Overview

No overview.

Inscription

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Marks and Labels

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Provenance

Probably purchased through (Ambroise Vollard [1867-1939], Paris) by Egisto Fabbri [1866-1933], Florence; acquired through (Paul Rosenberg, Paris) February 1938 by Marie N. Harriman [1903-1970] and W. Averell Harriman [1891-1986], New York [Marie Harriman Gallery]; W. Averell Harriman Foundation; gift 1972 to NGA.[1]

Exhibition History

1939
Cezanne Centennial Exhibition, Marie Harriman Gallery, New York, 1939, no. 14
1955
Albany Institute of History and Art, 1955, no cat.
1960
Paintings, Drawings and Sculpture Collected by Yale Alumni: An Exhibition, Yale University Art Gallery, New Haven, Connecticut, 1960, no. 77, repro., as Au Bord de l'eau.
1961
Exhibition of the Marie and Averell Harriman Collection, National Gallery of Art, Washington, 1961, unnumbered catalogue, repro. 15
1984
Loan for display with permanent collection, Southampton Art Gallery, Southampton, England, 1984
1984
Paul Cézanne, Museo Español de Arte Contemporaneo, Madrid, 1984
1986
Capolavori Impressionisti dei Musei Americani, Museo e Gallerie Nazionali di Capodimonte, Naples; Pinacoteca di Brera, Milan, 1986-1987, no. 6, repro.
1990
Französische Impressionisten und ihre Wegbereiter aus der National Gallery of Art, Washington und dem Cincinnati Art Museum, Neue Pinakothek, Munich, 1990, no. 61, repro.
1993
Extended loan for use by Ambassador Pamela Harriman, U.S. Embassy residence, Paris, France, 1993-1997.
1999
Around Impressionism: French Paintings from the National Gallery of Art, Los Angeles County Museum of Art, 1999, no cat.
1999
Masterpieces from the National Gallery of Art, Washington, Kyoto Municipal Museum of Art; Tokyo Metropolitan Art Museum, 1999, no. 54, repro.
2000
Cézanne: Vollendet - Unvollendet [Cézanne: Finished - Unfinished], Kunstforum Wien, Vienna; Kunsthaus Zürich, 2000, no. 102, fig. 19.
2007
Cézanne in Florence. Two collectors and the 1910 Exhibition of Impressionism., Palazzo Strozzi, Florence, 2007, unnumbered catalogue, repro.
2010
Paths to Abstraction 1867 to 1917, Art Gallery of New South Wales, Sydney, 2010, unnumbered catalogue, repro.
2011
Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, no. 13, repro.

Bibliography

1936
Venturi, Lionello. Cezanne, son art, son oeuvre.Paris: Paul Rosenberg, 1936.
1970
Orienti 1970, no.740.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 62, repro.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 499, no. 739, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 83, repro.
1990
Französische Impressionisten und ihre Wegbereiter aus der National Gallery of Art, Washington und dem Cincinnati Art Museum, Exh. cat. Neue Pinakothek, Munich, 1990: no. 61, repro.
1996
Rewald, John. The Paintings of Paul Cézanne: a catalogue raisonné. 2 vols. New York, 1996:no. 724, repro.
1997
Kelder, Diane. The Great Book of French Impressionism, 1997, no. 373, repro.
2007
Bardazzi, Francesco, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Exh. cat. Palazzo Strozzi, Florence. Milan, 2007: 264 fig. 29.

Conservation Notes

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