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Scientific Research Department Publications

Forthcoming

Gifford, E. Melanie, John K. Delaney, Suzanne Quillen Lomax, Rachel Morrison, and Marika Spring. "New Findings on the Painting Medium of the Washington Annunciation." In Symposium XVIII: Van Eyck Studies Colloquium, September 2012. Bruges, forthcoming.

2015

Angelova, Lora V., Barbara H. Berrie, Kristen de Ghetaldi, Amber Kerr, and Richard G. Weiss. "Partially Hydrolyzed Poly (Vinyl Acetate)-Borax-Based Gel-like Materials for Conservation of Art: Characterization and Applications." Studies in Conservation 60, no. 4 (2015): 227–244.
http://dx.doi.org/10.1179/2047058413Y.0000000112

Angelova, Lora V., Michal Leskes, Barbara H. Berrie, and Richard G. Weiss. "Selective formation of Organo, Organo-aqueous, and Hydro Gel-like Materials from Partially Hydrolysed Poly(Vinyl Acetate)s Based on Different Boron-Containing Crosslinkers." Soft Matter 11 (2015): 5060–5066.
http://dx.doi.org/10.1039/C5SM00465A

Barbour, Daphne, and Lisha Deming Glinsman. "Auguste Rodin’s Lifetime Bronze Sculptures in the Simpson Collection." Facture 2 (2015): 54–81.

Barbour, Daphne, and Lisha Deming Glinsman. "Rodin’s Bronze Sculpture: Capturing His Vision, Perpetuating His Legacy." In Metamorphoses in Rodin’s Studio, edited by Nathalie Bondil, and Sophie Biass-Fabiani, 174–185. London: Harry N. Abrams, New York University Press, and Yale University Press, 2015.

Conover, Damon M., John K. Delaney, and Murray H. Loew. "Automatic Registration and Mosaicking of Technical Images of Old Master Paintings." Applied Physics A 119, no. 4 (2015): 1567–1575.
http://dx.doi.org/10.1007/s00339-015-9140-1

Donovan, Molly, Jay Krueger, Suzanne Quillen Lomax, and Christopher A. Maines. "Andy Warhol’s Early Paint Mediums." Facture 2 (2015): 158–168.

Dunn, Joanna R., Barbara H. Berrie, John K. Delaney, and Lisha Deming Glinsman. "The Creation of Giotto’s Madonna and Child: New Insights." Facture 2 (2015): 2–17.

Echard, Jean-Philippe, Mathieu Thoury, Barbara Berrie, Tatiana Severin-Fabiani, Alessandra Vichi, Marie Didier, Matthieu Réfrégiers, and Loïc Bertrand. "Synchrotron DUV Luminescence Micro-Imaging to Identify and Map Historical Organic Coatings on Wood." Analyst  (2015).
http://dx.doi.org/10.1039/C5AN00483G

Jackall, Yuriko, John K. Delaney, and Michael Swicklik. "‘Portrait of a Woman with a Book’: a ‘Newly Discovered Fantasy Figure’ by Fragonard at the National Gallery of Art, Washington." The Burlington Magazine 157, no. 1345 (2015): 248–254.
http://satscan.smartdrive.co.uk/wp-content/uploads/2012/10/Burlington_article.pdf

Karnes, Cyntia, Lisha Deming Glinsman, and John K. Delaney. "Movements in Paint: The Development of John Marin’s Watercolor Palette, 1892–1927." Facture 2 (2015): 82–109.

Langley, Allison, and Suzanne Quillen Lomax. "Mark Rothko’s Multiforms, 1946–1950: Transforming the Painted Surface." Facture 2 (2015): 110–139.

Swicklik, Michael, Barbara H. Berrie, and Gretchen Hirschauer. "Sfumato and Sheen: Bernardino Luini's Lady in Black." Facture 2 (2015): 140–157.

2014

Aceto, Maurizio, Angelo Agostino, Gaia Fenoglio, Ambra Idone, Monica Gulmini, Marcello Picollo, Paola Ricciardi, and John K. Delaney. "Characterisation of Colourants on Illuminated Manuscripts by Portable Fibre Optic UV-Visible-NIR Reflectance Spectrophotometry." Analytical Methods 2014, no. 5 (2014): 1488–1500.
http://dx.doi.org/10.1039/C3AY41904E

Berrie, Barbara, Francesca Casadio, Kristi Dahm, Yoonjoo Strumfels, Martha Tedeschi, and Judith Walsh. "A Vibrant Surface: Investigating Color, Texture and Transparency in Winslow Homer's Watercolors." In Science and Art: The Painted Surface, edited by Antonio Sgamellotti, Brunetto G. Brunetti, and Costanza Miliani, 404–428. Cambridge, UK: Royal Society of Chemistry, 2014.

