Audio

• National Gallery of Art String Quartet, Wind Quintet, and Piano Trio
• National Gallery of Art New Music Ensemble
• Nordic Voices
• Music to Honor the Chester Dale Collection
• Music by Jewish Composers
• Music for the Holidays at the National Gallery
• The Stanford University Chamber Chorale and Chatham Baroque
• Dan Franklin Smith, pianist
• Concerts in Honor of Venice: Canaletto and His Rivals
• National Gallery of Art Vocal Arts Ensemble and Chamber Players
• Nature and Fantasy in 16th-Century Italian Music
• Fauré Piano Quartet
• Dan Zhu, violinist, and Renana Gutman, pianist
• Geringas Baryton Trio
• Flute and Harp—Heavenly Sounds in the West Garden Court
• Perfect 10s
• Hungarian Chamber Music at the National Gallery of Art
• Notes from Norway
• Del Sol String Quartet
• Amarcord
• National Gallery of Art Resident Ensembles
• Peter Vinograde, pianist
• Ritz Chamber Players
• National Gallery of Art Vocal Arts Ensemble and Chamber Players
• National Gallery of Art Vocal Ensemble and Various Guest Ensembles
• National Gallery of Art String Quartet
• Requiem Aeternam (after Victoria)
• National Gallery of Art Wind Quintet
• Choral Festival in Honor of Reopening of American Galleries
• Ma'alot Wind Quintet: Mendelssohn, Ligeti, Barber, Piazzolla, and Joplin
• National Gallery of Art Piano Trio Plays Maurice Ravel's Piano Trio in A Minor
• National Gallery of Art Chamber Players
• Concert in Honor of African American History Month by Celeste Headlee and Danielle DeSwert
• The Choir of St. George's Chapel at Windsor Castle, Live Performance at the National Gallery of Art
• "Out my one window," an Aria from Later the Same Evening: an opera inspired by five paintings of Edward Hopper
• A Sculptor Looks at Rodin's Work
• Concerning America, and Alfred Stieglitz, and Myself
• Art and Espionage: Michael Straight's Giorgione
• Picasso and the Concept of the Masterpiece
• Living with the Dead in France: Nineteenth-Century Tomb Sculpture
• Painting in Emilia
• Tony Smith at 100 Symposium, Part III: The Tony Smith Experience and Q and A Session
• Tony Smith at 100 Symposium, Part II: Tony Smith: X Marks the Spot
• Tony Smith at 100 Symposium, Part I: Introductory Remarks and "Dream of the Proper Context": Tony Smith, the Abstract Expressionists' Architect
• Collecting for Quality: The Kaufman Collection of American Furniture, 1725-1825
• Lodovico Carracci: Observations on a Faulted Genius
• The Lion in Great Age: Titian's Last Painting
• George Bellows Symposium, Part VII: The Late Work of George Bellows and the Question of Modernity
• The Collecting of African American Art IX: Collecting Black: An Anachronism
• George Bellows Symposium, Part VI: The Ashcan Goes to War: Bellows, Belligerence, and the Rape of Belgium
• The Sydney J. Freedberg Lecture on Italian Art 2012: "Not a painting, but a Vision!": Raphael's Sistine Madonna Turns Five Hundred
• George Bellows Symposium, Part V: Sunday in the Park with George Bellows
• George Bellows Symposium, Part IV: "The infant terrible of painting": Bellows by the River
• Italian Painting: Mannerism and Maniera
• Imperial Augsburg: A Flourishing Market for Innovative Prints
• George Bellows Symposium, Part III: Bellows' "Riverfront": The Pestilential City and the Problem of Masculinity
• Triumphs in Craftsmanship: Masterpieces of American Furniture from the Kaufman Collection, 1700-1830
• Diamonstein-Spielvogel Lecture Series: Inside Out
• Roy Lichtenstein: Reading between the Dots
• Amber and the Ancient World
• George Bellows Symposium, Part I: "Election Night, Times Square"
• George Bellows Symposium, Part II: Bellows "Both In and Out of the Game"
• Celebrating "National Gallery of Art: Master Paintings from the Collection"
• Barnett Newman: The Stations of the Viewer
• The Serial Portrait: Photography and Identity in the Last One Hundred Years
• Introduction to the Exhibition:"Shock of the News"
• An American Vision: Henry Francis du Pont's Winterthur Museum
• Gérôme: Celebrated, Vilified, Reconsidered
• "Gilbert Stuart": An Introduction to the Exhibition
• PASSAGE 7: John Cage- incidents, texts, conversations, and music
• Signs of the Artist: Signatures and Self-Expression in American Paintings
• Joan Miró Symposium, Part V: L'Oeuvre de guerre of Miró: Constellation Series, Série Barcelona, and Ceramics, 1940-1945
• Joan Miró Symposium, Part IV: Miró's Studios: Reflecting His Roots, His References, and His Memories
• Nazi Loot in American Collections
• Joan Miró Symposium, Part III: "The Farm": Primitivism and Transfiguration
• Exotic Beasts and Politics: The Menageries of Josephine Bonaparte, Lorenzo de' Medici, and Rudolph II
