Provenance
Purchased from the artist by Dorothy and Herbert Vogel, New York; purchase/gift 1991 to NGA.
Exhibition History
- 1977
- Works from the Collection of Dorothy and Herbert Vogel, The University of Michigan Museum of Art, Ann Arbor, 1977-1978, no. 5, as 9 Steel Rectangle, repro.
- 1982
- 20th Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts and Science, Potsdam, New York; Gallery of Art, University of Northern Iowa, Cedar Rapids, 1982-1983, unnumbered catalogue, as 9 Steel Rectangle, repro.
- 1987
- Carl Andre, Haag Gemeentemuseum, The Hague; Stedelijk Van Abbemuseum, Eindhoven, 1987.
- 1988
- From the collection of Dorothy & Herbert Vogel, Arnot Art Museum, Elmira, New York, travelling exhibition, 1988-1989, 100.
- 1994
- From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., 1994, no. 4, color repro.
- 1997
- From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Portland (Oregon) Art Museum, 1997.
- 1997
- From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), The Jack S. Blanton Museum of Art (formerly Archer M. Huntington Art Gallery), University of Texas, Austin, 1997.
- 1998
- From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Tel Aviv Museum of Art, 1998.
- 1998
- From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Wäinö Aaltonen Museum of Art, Turku, Finland, 1998.
Bibliography
- 1977
- Works from the Collection of Dorothy and Herbert Vogel, The University of Michigan Museum of Art, Ann Arbor, 1977-1978, no. 5, as 9 Steel Rectangle.
- 1994
- From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Collection. Exh. cat. National Gallery of Art, Washington, 1994: no. 4.
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