Berrie, Barbara H. "Unusual Pigments Found in a Painting by Giotto (1266–1337) Reveal Diversity of Materials Used by Medieval Artists." Microscopy and Microanalysis 20, no. S3 (2014): 2014–2015.
http://dx.doi.org/10.1017/S1431927614011805

Delaney, John K. "Application of Visible and Infrared Imaging Spectroscopy to the Study of Paintings." Microscopy and Microanalysis 20, no. S3 (2014): 1998–1999.
http://dx.doi.org/10.1017/S1431927614011726

Delaney, John K., E. Melanie Gifford, Lisha Deming Glinsman, John Oliver Hand, and Catherine A. Metzger. "Common Painting’ and ‘Diligent Fiddling’: Technical Analysis for Insight into the Divergent Styles of Dürer’s Madonna and Child/Lot and His Daughters." In CIHA 2012: The Challenge of the Object/Die Herausforderung des Objekts, July 2012, edited by G. Ulrich Grossmann, Petra Krutisch, and Almuth Klein, 1036–1040. Nuremberg: German National Museum, 2014.

Dooley, Kathryn A., Damon M. Conover, Lisha Deming Glinsman, and John K. Delaney. "Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting." Angewandte Chemie International Edition 53 (2014): 13775–13779.
http://dx.doi.org/10.1002/ange.201407893

Heginbotham, Arlen, Jane Bassett, David Bourgarit, Chris Eveleigh, James Frantz, Lisha Glinsman, Duncan Hook, Dylan Smith, Robert J. Speakman, Aaron Shugar, and Robert van Langh. "The Copper CHARM Set: A New Set of Certified Reference Materials for the Standardization of Quantitative X-Ray Fluorescence Analysis of Heritage Copper Alloys." Archaeometry  (2014).
http://dx.doi.org/10.1111/arcm.12117

Lomax, Suzanne Quillen, Joseph Francis Lomax, and Amadeo DeLuca-Westrate. "The Use of Raman Microscopy and Laser Desorption Ionization Mass Spectrometry in the Examination of Synthetic Organic Pigments in Modern Works of Art." Journal of Raman Spectroscopy 45, no. 6 (2014): 448–455.
http://dx.doi.org/10.1002/jrs.4480

Madden, Odile, Robyn Hodgkins, and Susan Heald. "Substituting SPME for Noses in the Detection and Quantification of Mothball Vapors from Textiles in the National Museum of the American Indian Collection." In Preprints of the 17th Triennial ICOM-CC Conference, Melbourne, September 2014, edited by Janet Bridgland, Article 0404. Paris: ICOM Committee for Conservation, 2014.

Ploeger, Rebecca, E. René de la Rie, Christopher W. McGlinchey, Michael R. Palmer, Christopher A. Maines, and Oscar Chiantore. "The Long-Term Stability of a Popular Heat-Seal Adhesive for the Conservation of Painted Cultural Objects." Polymer Degradation and Stability 107 (2014): 307–313.
http://dx.doi.org/10.1016/j.polymdegradstab.2014.01.031

Vandiver, Pamela, Weidong Li, Christopher A. Maines, and Philippe Sciau, eds. Materials Issues in Art and Archaeology X, MRS Fall Meeting – Symposium PP, vol. 1656. Boston: Materials Research Society, 2014.
http://dx.doi.org/10.1557/opl.2014.822

Villafana, Tana Elizabeth, William P. Brown, John K. Delaney, Michael Palmer, Warren S. Warren, and Martin C. Fischer. "Femtosecond Pump-Probe Microscopy Generates Virtual Cross-Sections in Historic Artwork." Proceedings of the National Academy of Sciences 111, no. 5 (2014): 1708–1713.
http://dx.doi.org/10.1073/pnas.13172301