• Joan Miró Symposium, Part II: Perspective, Position, and Politics: Joan Miró
• Joan Miró Symposium, Part I: Carob Link: A Promenade with Miró
• Rings: Five Passions in World Art,"A Preview of the Olympic Exhibition
• Introduction to a Painting: Edouard Manet's The Railway
• Celebrating the Reopening of the Nineteenth-Century French Galleries Symposium, Part III: Reinstalling the Nineteenth-Century European Collection at the Metropolitan Museum of Art
• Introduction to the Exhibition: Edo: Art in Japan, 1615-1868
• Celebrating the Reopening of the Nineteenth-Century French Galleries Symposium, Part II: Rethinking Nineteenth-Century Art History in France: The Musée d'Orsay Renovated
• Celebrating the Reopening of the Nineteenth-Century French Galleries Symposium, Part I: The Nineteenth Century According to Albert Barnes
• Introduction to the Exhibition- "Elegance and Refinement: The Still-Life Paintings of Willem van Aelst"
• Caravaggio: A Life Sacred and Profane
• Introduction to the Exhibition- "George Bellows": An Unfinished Life
• Giovanni Benedetto Castiglione: Genius in Context
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part IX: The Forest of the Old Masters: The Chiaroscuro of American Places
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part VIII: Painting and Technology: Samuel F. B. Morse and the Visual Transmission of Intelligence
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part VII: The Tradition of Paintings-within-Paintings
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part VI: "Gallery of the Louvre" and the Electric Telegraph
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part V: Samuel F. B. Morse's "Gallery of the Louvre" as a Religious Painting
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part IV: American Artists and the Louvre
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part III: Samuel Morse's Louvre in Context
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part II: Samuel F. B. Morse's "Lectures on the Affinity of Painting with the Other Fine Arts" and the Creation of "Gallery of the Louvre"
• Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium, Part I: Thoughts on the Conservation Treatment of Morse's "Gallery of the Louvre
• Architecture and Art: Creating Community
• Introduction to the Exhibition- Miró: Two Views
• Introduction to the Exhibition: Sculpture of Angkor and Ancient Cambodia: Millennium of Glory
• Itō Jakuchū's Colorful Realm: Juxtaposition, Naturalism, and Ritual
• 解決當代中國藝術中「東方與西方的難題」
• Solving the East/West Conundrum in Modern Chinese Art
• Art on the Mall: The National Gallery of Art Sculpture Garden
• David Finley, Andrew Mellon, and the Founding of the National Gallery
• Garden of Illusions: The National Gallery of Art Sculpture Garden
• The Collecting of African American Art I: Introduction
• Side by Side: Cimabue and Giotto at Pisa
• Speech on the Dedication of the East Building of the National Gallery
• Speech on the Dedication of the National Gallery of Art
• Vilhelm Hammershøi and His Contemporaries
• Elson Lecture 2012: Kerry James Marshall: The Importance of Being Figurative
• About Four Honest Outlaws
• Andrew W. Mellon: Collecting for the Nation
• Mellon: A Life
• Conversations with Artists: Joel Shapiro, Thoughts on the Organization of Form in Modern Sculpture
• Nineteenth-Century Redux: A New Look at a Great Collection of French Paintings
• Exhibiting Blackness: African Americans and the American Art Museum
• A Sense of Place- Norman Lewis in Harlem: "An Inquiry into the Laws of Nature"
• The Collecting of African American Art VIII: Elliot Perry and Darrell Walker in Conversation with Michael Harris
• Conversations with Artists: Compositions and Collaborations: The Arts of Lou Stovall
• Conversations with Artists: David C. Driskell and Frank Stewart
• The Collecting of African American Art VII: David C. Driskell in Conversation with Ruth Fine
• Remembering and Forgetting: Imagery and Its Role in the Slave Trade and Its Abolition
• Pictures of Nothing: Abstract Art since Pollock, Part 6: Abstract Art Now
• Conversations with Artists: David C. Driskell
• Works on Paper by African Americans: The Growth of the National Gallery of Art Collection
• Pictures of Nothing: Abstract Art since Pollock, Part 5: Satire, Irony, and Abstract Art
• Pictures of Nothing: Abstract Art since Pollock, Part 4: After Minimalism
• Pictures of Nothing: Abstract Art since Pollock, Part 3: Minimalism
• Pictures of Nothing: Abstract Art since Pollock, Part 2: Survivals and Fresh Starts
• Pictures of Nothing: Abstract Art since Pollock, Part 1: Why Abstract Art?
