Overview

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Inscription

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Marks and Labels

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Provenance

(Ambroise Vollard [1867-1939], Paris); sold 31 July 1926 to Dr. Gottlieb Friedrich Reber [1880-1959], Lausanne, and (Galerie Thannhauser, Lucerne); on consignment from 4 August 1927 to D. Pagenstecher, Wiesbaden; sold 1951 to (Walter Feilchenfeldt, Zürich); sold 1955 to a private collection, from which it was returned 1964 to (Walter Feilchenfeldt, Zürich); sold 15 January 1964 to (M. Knoedler & Co., London, New York and Paris);[1] sold 13 June 1964 to Ailsa Mellon Bruce [1901-1969], New York; bequest 1970 to NGA.

Exhibition History

1927
Erste Sonderaustellung in Berlin, Galerien Thannhauser at Berliner Künsterlhaus, 1927, unnumbered catalogue, repro. p. 25
1956
Paul Cézanne, Gemeentemuseum, The Hague, 1956, no. 36, repro.
1956
Paul Cézanne, Kunsthaus Zurich, 1956, no. 61
1960
Paintings, Drawings and Sculpture Collected by Yale Alumni, Yale University Art Gallery, New Haven, 1960, no. 77, repro.
1966
French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, National Gallery of Art, Washington, 1966, no. 71, repro
1989
Impressionisti della National Gallery of Art di Washington, Ala Napoleonica e Museo Correr, Venice, and Palazzo Reale, Milan, 1989, unnumbered catalogue, repro.
1990
Französische Impressionisten und ihre Wegbereiter aus der National Gallery of Art, Washington und dem Cincinnati Art Museum, Neue Pinakothek, Munich, 1990, no. 62, repro.
1992
From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metroplitan Museum of Art, New York, National Gallery of Greece, Athens, 1992-1993, no. 63, repro.
1999
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles County Museum of Art, 1999, no cat.
1999
Masterpieces from the National Gallery of Art, Washington, Kyoto Municipal Museum of Art; Tokyo Metropolitan Art Museum, 1999, no. 55, repro.
2011
Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, no. 11, repro.

Bibliography

1936
Venturi, Lionello. Cezanne, son art, son oeuvre.Paris: Paul Rosenberg, 1936, no. 634
1966
Goldwater, Robert. "The Glory that was France." Art News 65 (March 1966): 48, repro.
1970
Orienti 1970, no.738.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 62, repro.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 507, no. 752, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 82, repro.
1991
Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 263.
1996
Rewald, John. The Paintings of Paul Cézanne: a catalogue raisonné. 2 vols. New York, 1996:no. 722, repro.
2001
Kropmanns, Peter, and Uwe Fleckner. "Von Kontinentaler Bedeutung: Gottlieb Freidrich Reber und seine Sammlungen." In Die Moderne und ihre Sammler. Andrea Pophanken and Felix Billeter, eds. Berlin, 2001: 387.

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