2013

Angelova, Lora V., Barbara H. Berrie, and Richard G. Weiss. "Partially Hydrolyzed Polyvinyl Acetate and Borax Gels for Cleaning Painted Surfaces." In New Insights into the Cleaning of Paintings: Proceedings from the Cleaning 2010 International Conference, Smithsonian Contributions to Museum Conservation, vol. 3, edited by Marion F. Mecklenburg, A. Elena Charola, and Robert J. Koestler, 201–203. Washington, DC: Smithsonian Institution Scholarly Press, 2013.
http://www.sil.si.edu/SmithsonianContributions/museumconservation/pdf_hi/SCMC-0003.pdf

Bertrand, Loic, Matthieu Refregiers, Barbara Berrie, Jean-Philippe Echard, and Mathieu Thoury. "A Multiscalar Photoluminescence Approach to Discriminate among Semiconducting Historical Zinc White Pigments." Analyst 138, no. 16 (2013): 4463–4469.
http://dx.doi.org/10.1039/C3AN36874B

Burke, Julia M., Lisha Deming Glinsman, John K. Delaney, Suzanne Quillen Lomax, Kathryn M. Morales, Michael R. Palmer, Christina Lynn Cole, and Paola Ricciardi. "Technical Study of The Triumph of Christ ("The Mazarin Tapestry")." Facture 1 (2013): 78–103.

Clarke, Matthew L., Constance McCabe, and Christopher A. Maines. "Unraveling the Modified Surface of the Photographic Paper ‘Japine'." Analytical Methods  (2013).
http://dx.doi.org/10.1039/C3AY41630E

Conover, Damon M., John K. Delaney, and Murray H. Loew. "Accurate Accommodation of Scan-Mirror Distortion in the Registration of Hyperspectral Image Cubes." Algorithms and Technologies for Multispectral, Hyperspectral, and Ultraspectral Imagery XIX, Proceedings of SPIE 8743 (2013).
http://dx.doi.org/10.1117/12.2016567

Conover, Damon M., John K. Delaney, and Murray H. Loew. "Automatic Registration and Mosaicking of Conservation Images." Optics for Arts, Architecture, and Archaeology IV, Proceedings of SPIE 8790 (2013).
http://dx.doi.org/10.1117/12.2021318

Delaney, John K., Paola Ricciardi, Michelle Facini, Marcello Picollo, Jason G. Zeibel, Suzanne Quillen Lomax, and Murray H. Loew. "Casting Light on Renaissance Illuminations." The Analytical Scientist, no. 213 (February 28, 2013).

Delaney, John K., Paola Ricciardi, Lisha Deming Glinsman, Michelle Facini, Mathieu Thoury, Michael R. Palmer, and E. René de la Rie. "Use of Imaging Spectroscopy, Fiber Optic Reflectance Spectroscopy and X-Ray Fluorescence to Map and Identify Pigments in Illuminated Manuscripts." Studies in Conservation  (2013).
http://dx.doi.org/10.1179/2047058412Y.0000000078

Dooley, Kathryn A., Suzanne Quillen Lomax, Jason G. Zeibel, Costanza Miliani, Paola Ricciardi, Ann Hoenigswald, Murray H. Loew, and John K. Delaney. "Mapping of Egg Yolk and Animal Skin Glue Paint Binders in Early Renaissance Paintings Using Near Infrared Reflectance Imaging Spectroscopy." Analyst 138, no. 17 (2013): 4838–4848.
http://dx.doi.org/10.1039/C3AN00926B

Gifford, E. Melanie, Catherine A. Metzger, and John K. Delaney. "Jan van Eyck’s Washington Annunciation: Painting Materials and Techniques." Facture 1 (2013): 128–153.

Lomax, Suzanne Quillen, Beth A. Price, Andrew Lins, Charles Davis, Boris Pretzel, Marcello Picollo, Gabriel Richards, and Steve Rice. "The IRUG Raman Spectral Web Database: Objectives, Progress and Plans." e-Preservation Science 10 (2013): 38–41.

McCabe, Constance, Matthew L. Clarke, Christopher A. Maines, Lisa Barro, Silvia A. Centeno, and Anna Vila. "An Initial Investigation into Japine: William Willis’s Proprietary Paper." Topics in Photographic Preservation 15 (2013).

