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Provenance

Niccolini, Florence. (Count Alessandro Contini-Bonacossi, Florence and Rome); sold 1936 to the Samuel H. Kress Foundation, New York; gift 1939 to NGA.

Exhibition History
1996
L'officina della maniera. Varietà e fierezza nell'arte fiorentina del Cinquecento fra le due repubbliche 1494-1530, Galleria degli Uffizi, Florence, 1996-1997, no. 116, repro.
Bibliography
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 91, no. 437, as by Francesco Granacci.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 248, repro. 122, as by Francesco Granacci.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 123, repro., as by Francesco Granacci.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 105, repro., as by Francesco Granacci.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 62, as by Francesco Granacci.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 54, repro., as by Francesco Granacci.
1968
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 124-125, fig. 300-302.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 222, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: I:315, II:pl. 226C
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 254, repro.
1998
Waldman, Louis Alexander. "The 'Master of the Kress Landscapes' unmasked: Giovanni Larciani and the Fucecchio altar-piece." The Burlington Magazine 140 no. 1144 (July 1988):456+, repro.