• An Introduction to the Exhibition- Édouard Vuillard
• A Sense of Place-Cézanne in Provence: An Introduction to the Exhibition
• The Pastrana Tapestries of King Afonso V of Portugal: The Invention of Glory
• The Image of the Black in Western Art, Part II
• Florence: Days of Destruction
• Some Pages from Michelangelo's Life
• Leonardo da Vinci: Artist of Sketchbooks and Notebooks
• Antico: The Making of an Exhibition
• Teaching Connoisseurship: Paul Sachs at Harvard University and Bernard Berenson at Villa I Tatti
• Harry Callahan at 100
• Introduction to the Exhibition-In the Tower: Mel Bochner
• The Sydney J. Freedberg Lecture on Italian Art 2011: Bernard Berenson and Lorenzo Lotto
• Conversations with Artists: Mel Bochner
• Morse at the Louvre
• Warhol: Headlines Symposium
• The Sydney J. Freedberg Lecture on Italian Art 2004: The Third Italian Renaissance: Art of the Lombard Plain
• A New Look: Samuel F. B. Morse's Gallery of the Louvre
• Americans Collect Italian Renaissance Art
• Introduction to the Exhibition-Warhol: Headlines
• The Sydney J. Freedberg Lecture on Italian Art 2000: The Fashioning of a Public Persona: Duchess Eleonora di Toledo's Ceremonial Dress and Her Portraits by Bronzino
• The Sydney J. Freedberg Lecture on Italian Art 2002: The Turning Figure
• The Sydney J. Freedberg Lecture on Italian Art 2001: Michelangelo and the Medici: From Florentine Prodigy to Tuscan Icon
• Art Theft and the Tate's Stolen Turners
• The Sydney J. Freedberg Lecture on Italian Art 1999: Art and Science in the Drawings of Leonardo da Vinci
• The Sydney J. Freedberg Lecture on Italian Art 1998: A Carpaccio Masterpiece Rediscovered
• The Sydney J. Freedberg Lecture on Italian Art 1997: The Young Michelangelo
• The Film-Makers' Cooperative at Fifty
• My Faraway One: The Letters of Georgia O'Keeffe and Alfred Stieglitz, 1915-1933
• In the Tower: Nam June Paik Symposium
• Diamonstein-Spielvogel Lecture Series: Ann Hamilton
• Conversations with Artists: Nancy Graves and Donald Saff
• Michael Kahn and Shakespeare's Italy
• The Moment of Caravaggio: Part 6: Painting and Violence
• The Moment of Caravaggio: Part 5: Severed Representations
• The Moment of Caravaggio: Part 4: Absorption and Address
• Conversations with Artists: Scott Burton and George Segal
• The Moment of Caravaggio: Part 3: The Invention of Absorption
• Conversations with Artists: Richard Misrach, Desert Cantos and Other Landscapes
• The Moment of Caravaggio: Part 2: Immersion and Specularity
• Conversations with Artists: Ed Ruscha
• The Moment of Caravaggio: Part 1: A New Type of Self-Portrait
• Conversations with Artists: Pat Steir
• Conversations with Artists: Jim Dine
• The Unknown Modigliani
• Conversations with Artists: Roy Lichtenstein
• Decoding Baltz's Prototypes
• Conversations with Artists: Claes Oldenburg and Coosje van Bruggen
• Celebrating Seventy Years
• Conversations with Artists: Christo and Jeanne-Claude
• The Role of Art in Diplomacy
• Gauguin's Selves: Visual Identities in the Age of Freud
• Elson Lecture 2004: Jim Dine
• Elson Lecture 2003: Sam Gilliam