Muir, Kimberley, Allison Langley, Anikó Bezúr, Francesca Casadio, John K. Delaney, and Gwénaëlle Gautier. "Scientifically Investigating Picasso’s Suspected Use of Ripolin House Paints in Still Life, 1922 and The Red Armchair, 1931." Journal of the American Institute for Conservation 52, no. 3 (2013): 156–172.
http://dx.doi.org/10.1179/1945233013Y.0000000012

Ricciardi, Paola, John K. Delaney, Michelle Facini, and Lisha Glinsman. "Comprehensive Analysis of the Materials and Techniques of a 15th-Century Illuminated Gradual Using In Situ Analytical Methods." Journal of the American Institute for Conservation 52, no. 1 (2013): 12–29.

Ricciardi, Paola, Michelle Facini, and John K. Delaney. "Painting and Illumination in Early Renaissance Florence: The Techniques of Lorenzo Monaco and His Workshop." In The Renaissance Workshop, edited by David Saunders, Marika Spring, and Andrew Meek, 1–9. London: The British Museum, 2013.

Schenck, Kimberly, Barbara H. Berrie, John K. Delaney, Paola Ricciardi, and John Witty III. "A Page from Giorgio Vasari's Libro de' Disegni as a Composite Object." Facture 1 (2013): 2–31.

Tsai, Joyce, Jay Krueger, and Christopher A. Maines. "‘Transparency and Light, Structure and Substance’: Enamel Paints in Laszlo Moholy-Nagy's Z VII (1926)." Journal of the American Institute for Conservation  (2013).
http://dx.doi.org/10.1179/1945233013Y.000000001

2012

Berrie, Barbara H. "Rethinking the History of Artists' Pigments Through Chemical Analysis." In Annual Review of Analytical Chemistry vol. 5, edited by R. G. Cooks, and E. S. Yeung, 441–459. Palo Alto: Annual Reviews, 2012.
http://dx.doi.org/10.1146/annurev-anchem-062011-143039

Chiantore, Oscar, Rebecca Ploeger, Tommaso Poli, and Barbara Ferriani. "Materials and Techniques in the Pictorial Oeuvre of Lucio Fontana." Studies in Conservation 57, no. 2 (2012): 92–105.

Colombo, Annalisa, Francesco Tassone, Michele Mauri, Domenico Salerno, John K. Delaney, Michael R. Palmer, E. René de la Rie, and Ricardo Simonutti. "Highly Transparent Nanocomposite Films from Water-based Poly(2-ethyl-2-oxazoline)/TiO2 Dispersions." RSC Advances 2 (2012): 6628–6636.
http://dx.doi.org/10.1039/C2RA20571H

Conover, Damon M., John K. Delaney, Paola Ricciardi, and Murray H. Loew. "Automatic Control-Point Selection for Image Registration Using Disparity Fitting." Medical Imaging 2012: Image Processing, Proceedings of SPIE 8314 (2012).
http://dx.doi.org/10.1117/12.912471

Gifford, E. Melanie, Anikó Bezúr, Andrea Guidi di Bagno, and Lisha Deming Glinsman. "The Making of a Luxury Image: Van Aelst’s Painting Materials and Artistic Techniques." In exh. cat. Elegance and Refinement: The Still-life Paintings of Willem van Aelst, edited by Tanya Paul, 66–89. Houston and Washington: Houston Museum of Fine Arts and National Gallery of Art, 2012.

Gifford, E. Melanie, Susanna P. Griswold, and John K. Delaney. "The Apostle Paul by Rembrandt (and Workshop?) at the National Gallery of Art, Washington: Evolution and Alteration." Techné 35 (2012): 30–35.

Ricciardi, Paola, John K. Delaney, Michelle Facini, Jason G. Zeibel, Marcello Picollo, Suzanne Quillen Lomax, and Murray H. Loew. "Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts." Angewandte Chemie International Edition 51, no. 23 (2012): 5607–5610.

Ricciardi, Paola, Michelle Facini, and John K. Delaney. "Painting and Illumination in Early Renaissance Florence: The Techniques of Lorenzo Monaco and His Workshop." In The Renaissance Workshop: The Materials and Techniques of Renaissance Art. 10–11 May 2012. London: British Museum, 2012.

