23, repro. (shown only in London in 1995).
- Loan for display with permanent collection, Musée de Grenoble, France, 1996-1997.
- Poussin et Dieu, Musée du Louvre, Paris, 2015, no. 8, repro.
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 105
- Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:286, color repro.
- European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 93, repro.
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 274, repro.
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 314, no. 414, color repro.
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 319, repro.
- Apostolos-Cappadona, Diane. "Virgin/Virginity." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:905.
- Blessed Art Thou Among Women: Reflections on Mary in Our World Today. New York, 1997: 52, repro.
- Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 183, no. 143, color repro.
- The Arts of France from François Ier to Napoléon Ier. A Centennial Celebration of Wildenstein's Presence in New York. Exh. cat. Wildenstein & Co., Inc., New York, 2005: 50, fig. 6, 71 (not in the exhibition).
- Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 82, 374-379, color repro.