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by Parmigianino?, at lower left in brown ink (on the cross-section of the sculpture): p[er] ch[é] dann'amore facto o mai/sì certo qual manifesta c[os]/tanza né può senza/tentar; at lower right: san[?] pena [several words crossed out]/cori parole scolto diSscer eo; at bottom right in another hand: Angelo


Mrs. E. E. James (sale, Sotheby's, London, 16 May 1962, no. 161, as B. Bandinelli); bought by Williams; Hans Calmann, London, by 1965; David Daniels, New York, 1965 (sale, Sotheby's, London, 25 April 1978, no. 16, as Anonymous Florentine, 16th Century); NGA purchase via David Tunick, New York, 1978.

Exhibition History
Sixteenth Century Italian Drawings: Form and Function, Yale University Art Gallery, New Haven, 1974, no. 10 (as attributed to Benvenuto Cellini).
Correggio and Parmigianino, Master Draughtsmen of the Renaissance, British Museum, London, and Metropolitan Museum of Art, New York, 2000-2001, no. 52 (entry by Martin Clayton).
Donatello, Michelangelo, Cellini: Sculptors' Drawings from Renaissance Italy. Isabella Stewart Gardner Museum, Boston, 183-185, no. 22 (color)(as Italian, 16th century [Raffaello da Montelupo?])(entry by Linda Wolk-Simon).
Ekserdjian, David. "Parmigianino and the Antique." Apollo (July 2001): 44, fig. 6.
Turner, Nicholas. "Le periferie del corpus graphicum del Parmigianino. Problemi di attribuzioni incerti fra gli specialisti." In Parmigianino e il manierismo europeo. Atti del convegno internazionale di studi. Parma, 13-15 giugno 2002, a cura di L. Fornari Schianchi. Milan, 2002: 229, fig. 4 (as possibly by Jacopo di Giovanni di Francesco, called Jacone).
Vaccaro, Mary. Review of "Correggio and Parmigianino. Master Draftsmen of the Renaissance." Master Drawings 40, no. 3 (Fall 2002): 259.
Thimann, Michael. "Jüngere literatur zur Parmigianino. Ein Forschungsbericht." Journal für Kunstgeschichte 8, no. 3 (2004): 232.
Gnann, Achim. Parmigianino: Die Zeichnungen. Petersberg, 2007, 1: 405, no. 336; 2: 285, repro.