Overview

No overview.

Inscription

null

Marks and Labels

null

Provenance

Possibly Pedro Escat, Palma de Mallorca.[1] Sureda family, Madrid and Seville;[2] (Durand-Ruel et Cie, Paris); purchased 28 September 1897 by Mr. and Mrs. H.O. Havemeyer [Henry Osborne Havemeyer, 1847-1907, and Louisine Waldron Elder, 1855-1929], New York;[3] by inheritance 1929 to their daughter, Mrs. Peter H.B. Frelinghuysen [née Adaline Havemeyer, 1884-1963], Morristown, New Jersey; gift 1942 to NGA.

Exhibition History

1912
Loan Exhibition of Paintings by El Greco and Goya, M. Knoedler & Co., New York, 1912, no. 10.
1936
Francisco Goya, His Paintings, Drawings and Prints, The Metropolitan Museum of Art, New York, 1936, no. 9.
1986
Goya: The Condesa de Chinchon and Other Paintings, Drawings, and Prints from Spanish and American Private Collections and the National Gallery of Art, National Gallery of Art, Washington, D.C., 1986-87, unpaginated brochure.
1996
Goya 1746-1828, Museo del Prado, Madrid, 1996, no. 123, repro.
2001
Goya: La imagen de la mujer [Goya: Images of Women], Museo Nacional del Prado, Madrid; National Gallery of Art, Washington, D.C., 2001-2002, no. 71 (Spanish cat.), no. 33 (English cat.), color repro.

Bibliography

1867
Yriarte, Charles. Goya, sa biographie et le catalogue de l'oeuvre. Paris, 1867: 148.
1887
Viñaza, Conde de la (Cipriano Muñoz y Manzano). Goya: su tiempo, su vida, sus obras. Madrid, 1887: 263, no. 121.
1902
Lafond, Paul. Goya. Paris, 1902: 138, no. 215.
1903
von Loga, Valerian. Francisco de Goya. Berlin, 1903: 204.
1908
Calvert, Albert. Goya: An Account of His Life and Works. London, 1908: 140, no. 238.
1916
Beruete y Moret, Aureliano de. Goya, pintor de retratos. Madrid, 1915: 179, no. 214. Translated by Selwyn Brinton. London, 1922.
1924
Mayer, August L. Francisco de Goya. Munich, 1923. Translated by Robert West [pseud.]. London, 1924: 166, no. 428.
1928
Desparmet Fitz-Gerald, Xavier. L'oeuvre peint de Goya. 4 vols. Paris, 1928-1950: 2:221, nos. 5, 10, pl. 424.
1931
H. O. Havemeyer Collection. Catalogue of Paintings, Prints, Sculpture and Objects of Art. Portland, Maine, 1931: 314, repro. 315.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 251, repro. 213, as Doña Teresa Sureda by Francisco José de Goya y Lucientes.
1945
Cook 1945, 156-160, fig. 6.
1956
Walker, John. National Gallery of Art, Washington. New York, 1956: 34, repro., as Doña Teresa Sureda.
1961
Havemeyer, Louisine W. Sixteen to Sixty: Memoirs of a Collector. New York, 1961: 136.
1963
Walker, John. National Gallery of Art, Washington, D.C.. New York, 1963 (reprinted 1964 in French, German, and Spanish): 234, repro., as Doña Teresa Sureda.
1964
Trapier, Elizabeth du Gué. Goya and His Sitters. New York, 1964: 31-33, Figs. 57-58.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 60, as Doña Teresa Sureda.
1968
European Paintings and Sculpture, Illustrations. National Gallery of Art, Washington, 1968: 52, repro., as Doña Teresa Sureda.
1970
Gassier, Pierre, and Juliet Wilson. Vie et oeuvre de Francisco Goya. Paris, 1970: 198, no. 814, repro. Translated by Christine Hauch and Juliet Wilson. New York, 1971: 198.
1971
Gudiol y Ricart, José. Goya: 1746-1828; Biography, Analytical Study and Catalogue of His Paintings. Translated by Kenneth Lyons. 4 vols. New York, 1971: 1:311, no. 534, fig. 840.
1974
de Angelis, Rita. L'opera pittorica completa di Goya. Milan, 1974: 119, no. 446, color pl. 31.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 158, repro., as Doña Teresa Sureda.
1979
Salas, Xavier de. Goya. Translated by G. T. Culverwell. London, 1979: 95, 102, no. 379, repro.
1984
Camón Aznar, José. Francisco de Goya. 4 vols. Saragossa, 1984: 3:159.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 402, no. 572, color repro., as Doña Teresa Sureda.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 183, repro.
1990
Brown, Jonathan, and Richard G. Mann. Spanish Paintings of the Fifteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1990: 16, color repro. 17.
1993
Frelinghuysen, Alice Cooney, et al. Splendid Legacy: The Havemeyer Collection. Exh. cat. The Metropolitan Museum of Art, New York, 1993: 343, no. 292 [not in the exhibition].
2000
Bartolomé Sureda (1796-1851): Arte e industria en la ilustración tardía. Exh. cat. Museo Municipal de Madrid, 2000: 25, repro. [not included in the exhibition].
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 268-269, no. 218, color repro.

Conservation Notes

The support is a medium-weight, plain-weave fabric, lined to an auxiliary fabric. A smooth, light colored ground has been applied overall. The paint surface is in good condition except along the right edge, where there is a series of fairly regular horizontal cracks, suggesting that the painting may have been rolled up at one time. Some flattening of the paint surface occurred during the relining. The varnish, which is slightly pigmented, is dull and disfigured by bloom. The original tacking margins have been removed.

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