2011

Angelova, Lora V., Kristin DeGhetaldi, Christopher A. Maines, Barbara H. Berrie, and Richard G. Weiss. "A Cleaning Application of Poly(vinyl alcohol–co-acetate)/Borate Gel-like Dispersions on Multiple Views by Stuart Davis." In Paintings Specialty Group Postprints, vol. 23. Philadelphia: American Institute for Conservation, 2011.

Berrie, Barbara H., and Louisa C. Matthew. "Lead White from Venice: A Whiter Shade of Pale?" In Studying Old Master Paintings – Technology and Practice, edited by Marika Spring, 295–301. London: Archetype Publications, 2011.

Conover, Damon M., John K. Delaney, Paola Ricciardi, and Murray H. Loew. "Towards Automatic Registration of Technical Images of Works of Art." Computer Vision and Image Analysis of Art II, Proceedings of SPIE 7869 (2011).
http://dx.doi.org/10.1117/12.872634

Gifford, E. Melanie. "Material as Metaphor: Non-conscious Thinking in Seventeenth Century Painting Practice." In Studying Old Master Paintings – Technology and Practice, edited by Marika Spring, 165–172. London: Archetype Publications, 2011.

Lomax, Suzanne Quillen, Beth A. Price, Ryan Grieb, Charles Davis, Boris Pretzel, and Marcello Picollo. "Raman Revealed: A Shared Internet Resource for the Cultural Heritage Community." In Paintings Specialty Group Postprints, vol. 23, 106–113. Philadelphia: American Institute for Conservation, 2011.

Maines, Christopher A., Dawn Rogala, Susan Lake, and Marion Mecklenburg. "Deterioration in Abstract Expressionist Paintings: Analysis of Zinc Oxide Paint Layers in Works from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution." In Materials Issues in Art and Archaeology IX, vol. 1319, edited by Pamela B. Vandiver, Chandra L. Reedy, Weidong Li, and Jose Luis Ruvalcaba-Sil. Boston: Materials Research Society, 2011.

McGlinchey, Christopher, Rebecca Ploeger, Annalisa Colombo, Ricardo Simonutti, Michael R. Palmer, Oscar Chiantore, Robert Proctor, Bertrand Lavédrine, and E. René de la Rie. "Lining and Consolidating Adhesives: Some New Developments and Areas of Future Research." In Symposium 2011: Adhesives and Consolidants for Conservation: Research and applications. October 17–21, 2011, 1–20. Ottawa: Canadian Conservation Institute, 2011.
http://www.cci-icc.gc.ca/symposium/2011/Paper%2015%20-%20McGlinchey%20et%20al.%20-%20English.pdf

Metzger, Catherine A., Christopher A. Maines, and Joanna Dunn, eds. Inpainting, Paintings Conservation Catalog, vol. 3. Washington DC: American Institute for Conservation, 2011.

Ploeger, Rebecca, Oscar Chiantore, Dominique Scalarone, and Tommaso Poli. "Mid-infrared Fiber Optic Reflection Spectroscopy Analysis of Artists’ Alkyd Paints on Different Supports." Applied Spectroscopy 65, no. 4 (2011): 429–435.

Ricciardi, Paola, and John K. Delaney. "New Trends in the Study of Medieval Illuminated Manuscripts: Combining Visible and Infrared Imaging Spectroscopy with Site Specific, In-Situ Techniques for Material Identification and Mapping." Revista de História da Arte: Medieval Colours - Between Beauty and Meaning Série w, no. 1 (2011): 253–261.
http://revistadehistoriadaarte.files.wordpress.com/2011/09/art19.pdf

Simonot, Lionel, Mathieu Thoury, and John K. Delaney. "Extension of the Kubelka-Munk theory for fluorescent turbid media to a nonopaque layer on a background." Journal of the Optical Society of America A 28, no. 7 (2011): 1349–1357.

Thoury, Mathieu, John K. Delaney, E. René de la Rie, Michael R. Palmer, Kathryn M. Morales, and Jay Krueger. "Near Infrared Luminescence of Cadmium Pigments: In-Situ Identification and Mapping in Paintings." Applied Spectroscopy 65 (2011): 939–951.
http://dx.doi.org/10.1366/11-06230

Thoury, Mathieu, Jean-Philippe Echard, Matthieu Réfrégiers, Barbara H. Berrie, Austin Nevin, Frédéric Jamme, and Loïc Bertrand. "Synchrotron UV–Visible Multispectral Luminescence Microimaging of Historical Samples." Analytical Chemistry 83, no. 5 (2011): 1737–1745.
http://dx.doi.org/10.1021/ac102986h

2010

Berrie, Barbara H., Suzanne Quillen Lomax, and Michael R. Palmer. "Surface and Form: The Effect of Degas’ Sculptural Materials." In Edgar Degas: Sculpture, edited by Suzanne Glover Lindsay, Daphne S. Barbour, and Shelley G. Sturman, 47–62: Princeton University Press, 2010.

