Making a Spanish Polychrome Sculpture
This film explains the process of creating a polychrome sculpture using the J. Paul Getty Museum’s Saint Ginés de la Jara (about 1692) by Luisa Roldán as an example. Seventeenth-century Spanish polychrome sculpture was intended to appear as lifelike as possible and artists frequently achieved remarkable effects of realism. The film is divided into four short chapters: "The Structural Elements," "Carving the Figure," "Saints’ Garments: Estofado Technique," and "Flesh Tones: Painting the Encarnaciones." Digital animations highlight the construction of the Saint Ginés sculpture. Footage of sculptor Marcelo Moreira Santos and painter Sylvana Barrett demonstrates techniques current in seventeenth-century Spain. Narration provided by Zahira Véliz. The film was produced by the J. Paul Getty Museum.