- Inscription
- Provenance
- Exhibition History
- Bibliography
Overview
No overview.
Inscription
lower left: Fatata te Miti; lower right: P Gauguin 92
Marks and Labels
null
Provenance
(Gauguin sale, Paris, 18 February 1895, no. 27, bought in); Paul Gauguin; possibly sold 1895 to (Ambroise Vollard [1867-1939], Paris). Daniel de Monfried [1856-1929]; sold June 7 1898 to Ernest Rouart [1874-1942], Paris.[1] (Galerie L. Dru, Paris); sold 1928 to Louis L. Horch [d. 1979], New York;[2] sold 11 June 1928 to Chester Dale, New York; bequest 1963 to NGA.
Exhibition History
- 1893
- Exposition d'Oeuvres récentes de Paul Gauguin, Galeries Durand-Ruel, Paris, 1893, no. 24
- 1897
- La Libre Esthétique, Brussels, 1987, no.277.
- 1906
- Salon d'Automne, Grand Palais, Paris, 1906, no. 203
- 1928
- Loan Exhibition of Modern French Art from the Chester Dale Collection for the Benefit of the French Hospital of New York, Wildenstein Galleries, 1928, no. 14
- 1932
- Exhibition of Paintings by Cezanne, Gauguin and Redon, Durand-Ruel Galleries, Paris, 1932, no. 9
- 1965
- The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
- 1988
- The Art of Paul Gauguin, National Gallery of Art, Washington; The Art Institute of Chicago; Grand Palais, Paris, 1988-1989, no. 152, repro. [shown in Washington only]
- 2010
- From Impressionism to Modernism: The Chester Dale Collection, National Gallery of Art, January 2010-January 2012, unnumbered catalogue, repro. (through February 2011 only).
- 2010
- Gauguin: Maker of Myth, Tate, London; National Gallery of Art, Washington, D.C., 2010-2011, no. 113, repro. (shown only in Washington).
Bibliography
- 1925
- Rotonchamp, Jean. Paul Gauguin 1848-1903. Paris, 1925:137
- 1928
- "New York Collector Buys Gauguin Canvas," Chicago New Post July 20, 1928.
- 1929
- Dale, Maud. Before Manet to Modigliani from the Chester Dale Collection. New York, 1929: no. 64, repro.
- 1936
- Bulliet, C. J. The Significant Moderns and Their Pictures. New York, 1936: repro. no. 75.
- 1939
- Slocombe, George. Rebels of Art, Manet to Matisse. New York, 1939:plate 22.
- 1942
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1942: 75, repro.
- 1944
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1944: 75, repro.
- 1950
- Lewandowski, Herbert. Paul Gauguin, oder Die Flucht vor der Zivilisation. Bern, 1950: 349.
- 1952
- Cairns, Huntington, and John Walker, eds., Great Paintings from the National Gallery of Art. New York, 1952: 168, color repro.
- 1953
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1953: 83, repro.
- 1956
- Wildenstein, Georges, et. al. "Oeuvres appartenant au cycle 'D'ou venons-nou? Qui sommes-nous? Ou allons-nous?'," Gazette des Beaux-Arts 6th series, vol. 47 (January-April 1956):141, fig. 7.
- 1956
- Wildenstein, Georges, et. al. "Traduction et interprétation des titres en langue Tahitienne inscrits sur les oeuvres Océaniennes de Paul Gauguin," Gazette des Beaux-Arts 6th series, vol. 47 (January-April 1956):141, fig. 7.
- 1957
- Goldwater, Robert. Paul Gauguin. New York, 1957: 116, repro.
- 1959
- Evans, Grose. French Painting of the 19th Century in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Two in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 38, color repro.
- 1960
- The National Gallery of Art and Its Collections. Foreword by Perry B. Cott and notes by Otto Stelzer. National Gallery of Art, Washington (undated, 1960s): 19.
- 1963
- Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 276, repro., as Fatata te Miti.
- 1964
- Wildenstein, Georges. Gauguin. Paris, 1964: no. 463.
- 1965
- Eighteenth and Nineteenth Century Paintings & Sculpture of the French School in the Chester Dale Collection, National Gallery of Art, Washington, 1965: 124, repro.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 55
- 1966
- Cairns, Huntington, and John Walker, eds., A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:472, color repro.
- 1967
- Danielsson, Bengt. "Gauguin's Tahitian Titles." The Burlington Magazine 109, no. 769 (April 1967):230.
- 1968
- Cachin, Françoise. Gauguin. Paris, 1968:245, repro.
- 1968
- European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 48, repro.
- 1971
- Clay, Jean, ed. L'impressionnisme. Paris, 1971: 170, repro.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 146, repro.
- 1977
- Field, Richard S. Paul Gauguin: The Paintings of the First Voyage to Tahiti. New York and London, 1977:154-157
- 1980
- Liere, Eldon N. van, "Solutions and Dissolutions: The Bather in Nineteenth-Century French Painting," Arts Magazine 54 no 9 (May 1980): 112, repro.
- 1981
- Sugana, Gabriele Mandel. Tout l'oeuvre peint de Gauguin. Paris, 1981: no. 291, repro.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 522, no. 784, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 168, repro.
- 1992
- Parsons, Thomas and Iain Gale, Post-Impressionism: The Rise of Modern Art. London, 1992:188, repro.
- 1992
- Vance, Peggy. Gauguin. London, 1992:114, repro.
- 1993
- Kapos, Martha, ed. The Post-Impressionists: A Retrospective. New York, 1993: pl. 65.
- 1993
- Thomson, Belinda, ed. Gauguin by Himself. New York, 1993: no. 187, repro.
- 1995
- Halpine, Susana M. "An Investigation of Artists' Materials Using Amino Acid Analysis: Introduction of the One-Hour Extraction Method." Studies in the History of Art 51 (1995): 53-55, repro. no. 15.
- 1998
- Zuffi, Stefano and Francesca Castira, La peinture moderne des impressionnistes aux avant-gardes. Paris, 1998:167-168. repro.
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