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Provenance

Fran├žois Gauzi [1862-1933], Toulouse; his estate, at least until 1935.[1] (Durand-Matthiesen, Geneva, by 1951).[2] Capt. Edward H. Molyneux [1891-1974], Paris, by 1952;[3] sold 1955 to Ailsa Mellon Bruce [1901-1969], New York; bequest 1970 to NGA.

Exhibition History
1951
Toulouse-Lautrec, Matthiesen Gallery, London, 1951, no. 4
1952
French Paintings from the Molyneux Collection, National Gallery of Art, Washington, D.C.; Museum of Modern Art, New York, 1952, unnumbered checklist.
1956
Hampton National Historic Site, Towson, MD, May - October 1956
1961
French Paintings of the Nineteenth Century from the Collection of Mrs. Mellon Bruce, California Palace of the Legion of Honor, San Francisco, 1961, no. 61, repro
1966
French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, National Gallery of Art, Washington, 1966, no. 148, repro
1999
Masterpieces from the National Gallery of Art, Washington, Kyoto Municipal Museum of Art; Tokyo Metropolitan Art Museum, 1999, no. 62, repro.
2003
Toulouse-Lautrec: Uno sguardo dentro la vita, Complesso del Vittoriano, Rome, 2003-2004, no. I.5, repro.
2011
Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, no. 50, repro.
2012
Toulouse-Lautrec: Paris & the Moulin Rouge, National Gallery of Australia, Canberra, 2012-2013, unnumbered catalogue, repro.
Bibliography
1971
Dortu, M.G. Toulouse-Lautrec et son oeuvre. 6 vols. New York, 1971:II:P244, repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 352, repro.
1978
Small French Paintings from the Bequest of Ailsa Mellon Bruce. Exh. cat. National Gallery of Art, Washington, D.C., 1978: 82, repro. (continuing exhibition beginning in 1978).
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 529, no. 796, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 402, repro.