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Provenance

Friedrich Quiring [born 1886], Eberswalde, Germany; Herbert List; Hans M. Calmann [1899-1982], London; purchased by Ian Woodner, New York, 1 January 1973; by inheritance to his daughters, Andrea and Dian Woodner, New York, 1990.

Exhibition History
1965
Zeichnungen alter Meister aus Deutschem Privatbesitz, Kunsthalle, Hamburg, 1965, no. 120.
1973
Woodner Collection II: Old Master Drawings from the XV to the XVIII Century, William H. Schab Gallery, New York and tour, 1973-74, no. 80.
1976
Old Master Drawings from American Collections, Los Angeles County Museum of Art, Los Angeles, 1976, no. 215.
1982
Holy Roman Empire, 1540-1680: A Selection from North American Collections, The Art Museum, Princeton University and tour, 1982-83, no. 61.
1983
Master Drawings from the Woodner Collection, J. Paul Getty Museum, Malibu and tour, 1983-85, no. 49.
1986
Dibujos de los siglos XIV al XX: Colección Woodner, Museo del Prado, Madrid, 1986-87, no. 83.
1986
Meisterzeichnungen aus Sechs Jahrhunderten: Die Sammlung Ian Woodner, Haus der Kunst, Munich and Vienna, 1986, no. 70.
1987
Master Drawings: The Woodner Collection, Royal Academy of Arts, London, 1987, no. 70.
1990
Master Drawings from the Woodner Collection, Metropolitan Museum of Art, New York, 1990, no. 86.
1995
The Touch of the Artist: Master Drawings from the Woodner Collections, National Gallery of Art, Washington, 1995-1996, no. 64.
2006
Master Drawings from the Woodner Collections, National Gallery of Art, Washington, D.C., 2006 - 2007.
Bibliography
1979
Spicer-Durham, Joaneath Ann. "The Drawings of Roelandt Savery." Ph.D. dissertation. Yale University, New Haven, 1979: 64ff, no. 18.
1985
Kaufmann, Thomas DaCosta. "A Census of Drawings from the Holy Roman Empire, 1540-1680, in North American Collections" Central European History xviii, 1 (1985): 101.
1987
Melikian, Souren. "A Master Collector, Ian Woodner: An Eye for the Future." Art & Auction. (November 1987): 86.
1995
The Touch of the Artist: Master Drawings from the Woodner Collections. Exh. cat. National Gallery of Art, Washington, 1995-1996: no. 64.