Overview

No overview.

Inscription

lower left: C. Pissarro. 1872

Marks and Labels

null

Provenance

(sale, Hôtel Drouot, Paris, 18 February 1878, no. 59, as La Haie); purchased by Georges de Bellio [1828-1894];[1] by inheritance to his daughter, Mme Ernest Donop de Monchy [née Victorine de Bellio, b. 1863] until at least 1937. (Paul Rosenberg et Cie., Paris) and (César de Hauke, Paris), by 1939.[2] Arthur Goldsmith, Paris; sold1955 to (Walter Feilchenfeldt, Zurich);[3] sold that same year to (Georges Seligmann, New York); sold 1955 to Mr. Paul Mellon, Upperville, VA; gift 1985 to NGA.

Exhibition History

1930
Centenaire de la naissance de Camille Pissarro, Musée de l'Orangerie, Paris, 1930, no. 17.
1956
Pictures Collected by Yale Alumni, Yale University Art Gallery, New Haven, 1956, no. 90, repro.
1966
French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, National Gallery of Art, Washington, 1966, no. 26, repro.
1995
Landscapes of France: Impressionism and its Rivals, Hayward Gallery, London; Museum of Fine Arts, Boston, 1995-1996, no. 67, repro.
2005
Camille Pissarro, Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne, 2005-2006, no. 10, repro.

Bibliography

1939
Pissarro, Ludovic and Lionello Venturi. Camille Pissarro, son art, son oeuvre. 2 vols. Paris, 1939:1:98, no. 135, as La Haie, Paysage D'Automne; 2:pl. 27.
1970
Niculescu, Remus. "Georges de Bellio, l'ami des Impressionnistes (II)." Paragone 249 (November 1970): 68, no. 104
1970
Niculescu, Remus. "Georges de Bellio, l'ami des Impressionnistes (I)." Paragone 247 (September 1970): 54.
2005
Pissarro, Joachim and Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of the Paintings, 3 vols., Milan, Paris and New York, 2005: II:no. 231, repro.

Conservation Notes

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