Carretti, Emiliano, Massimo Bonani, Luigi Dei, Lora V. Angelova, Barbara H. Berrie, Piero Baglioni, and Richard G. Weiss. "New Frontiers in Materials Science for Art Conservation. Responsive Gels and Beyond." Accounts of Chemical Research 43, no. 6 (2010): 751–760.
http://dx.doi.org/10.1021/ar900282h

de la Rie, E. René, John K. Delaney, Kathryn M. Morales, Christopher A. Maines, and Li-Piin Sung. "Modification of Surface Roughness by Various Varnishes and Effect on Light Reflection." Studies in Conservation 55 (2010): 134–143.

Delaney, John K., Jason G. Zeibel, Mathieu Thoury, Roy Littleton, Michael R. Palmer, Kathryn M. Morales, E. René de la Rie, and Ann Hoenigswald. "Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in situ." Applied Spectroscopy 64 (2010): 584–594.
http://www.opticsinfobase.org/as/abstract.cfm?URI=as-64-6-584

Drayman-Weisser, Terry, E. Melanie Gifford, Christopher McGlinchey, David Bomford, and Karen Trentelman. "The Science in the Art: A Discussion about Collections Research." Conservation Perspectives: The GCI Newsletter 25, no. 1 (2010): 18–23.

Gifford, E. Melanie. "Fine Painting and Eloquent Imprecision: Gabriel Metsu’s Painting Technique." In Gabriel Metsu, edited by Adriaan E. Waiboer, 154–179. Dublin: Yale University Press, 2010.

Lomax, Suzanne Quillen. "The Application of X-ray Powder Diffraction to the Analysis of Synthetic Organic Pigments. Part 1: Dry Pigments." Journal of Coatings Technology and Research 7, no. 3 (2010): 331–346.
http://dx.doi.org/10.1007/s11998-009-9206-0

Lomax, Suzanne Quillen. "The Application of X-ray Powder Diffraction to the Analysis of Synthetic Organic Pigments. Part 2: Artists' Paints." Journal of Coatings Technology and Research 7, no. 3 (2010): 325–330.
http://dx.doi.org/10.1007/s11998-009-9205-1

Matthew, Louisa C., and Barbara H. Berrie. "Memoria de colori che bisognino torre a vinetia: Venice as a Centre for the Purchase of Painters’ Colours." In Trade in Artists’ Materials: Markets and Commerce in Europe to 1700, edited by Jo Kirby, Susan Nash, and Joanna Cannon, 245–252. London: Archetype Publications, 2010.

McCabe, Constance, and Lisha Deming Glinsman. "Understanding Alfred Stieglitz' Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry." In Issues in the Conservation of Photographs, edited by Debra Norris, and Jennifer Guttierez, 68–87. Los Angeles: Getty Trust Publications, 2010.

Rogala, Dawn, Susan Lake, Christopher A. Maines, and Marion Mecklenburg. "Condition Issues in Abstract Expressionist Ground Layers: Analysis of Paintings from the Collection of the Hirshhorn Museum and Sculpture Garden." Journal of the American Institute for Conservation 49, no. 2 (2010): 96–113.

2009

Berrie, Barbara H. "An Improved Method for Identifying Red Lakes in Art and Historical Artifacts." Proceedings of the National Academy of Sciences 106, no. 36 (2009): 15095–15096.
http://dx.doi.org/10.1073/pnas.0907727106

Christensen, Carol, Suzanne Quillen Lomax, Michael R. Palmer, and Steve Wilcox. "Neroccio’s Virgin and Child with Saint Anthony Abbott and Saint Sigismund at the National Gallery of Art." In Studying Old Master Paintings - Technology and Practice: The National Gallery Technical Bulletin 30th Anniversary Conference, 21–27. London: National Gallery, London, 2009.