• Elson Lecture 2005: Andy Goldsworthy
• Elson Lecture 2002: Christo and Jeanne-Claude
• Last Looks, Last Books: The Binocular Poetry of Death, Part 6: Self-Portraits While Dying: James Merrill, "A Scattering of Salts"
• Elson Lecture 2000: Wayne Thiebaud: "The Painted World"
• Meeting Metsu: ANOTHER Dutch Master
• Last Looks, Last Books: The Binocular Poetry of Death, Part 5: Caught and Freed: Elizabeth Bishop, "Geography III"
• Elson Lecture 1999: Ellsworth Kelly
• Calling the Earth to Witness: Paul Gauguin in the Marquesas
• Introduction to the Exhibition—Gauguin: Maker of Myth
• Last Looks, Last Books: The Binocular Poetry of Death, Part 4: Death by Subtraction: Robert Lowell, "Day by Day"
• For the Love of Movies: The Story of American Film Criticism
• Elson Lecture 2011: Terry Winters: Notes on Painting
• Last Looks, Last Books: The Binocular Poetry of Death, Part 3: The Contest of Melodrama and Restraint: Sylvia Plath, "Ariel"
• Sights and Sounds of 18th-Century Venice Symposium
• Last Looks, Last Books: The Binocular Poetry of Death, Part 2: Facing the Worst: Wallace Stevens, "The Rock"
• Conversations with Artists: Jim Dine
• Last Looks, Last Books: The Binocular Poetry of Death, Part 1: Introduction: Sustaining a Double View
• Neorealismo 1941-1954: Days of Glory
• The Rodin Touch
• Gabriel Metsu, 1629-1667
• The Collecting of African American Art III: A Peculiar Destiny: The Mission of the Paul R. Jones Collection
• The Collecting of African American Art II: Reflections on Collecting
• Conversations with Artists: Wayne Thiebaud
• The Sydney J. Freedberg Lecture on Italian Art 2003: Ovid's "Metamorphoses" in the Art of Renaissance and Baroque Masters
• Lewis Baltz: Prototypes/Ronde de Nuit
• Elson Lecture 1998: I. M. Pei in conversation with Earl A. Powell III
• Elson Lecture 1996: Elizabeth Murray
• Elson Lecture 1995: Claes Oldenburg and Coosje van Bruggen
• Elson Lecture 1994: Roy Lichtenstein and Robert Rosenblum
• Elson Lecture 1993: Frank Stella
• Introduction to the Exhibition—Venice: Canaletto and His Rivals
• The Sydney J. Freedberg Lecture on Italian Art 2005: Illuminated Choral Manuscripts of the Italian Renaissance
• Art and Representation in the Ancient New World, Part 5: Envisioning a New World
• Gauguin: Maker of Myth
• Art and Representation in the Ancient New World, Part 4: Representation and Imitation
• The Sydney J. Freedberg Lecture on Italian Art 2006: Modernity is Old: The Landscape of Italy as Seen by the Painters of the Early 19th Century
• Art and Representation in the Ancient New World, Part 3: The Body of Perfection, the Perfection of the Body
• The Sculpture of Edgar Degas at the National Gallery of Art: Launch of a Landmark Publication
• The Moran Gondola
• Art and Representation in the Ancient New World, Part 2: Seeing Time, Hearing Time, Placing Time
• The Diamonstein-Spielvogel Lecture Series: Andy Goldsworthy
• Art and Representation in the Ancient New World, Part 1: The Shifting Now of the Pre-Columbian Past
• Fragonard's "Progress of Love" at the Frick Collection: A Site-Specific Installation?
