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Provenance

Count Mastiani, Florence.[1] Charles Fairfax Murray [1849-1919], London and Florence. Andrea di Robilant, Venice;[2] (his sale, Galleria Bellini, Florence, 22-27 May 1933, no. 30, as by Andrea Verrochio); probably purchased by (Count Alessandro Contini-Bonacossi, Florence); purchased July 1934 by the Samuel H. Kress Foundation, New York; gift 1939 to NGA.

Exhibition History
1935
Sculpture of the Italian Renaissance, A.S. Drey Galleries, New York, 1935, no. 16, as by Andrea del Verrocchio.
Bibliography
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 238, no. A-37, as by Verrocchio.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 254, repro. 238, as by Verrocchio.
1943
Swarzenski, Georg. "Some Aspects of Italian Quattrocento Sculpture in the National Gallery." Gazette des Beaux-Arts 6th series, 24 (November 1943): 297 fig. 12, 298.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 173, as by Verrocchio.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 153, repro., as by Verrocchio.
1976
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 41.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 84, repro.