Degas studied his preferred subject, ballet performers, in hundreds of works. Four Dancers, one of the largest and most ambitious of his late works, exists in several variants that show different kinds and degrees of modification. While Degas suppressed descriptive detail elsewhere in the painting, emphatic dark lines shape the heads and arms, underlining the artist's formal concerns. Theatrical lighting over the off–stage performers recolors the figures and creates a simple color scheme of complementary red–orange and green hues.
Two of the figures repeat poses of a model who appears in a unique set of three photographic negatives. Shot between about 1895 and 1898, the original plates solarized into colors that resemble, in reverse, the oranges and greens in Four Dancers. Degas owned the photographic plates and may even have taken the pictures. The same model, hair piled on her head and features indistinct or hidden, posed for all three photographs, and the four dancers in the painting resemble her. Eadward Muybridge’s sequential photographs may also have influenced the arrangement of the four dancers, particularly his 1887 book, Animal Locomotion. Their poses, a succession of preparatory gestures, depict a progression of intricate movements.
lower right with atelier stamp: Degas
Marks and Labels
Hilaire-Germain-Edgar Degas [1830-1917], Paris, France; (Degas sale, Galerie Georges Petit, Paris, 6 May 1918, no. 10); purchased by (Trotti et Cie., Paris). Wilhelm Hansen, Copenhagen. (Galerie Barbazanges, Paris). (Durand-Ruel, Paris); sold November 1931 to Chester Dale [1882-1962], New York; bequest 1963 to NGA.
- Cent Ans de Peinture Française, E.J. van Wisselingh & Co., Amsterdam, 1928, no. 27
- The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
- Degas: The Dancers, National Gallery of Art, Washington, 1984-1985, no. 49, repro.
- From Impressionism to Modernism: The Chester Dale Collection, National Gallery of Art, Washington, January 2010-January 2012, unnumbered catalogue, repro.
- Lafond, Paul. Degas. Paris, 1918:77, repro.
- Art News 28 (26 April 1930):repro
- Catalogue of French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1941: 7, repro. pl. XIII
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1942: 39, repro.
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1944: 39, repro.
- Jewell, Edward Alden. French Impressionists and their Contemporaries Represented in American Collections. New York, 1944: repro. 184.
- Lemoisne, Paul André. Degas et son oeuvre. 4 vols. Paris, 1946-1949: 3(1946):736, no. 1267, repro.
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1953: 48, repro.
- Evans, Grose. French Painting of the 19th Century in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Two in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 32, color repro.
- Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 264, repro.
- Eighteenth and Nineteenth Century Paintings & Sculpture of the French School in the Chester Dale Collection, National Gallery of Art, Washington, 1965: 78, repro.
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 39
- European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 32, repro.
- Minervino, Fiorella. L'opera completa di Degas. Milan, 1970: no. 1112, repro.
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 98, repro.
- Reft, T. "Degas: A Master Among Artists." Metropolitan Museum of Art Bulletin (Spring 1977): unpaginated, repro.
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 116, pl. 102.
- Kelder, Diane. The Great Book of French Impressionism. New York, 1980: 284, 306, 435, repro.
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 476, no. 702, color repro.
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 120, repro.
- Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 239-240, 242, color repro.
- National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 205, repro.
- Stuckey, Charles F. Claude Monet 1840-1926. Exh. cat., Art Institute of Chicago, 1995:221, repro.
- Kendall, Richard. Beyond Impressionism. Yale University Press, 1996:28, 38, 112, 119, repro.
- Kelder, Diane. The Great Book of French Impressionism, 1997, no. 271, repro.
- Vogel, Carol. "Finding Fashion and History on th Edges: Museums Look Again at Their Picture Frames." New York Times (September 2, 1999): C1, C3.
- Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: book jacket back, 377, no. 311, color repros.
Work of Art
Work of Art
- Event Name
- March 1–June 1
- Mon, Tues, and Wed at 1:00
- March 5, 2012 at 2:00
March 7, 2012 at 4:00
- East Building, Auditorium
- Name of docent
- 60 minutes
- Registration for this event begins on April 1, 2012 at noon.
- Download the program notes (100k)
- Italian Collection