• Film Design: Translating Words into Images
• Jan Lievens: Out of Rembrandt's Shadow; Jan Lievens in Black and White: Etchings, Woodcuts, and Collaborations in Print
• Dutch Paintings at the National Gallery of Art: The Untold Stories behind the Acquisitions of the Rembrandts, Vermeers, and Other Treasures in the Collection
• Edgar Degas Sculpture: The Systematic Catalogue
• Elson Lecture 2008: A Conversation with Robert Gober
• The Early Modernists in America
• The Image of the Black in Western Art, Part 1
• Puvis de Chavannes and the Invention of Modernism: Parsing the National Gallery of Art Paintings
• Robert Frank and the Photographic Book, 1930-1960
• Michelangelo: In the Beginning
• The Greatest Unknown Work of Art in America
• The Vogel Collection Story: Postcards from Artists
• Conversations with Authors: Michael Fried on Photography, Modernism, and the Importance of Not Losing Faith in the Dialectic
• The Sydney J. Freedberg Lecture on Italian Art 2010: Thoughts on the Caravaggisti
• The New Acropolis Museum: A Conversation with Dimitrios Pandermalis
• What I Saw: An Art Critic's Report on Forty Years in Washington
• The Collecting of African American Art IV: A Historical Overview
• Arcimboldo, 1526-1593: Nature and Fantasy
• Edvard Munch: Understanding His Master Prints
• Sirens, Sea Unicorns, and Aquatic Angels: Fantastic Marine Creatures from Renaissance Venice
• Are Books Making Us Illiterate? How e-Reading Can Save Civilization
• Martin Puryear: "How Things Fit Together"
• Winter (after Arcimboldo) by Philip Haas
• Martin Puryear: "Sculpture that Tries to Describe Itself to the World"
• Conversations with Collectors: Dorothy and Herbert Vogel
• Conversations with Artists: Leo Villareal
• Richard Misrach: On the Beach
• A Gallery Landmark Launched: "French Paintings of the 15th through the 18th Century," a Systematic Catalogue
• Venus as Odalisque: Ingres's Reimagining of the Female Nude
• Celebrating "Civilisation"
• The Somewhat Private Life of Allen Ginsberg
• The Diamonstein-Spielvogel Lecture Series: James Turrell
• Edvard Munch: Master Prints
• The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History
• The Role of Art in Diplomacy
• The Diamonstein-Spielvogel Lecture Series: Rachel Whiteread
• The Diamonstein-Spielvogel Lecture Series: Theory of Boundaries: A Conversation with Mel Bochner
• The Diamonstein-Spielvogel Lecture Series: Chuck Close
• "Synecdoche": The Relationship of Big to Small in the Work of Byron Kim
• About Abstraction: A Conversation with Melvin Edwards, Sam Gilliam, and William T. Williams
• The Image of Abraham Lincoln
• The Vogel Collection Story, The Fifty Works for Fifty States Project: Two Years Later
• American Modernism: The Shein Collection
• The Sydney J. Freedberg Lecture on Italian Art 2009: Ghiberti and the Painters of Florence
• American Visionary Filmmakers and the Heritage of Emerson
• Beat Memories: The Photographs of Allen Ginsberg: Part 2, Revisiting and Reprinting
• Beat Memories: The Photographs of Allen Ginsberg: Part 1, The Early Photos
• The Diamonstein-Spielvogel Lecture Series: Brice Marden on Art
• Elson Lecture 2010: Susan Rothenberg: A Life in Painting
• Hendrick Avercamp: The Little Ice Age: Part 2, One Community on the Ice
• Hendrick Avercamp: The Little Ice Age: Part 1, Winter Landscapes
• Sculpture Comes to Life: Splendor, Color, and Realism in Baroque Spain and Elsewhere
• The Sacred Made Real: The Making of an Exhibition
• The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700: Part 2, Spanish Realism
• The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700: Part 1, Polychromed Sculpture
• The History of Books and the Digital Future
• Garden Café Français (English)
• Garden Café Français (Français)
• From Impressionism to Modernism: The Chester Dale Collection: Part 2, Getting to Know Maud and Chester Dale
• From Impressionism to Modernism: The Chester Dale Collection: Part 1, An Introduction to the Exhibition
• Reading of "The Fisherwoman" by Toni Morrison from Robert Bergman's book A Kind of Rapture, in conjunction with the exhibition Robert Bergman: Portraits, 1986-1995
• Graft by Roxy Paine
