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Chemical Imaging of Works of Art at the Macro Scale: Seeing Pollock and the Problem of Abstraction

James Coddington, The Agnes Gund Chief Conservator, MoMA, New York, speaks about what new information obtained from chemical imaging tells us about the working methods of the artist Jackson Pollock, noted for his abstract drip paintings. Coddington spoke at a one-day symposium held at the National Gallery of Art on September 21, 2015, which was supported by The Andrew W. Mellon Foundation.

Released: December 15, 2015