Delaney, John K., Jason G. Zeibel, Mathieu Thoury, Roy Littleton, Kathryn M. Morales, Michael R. Palmer, and E. René De la Rie. "Visible and Infrared Reflectance Imaging Spectroscopy of Paintings: Pigment Mapping and Improved Infrared Reflectography." Optics for Arts, Architecture, and Archaeology II. Proceedings of SPIE 7391 (2009): 739103–739108.
http://dx.doi.org/10.1117/12.827493

Fletcher, Shelley, Lisha Glinsman, and Doris Oltrogge. "The Pigments on Hand-Colored Fifteenth-Century Relief Prints from the Collections of the National Gallery of Art and the Germanisches Nationalmuseum." In The Woodcut in Fifteenth-Century Europe, Studies in the History of Art, vol. 75, edited by Peter Parshall, 277–297. Washington: National Gallery of Art, 2009.

Ricciardi, Paola, Francesca Amato, and Philippe Colomban. "Raman Spectroscopy as a Tool for the Non-destructive Characterization of Slips and Glazes of a 'Sgraffito' Renaissance Production." In Ninth European Meeting on Ancient Ceramics (EMAC). 24–27 October 2007, 217–222. Budapest: Hungarian National Museum, 2009.

Ricciardi, Paola, Philippe Colomban, Aurelie Tournié, Michele Macchiarola, and Naceur Ayed. "A Non-invasive Study of Roman Age Mosaic Glass Tesserae by Means of Raman Spectroscopy." Journal of Archaeological Science 36 (2009): 2551–2559.

Ricciardi, Paola, John K. Delaney, Lisha Deming Glinsman, Mathieu Thoury, Michelle Facini, and E. René De la Rie. "Use of Visible and Infrared Reflectance and Luminescence Imaging Spectroscopy to Study Illuminated Manuscripts: Pigment Identification and Visualization of Underdrawings." Optics for Arts, Architecture, and Archaeology II. Proceedings of the SPIE 7391 (2009): 739106–739112.
http://dx.doi.org/10.1117/12.827415

Rogala, Dawn, Susan Lake, Christopher A. Maines, and Marion Mecklenburg. "A Closer Look: Condition Issues in Abstract Expressionist Ground Layers." In Paintings Specialty Group Postprints, vol. 21. Los Angeles: American Institute for Conservation, 2009

2008

Berrie, Barbara H. "Vernis et peinture: des similitudes." In De la peinture de chevalet à l’instrument de musique: vernis, liants et couleurs. March 6–7, 2007, edited by Nadine Ballot, 34–51. Paris: Cité de la musique, 2008.

Berrie, Barbara H., and Michael Swicklik. "Madonna and Child: A Painting in the Manner of Mantegna Attributed to the Young Correggio." In La technique picturale d’Andrea Mantegna, Techné Hors-série, edited by Michel Menu, and Elisabeth Ravaud, 82–87. Paris: Centre de Recherche et de Restauration des Musées de France, 2008.

Delaney, John K., E. René de la Rie, Mady Elias, Li-Piin Sung, and Kathryn M. Morales. "The Role of Varnishes in Modifying Light Reflection from Rough Paint Surfaces. A Study of Changes in Light Scattering Caused by Variations in Varnish Topography and Development of a Drying Model." Studies in Conservation 53 (2008): 170–186.

Elias, Mady, E. René de la Rie, and John K. Delaney. "Modification de l'etat de surface et de l'apparence visuelle de surfaces rugueuses recouvertes par différents vernis." In De la peinture de chevalet à l’instrument de musique: vernis, liants et couleurs. March 6–7, 2007, edited by Nadine Ballot, 122–128. Paris: Cité de la musique, 2008.

Gifford, E. Melanie. "Lievens' Technique: Wonders in Smeared Paint, Varnishes and Oils." In exh. cat. Jan Lievens: A Master Rediscovered, edited by Arthur K. Wheelock, 40–53. Washington: National Gallery of Art, 2008.

Metzger, Catherine A., and Michael R. Palmer. "The Creative Process in Rogier van der Weyden’s Portraits." In Invention: Northern Renaissance Studies in Honor of Molly Faries, edited by Julien Chapuis, 64–85. Turnhout, Belgium: Brepols Publishers NV, 2008.