• In the Darkroom: Photographic Processes before the Digital Age
• Editions with Additions: Working Proofs by Jasper Johns
• Robert Bergman: Portraits, 1986-1995: A Conversation with the Photographer
• Hendrick ter Brugghen's "Bagpipe Player"
• The Darker Side of Light: Arts of Privacy, 1850-1900
• Renaissance to Revolution: French Drawings at the National Gallery of Art: Part 3, History of the Collection
• Renaissance to Revolution: French Drawings at the National Gallery of Art: Part 2, The 18th Century
• Renaissance to Revolution: French Drawings at the National Gallery of Art: Part 1, The 16th and 17th Centuries
• Garden Café España y las Tradiciones Culinarias Españolas
• Judith Leyster, 1609-1660: Part 4, Music in the Paintings of Judith Leyster
• Garden Café España and the Culinary Traditions of Spain
• An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture
• The Art of Power: Royal Armor and Portraits from Imperial Spain
• Luis Meléndez: Master of the Spanish Still Life, Part 2: Meléndez's Working Method
• Luis Meléndez: Master of the Spanish Still Life, Part 1: The Artist
• The Beffi Triptych: Preserving Abruzzo's Cultural Heritage
• Judith Leyster, 1609-1660: Part 3, Music in Leyster's Work
• Judith Leyster, 1609-1660: Part 2, Leyster's Technique
• Judith Leyster, 1609-1660: Part 1, An Introduction
• Stanley William Hayter: From Surrealism to Abstraction
• Jaromír Funke and the Amateur Avant-Garde
• The Role of Art and Architecture in Civic Buildings
• Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 6: Mural
• Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 5: Monument
• Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 4: Monster
• Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 3: Window
• Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 2: Room
• Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 1: Object
• Elson Lecture 2009: Robert Frank
• Pride of Place, Part 3: Daily Life
• Pride of Place, Part 2: The Cities
• Pride of Place, Part 1: The Cityscape
• The Collecting of African American Art VI: The Art of Collecting
• The Collecting of African American Art V: Collecting as a Way of Life
• Augustus Saint-Gaudens and the Shaw Memorial
• An American Journey
• Transforming Destiny into Awareness: Robert Frank's "The Americans"
• In the Tower: Philip Guston
• The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren
• First Lady Jacqueline Kennedy and the 1963 Exhibition of the "Mona Lisa"
• Stanley Kubrick: Two Views
• Time, Space, and the Progress of History in the Medieval Map
• Conversations with Authors: Calvin Tomkins
• The Sydney J. Freedberg Lecture on Italian Art 2008: To Live with Myths in Pompeii and Beyond
• Let's Talk: A Conversation with Peter Schjeldahl
• Jan Lievens, Part 3: Return to the Netherlands (1644-1674)
• Jan Lievens, Part 2: London and Antwerp (1632-1644)
• Jan Lievens, Part 1: The Leiden Years (1620-1632)
• Pompeii and the Roman Villa, Part 5: Rediscovery and Reinvention
• Pompeii and the Roman Villa, Part 4: The Greek Legacy
• Pompeii and the Roman Villa, Part 3: Triclinium of Moregine
• Pompeii and the Roman Villa, Part 2: Courtyards and Gardens
• Pompeii and the Roman Villa, Part 1: Patrons at Home
• George de Forest Brush, Part 2: Tradition and Modernity
• George de Forest Brush, Part 1: The Advent of the Indian Paintings
• Martin Puryear, Part 2: Defining the Object
• Martin Puryear, Part 1: Evolution of an Exhibition
• Richard Misrach, Part 3: On the Beach
• Richard Misrach, Part 2: Color and Scale
• Richard Misrach, Part 1: Origins and Influences
• Afghan Treasures: Rescuing Tillya Tepe's Gold, Part 4
• Afghan Treasures: The Silk Road Revealed at Begram, Part 3
• Afghan Treasures: In Search of "Lady Moon"-Aï Khanum, Part 2
• Afghan Treasures: The Bactrian Hoard and Tepe Fullol, Part 1
• The Vogel Collection Story: Part 3, The Fifty Works for Fifty States Project
• The Vogel Collection Story: Part 2, Working with the National Gallery of Art
• The Vogel Collection Story: Part 1, Meeting and Collecting
• Tools of the Trade
• The Paper Tiger: Calotypes in Great Britain, Part 2
• The Paper Tiger: Calotypes in Great Britain, Part 1
• The Italian Legacy in Washington, D.C.
