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Open today: 11:00 to 6:00

Provenance

Raimund Fugger, Augsberg. (sale, Hôtel Drouot, Paris, 21 November 196); Paul Mellon [1907-1999]; gift 1991 to NGA.

Exhibition History
1991
Circa 1492: Art in the Age of Exploration, National Gallery of Art, Washington, 1991-1992, no. 5, repro., as Map of the World and People from Faraway Lands from Liber Chronicarum.
1997
Love and War: A Manual for Life in the Late Middle Ages, National Gallery of Art, Washington, 1998-1999, as "The Judgment of Solomon" from Hartmann Schedel, Nuremberg Chronicle by Michael Wolgemut or Wilhelm Pleydenwurff.
2000
The Fantastic in Renaissance Prints and Drawings, National Gallery of Art, Washington, 2000.
2001
The Treasury of Basel Cathedral, The Metropolitan Museum of Art, New York, 2001, no. 1.
2002
"Painted Prints: Renaissance and Baroque Hand-Colored Engravings, Etchings, and Woodcuts", The Baltimore Museum of Art; The Saint Louis Art Museum, St. Louis, 2002-2003, no. 7.
2007
Fabulous Journeys and Faraway Places: Travels on Paper, 1450 - 1700, National Gallery of Art, Washington, D.C., 2007
Bibliography
1949
Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. 8 vols. Amsterdam: Menno Hertzberger, 1954-1868. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. Vols. I-XV, XVIII, XIX. Amsterdam: Menno Hertzberge, 9
1991
Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art. Exh. cat. National Gallery of Art, Washington, 1991: p.6.
1991
Circa 1492: Art in the Age of Exploration. Exh. cat. National Gallery of Art, Washington, 1991-1992: no. 5.
2000
Hine, Robert V. and John Mack Faragher. The American West: A New Interpretive History. New Haven, 2000: 2.
2002
Dackerman, Susan. Painted Prints: Renaissance and Baroque Hand-Colored Engravings, Etchings, and Woodcuts. Exh. cat. The Baltimore Museum of Art, Baltimore; The Saint Louis Art Museum, St. Louis, 2002-2003. University Park, 2002: no. 7.
2013
Harris, Neil. Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago and London, 2013: 418, 421.