No overview available.
lower left: P.Sr Ant: vandike; lower right: Philip Lord Wharton / 1632 about ye age / of 19.
Marks and Labels
Philip Wharton, 4th baron Wharton, [1613-1696], Wharton Hall, near Kirkby Stephen, Westmorland, or Healaugh, West Riding, Yorkshire, until 1637; after 1637 in Wooburn, near High Wycombe, Buckinghamshire; by inheritance to his son, Thomas Wharton, 5th baron and 1st marquess of Wharton [1648-1716], Winchendon, near Aylesbury; by inheritance to his son, Philip Wharton, 1st and last duke of Wharton [1699-1731], Winchendon, near Aylesbury; purchased 1725 by Sir Robert Walpole, 1st earl of Orford and Prime Minister under George I and George II [1676-1745], Houghton Hall, Norfolk; by inheritance to his son, Robert Walpole, 2nd earl of Orford [1700-1751], Houghton Hall; by inheritance to his son, George Walpole, 3rd earl of Orford [1730-1791], Houghton Hall; acquired with the Walpole collection in 1779, through Count Aleksei Semonovich Musin-Pushkin, Russian ambassador to England, by Catherine II, empress of Russia [1729-1796], for the Imperial Hermitage Gallery, Saint Petersburg; purchased March 1930 through (Matthiesen Gallery, Berlin; P. & D. Colnaghi & Co., London; and M. Knoedler & Co., New York) by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 30 March 1932 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA.
- Van Dyck Tentoonstelling ter gelegenheid der 300e verjaring der beboorte van den Meester, Museum van Schoone Kunsten, Antwerp, 1899, no. 85.
- Exhibition of Works by Van Dyck 1599-1641. Winter Exhibition, Royal Academy of Arts, London, 1900, no. 61.
- Anthony van Dyck, National Gallery of Art, Washington, D.C., 1990-1991, no. 63, color repro.
- Houghton Hall: The Prime Minister, The Empress and The Heritage, Castle Museum Norwich; Kenwood House, London, 1996-1997, no. 26, repro.
- The Theatrical Baroque, David and Alfred Smart Museum of Art, University of Chicago, 2001, no. 16, fig. 4.
- Houghton Hall: Portrait of an English Country House, Museum of Fine Arts, Houston; California Palace of the Legion of Honor, The Fine Arts Museums of San Francisco; Frist Center for the Visual Arts, Nashville, 2014-2015, unnumbered catalogue, repro.
- Wrangell, Baron Nicolas. Les Chefs-d'Oeuvre de la Galérie de Tableaux de l'Hermitage Impérial à St-Pétersbourg. London, 1909: repro. 86.
- Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 204, no. 50, pl. XIII.
- Book of Illustrations. National Gallery of Art, Washington, 1942: 240, repro. 40.
- Cairns, Huntington, and John Walker, eds., Masterpieces of Painting from the National Gallery of Art. New York, 1944: 94, color repro.
- Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 70, repro.
- Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 311, repro.
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 46.
- Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:280, color repro.
- European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 40, repro.
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 118, repro.
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 67, pl. 52.
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 264, no. 338, color repro.
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 144, repro.
- Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 91, 92, color repro.
- Parry, Graham. "Van Dyck and the Caroline Court Poets." Studies in the History of Art 46 (1994): 252, repro. no. 5.
- Rogers, Malcolm. "Van Dyck's Portrait of Lord George Stuart, Seigneur d'Aubigny, and Some Related Works." Studies in the History of Art 46 (1994): 263, 268-269, 272, repro. no. 10.
- Toman, Rolf. Die Kunst des Barock : Architektur, Skulptur, Malerei, 1997, p.480, repro.
- Gibson, Sarah S. “Shepherds/Shepherdesses." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:821, 823.
- Barnes, Susan J. Van Dyck: A Complete Catalogue of the Paintings. New Haven, 2004: IV.237
- Wheelock, Arthur K., Jr. Flemish Paintings of the Seventeenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2005: 80-83, color repro.
- Odom, Anne, and Wendy R. Salmond, eds. Treasures into Tractors: The Selling of Russia's Cultural Heritage, 1918-1938. Washington, D.C., 2009: 90, 103 n. 44, 135 n. 62.
- Jaques, Susan. The Empress of Art: Catherine the Great and the Transformation of Russia. New York, 2016: 397, color fig.