• The Magic of Fontainebleau
• Robert Rauschenberg, Part 4: Today's Work
• Robert Rauschenberg, Part 3: Family Matters
• Robert Rauschenberg, Part 2: The Personal and the Global
• Robert Rauschenberg, Part 1: Printmaking, Collaboration, and Language
• Going Dutch, Part 2: Exploring Paintings from the Netherlands
• Bronze and Boxwood: Sculpting the Robert H. Smith Collection
• Going Dutch, Part 1: Exploring Paintings from the Netherlands
• Why Medals Matter: The Story of the Renaissance Medal
• The Baroque Woodcut: Carving a Niche
• Opening the Covers of the Rare Book Collection
• Rauschenberg's Experiments in Printmaking
• Exploring Turner, Part 2: Invention
• Exploring Turner, Part 1: Process
• J.M.W. Turner and America
• Snapshot Collecting
• The Mystique of Edward Hopper
• Holiday Stamps: Bernardino Luini's The Madonna of the Carnation
• Amateur Photography and the Decisive Moment
• Exploring Photography at the National Gallery of Art
• A Shakespearean Connection
• Telling the Edward Hopper Story
• Hopper Meets Opera in Later the Same Evening
• Desiderio da Settignano
• Modernity and Tradition: Film in Interwar Central Europe
• Modernity in Central Europe, 1918-1945
• Tabernacle Frames from the Samuel H. Kress Collection
• Who Is That Boy in Fancy Dress
• Photography between the Wars
• The Mellon Legacy: Andrew and Paul Mellon
• The Making of a DVD Paul Mellon: In His Own Words
• George de Forest Brush: The Indian Paintings
• Foto: Modernity in Central Europe, 1918-1945
• In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet
• J.M.W. Turner
• J.M.W. Turner
• Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections
• Desiderio da Settignano: Sculptor of Renaissance Florence
• The Art of the American Snapshot, 1888-1978: From the Collection of Robert E. Jackson
• Pride of Place: Dutch Cityscapes in the Golden Age
• Paris in Transition: Photographs from the National Gallery of Art
• Looking In: Robert Frank's 'The Americans'
• States and Variations: Prints by Jasper Johns
• Bronze and Boxwood: Renaissance Masterpieces from the Robert H. Smith Collection
• Fabulous Journeys and Faraway Places: Travels on Paper, 1450-1700
• Richard Misrach: On the Beach
• Pompeii and the Roman Villa: Art and Culture around the Bay of Naples
• Jan Lievens: A Dutch Master Rediscovered
• Claude Lorrain - The Painter as Draftsman: Drawings from the British Museum
• The Artist's Vision: Romantic Traditions in Britain
• Bronze and Boxwood: Renaissance Masterpieces from the Robert H. Smith Collection
• Oceans, Rivers, and Skies: Ansel Adams, Robert Adams, and Alfred Stieglitz
• Afghanistan: Hidden Treasures from the National Museum, Kabul
• The Baroque Woodcut
• The Darker Side of Light: Arts of Privacy, 1850-1900
• Lewis Baltz: Prototypes/Ronde de Nuit
• Gabriel Metsu, 1629-1667
• A New Look: Samuel F.B. Morse's 'Gallery of the Louvre'
• Medieval to Modern: Recent Acquisitions of Drawings, Prints, and Illustrated Books
• Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500-1800
• Strokes of Genius: Rembrandt's Prints and Drawings
• Colorful Realm: Japanese Bird-and-Flower Paintings by Ito Jakuchu (1716-1800)
• In the Tower: Nam June Paik
• The Invention of Glory: Afonso V and the Pastrana Tapestries
• Luis Meléndez: Master of the Spanish Still Life
• Constable's Great Landscapes: The Six-Foot Paintings
• Edvard Munch: Master Prints
• Over The River Project
• Antico: The Golden Age of Renaissance Bronzes
• Designing the Lincoln Memorial: Daniel Chester French and Henry Bacon
• Civic Pride: Dutch Group Portraits from Amsterdam
• The Legacy of Paul Mellon at the National Gallery of Art
• Gabriel Metsu, 1629-1667
• In the Tower: Mel Bochner
• Renaissance Medals
• Italian Master Drawings from the Wolfgang Ratjen Collection, 1525-1835
• A Masterpiece from the Capitoline Museum, Rome
• Jasper Johns: An Allegory of Painting, 1955-1965
• Edward Hopper
• Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting
• Edward Hopper
• Prayers and Portraits: Unfolding the Netherlandish Diptych
• The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States
• Constable's Great Landscapes: The Six-Foot Paintings
• Prayers and Portraits: Unfolding the Netherlandish Diptych
• Private Treasures: Four Centuries of European Master Drawings
• Edward Hopper
• Venice: Canaletto and His Rivals
• The Pre-Raphaelite Lens: British Photography and Painting, 1848 - 1875
• The Robert and Jane Meyerhoff Collection: Selected Works
• Judith Leyster, 1609 - 1660
• An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture
• Warhol: Headlines
• The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700
• Heaven on Earth: Manuscript Illuminations from the National Gallery of Art
• Gauguin: Maker of Myth
• American Modernism: The Shein Collection
• The Art of Power: Royal Armor and Portraits from Imperial Spain
• Designing the Lincoln Memorial: Daniel Chester French and Henry Bacon
• Arcimboldo, 1526-1593: Nature and Fantasy
• From Impressionism to Modernism: The Chester Dale Collection
• In the Darkroom: Photographic Processes Before the Digital Age
• Jaromír Funke and the Amateur Avant-Garde
• Beat Memories: The Photographs of Allen Ginsberg
• The Budapest Horse: A Leonardo da Vinci Puzzle
• German Master Drawings from the Wolfgang Ratjen Collection, 1580-1900
• The Gothic Spirit of John Taylor Arms
• Eugène Boudin at the National Gallery of Art
• Joan Miró: The Ladder of Escape
• I Spy: Photography and the Theater of the Street, 1938–2010
• Press Tour: Michelangelos David-Apollo
• Press Tour: The Serial Portrait
• Press Tour: Masterpieces of American Furniture from the Kaufman Collection, 1700–1830
• Press Tour: Imperial Augsburg: Renaissance Prints and Drawings, 1475–1540
• Press Tour: Shock of the News
• Colorforms: Ellsworth Kelly and the Colored Paper Images
• Artists in Residence: Henry O. Tanner in the Holy Land
• Oil and Water: De Kooning in His Studio
• Social Art, Social Cooperation: A Conversation with Tania Bruguera, Tom Finkelpearl, and Mierle Laderman Ukeles
• William H. Johnson
• Michelangelo's David-Apollo: An Offer He Couldn't Refuse
• Historical Perspectives: African American Art
• Of Times and Spaces: On Looking at Thomas Struth and Candida Höfer
• Roy Lichtenstein's Kyoto Prize Lecture of 1995
• A Conversation with Calvin Tomkins: "Duchamp: A Biography"
• Pre-Raphaelites: Victorian Avant-Garde
• Truth, Lies, and Photographs
• Pre-Raphaelitism and International Modernisms Symposium, Part I: Welcome and Introduction: Pre-Raphaelitism and International Modernisms
• Pre-Raphaelitism and International Modernisms Symposium, Part II: Pre-Raphaelite Landscape Painting and the Barbizon School, or, The English Beef with the French
• Conversations with Collectors: Robert and Jane Meyerhoff
• Pre-Raphaelitism and International Modernisms Symposium, Part III: Ripe for Revolution? Reconsidering “The New Path” and the American Pre-Raphaelites
• Pre-Raphaelitism and International Modernisms Symposium, Part IV: Avant-Garde Matters
• Pre-Raphaelitism and International Modernisms Symposium, Part V: Day One Q & A
• Pre-Raphaelitism and International Modernisms Symposium, Part VI: Introduction: Pre-Raphaelites: Victorian Avant-Garde and Can Sculpture Be Pre-Raphaelite?
• Pre-Raphaelitism and International Modernisms Symposium, Part VII: Tirra Lirra in a Mirror: Rhyming Visual and Verbal Form
• Pre-Raphaelitism and International Modernisms Symposium, Part VIII: The Craftsman's Dream: The Pre-Raphaelites and the Arts and Crafts Movement
• Pre-Raphaelitism and International Modernisms Symposium, Part IX: Seduction or Salvation: Aesthetic Immersion in the Work of Edward Burne-Jones
• Elson Lecture 2013: A Conversation with Glenn Ligon
• Introduction to the Exhibition:"Albrecht Dürer: Master Drawings, Watercolors, and Prints from the Albertina"
• Engaging with American Furniture: Looking Back, Moving Forward Symposium, Part I: Dust, Grain, and Soften: The Fine Art of Decorative Painting
• Engaging with American Furniture: Looking Back, Moving Forward Symposium, Part II: From Appreciation to Interpretation: Academic Engagement with American Furniture
• Engaging with American Furniture: Looking Back, Moving Forward Symposium, Part III: Research for the Future: Revisiting “…things you have long taken for granted”
• Engaging with American Furniture: Looking Back, Moving Forward Symposium, Part IV: Lafayette River to the Potomac: The Kaufman Collection at the National Gallery of Art
• Inside Photography: The Role of Art in Diplomacy
• Conversations with Collectors: Dorothy and Herbert Vogel
• Saving Italy: The Monuments Men, Nazis, and War
• Bernini's Beloved
• Useful and Beautiful: William Morris and His Books
• Elson Lecture 2007: Sean Scully, Persistence and Style
• Diaghilev Symposium: Diaghilev, a Russian Nationalist in the West, Part 1
• Diaghilev Symposium: Diaghilev and the Courts: Culture Clashes and Lawsuits during the First American Tour of the Ballets Russes, Part 2
• Diaghilev Symposium: Myth in Motion—Decoration, Dance, and Sources of Russian Modernism, Part 3
• Diaghilev Symposium: The Ballets Russes and Russia, Part 4
• When Art Danced with Music (and What it Wore)
• Press Event: In the Tower: Kerry James Marshall
• Conversations with Artists: Kerry James Marshall