Souguir, Zied, Anne-Laurence Dupont, and E. René de la Rie. "Formation of Brown Lines at the Wet-dry Interface in Cellulosic Materials." Biomacromolecules 9, no. 9 (2008): 2546–2552.
http://dx.doi.org/10.1021/bm8006067

Thoury, Mathieu, Mady Elias, Jean Marc Frigerio, and Carlos Barthou. "Identification non invasive des vernis des œuvres d’art par fluorescence sous rayonnement ultraviolet." In De la peinture de chevalet à l’instrument de musique: vernis, liants et couleurs. March 6–7, 2007, edited by Nadine Ballot, 66–72. Paris: Cité de la musique, 2008.

2007

Berrie, Barbara H., ed. Artists' Pigments: A Handbook of Their History and Characteristics, vol. 4. Washington and London: National Gallery of Art and Archetype Publications, 2007.
http://www.nga.gov/shop/pdfs/conservation.pdf

Berrie, Barbara H. "Pigments in Venetian and Islamic Painting." In Venice and the Islamic World,  828–1797, edited by Stefano Carboni, 140–145. New Haven: Yale University Press, 2007.

Berrie, Barbara H., and Elizabeth Walmsley. "Raphael's Alba Madonna." In Raphael’s Painting Technique: Working Practices Before Rome, edited by Ashok Roy, and Marika Spring, 101–108. Florence: KermesQuaderni, Nardini, 2007.

Gifford, E. Melanie. "Review of The Pigment Compendium, 2 vols. and CD-ROM by Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin and Ruth Siddall." Studies in Conservation 52 (2007): 238–240.

Gifford, E. Melanie, Susanna P. Griswold, and Norma Uemura. "Mathias Grünewald’s Small Crucifixion: Painting Practice and Personal Style." In La technique picturale de Grünewald et de ses contemporains, edited by Pantxika Béguerie-De Paepe, and Michel Menu, 73–80. Paris: Centre de recherche et de restauration des musées de France (C2RMF), 2007.

Glinsman, Lisha Deming, and Lee-Ann Hayek. "A Multivariate Analysis of Italian Renaissance Portrait Medals: An Expanded Nomenclature for Defining Alloy Composition." In Renaissance Medals, vol. 2, edited by John Graham Pollard, Appendix 56–63. Washington: National Gallery of Art, 2007.
http://www.nga.gov/shop/pdfs/collections.pdf

Lake, Susan, and Suzanne Quillen Lomax. "Arylide (Hansa) Yellow Pigments." In Artists’ Pigments: A Handbook of their History and Characteristics, vol. 4, edited by Barbara H. Berrie, 179–222. Washington and London: National Gallery of Art and Archetype Publications, 2007.
http://www.nga.gov/shop/pdfs/conservation.pdf

Lomax, Suzanne Quillen, Michael R. Schilling, and Tom Learner. "The Identification of Synthetic Organic Pigments by FTIR and DTMS." In Modern Paints Uncovered, London, May 2006, edited by Mark Greenberg, 105–117. Los Angeles: Getty Conservation Institute, 2007.

2006

Berrie, Barbara H. "Les pigments dans la peinture vénitienne et islamique." In exh. cat. Venise et l’Orient 828 – 1797, edited by Stefano Carbone, and Trinita Kennedy, 140–145. Paris and New York: Editions Gallimard, 2006.

Berrie, Barbara H., and Louisa C. Matthew. "Venetian ‘Colore’: Artists at the Intersection of Technology and History." In exh. cat. Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, edited by David A. Brown, and Sylvia Ferino-Pagden, 301–309. Washington: National Gallery of Art, 2006.

Brown, David A., Sylvia Ferino Pagden, Jaynie Anderson, and Barbara H. Berrie, eds. Bellini, Giorgione, Titian, and the Renaissance of Venetian painting. Washington, DC and Vienna: National Gallery of Art and Kunsthistorisches Museum, in association with Yale University Press, 2006.

Elias, Mady, E. René de la Rie, John K. Delaney, Eric Charron, and Kathryn M. Morales. "Modification of the Surface State of Rough Substrates by Two Different Varnishes and Influence on the Reflected Light." Optics Communications 266 (2006): 586–591.
http://dx.doi.org/10.1016/j.optcom.2006.05.051

Gifford, E. Melanie. "Evocation and Representation: Rembrandt’s Landscape Painting Technique." In exh. cat. Rembrandt's Landscapes, edited by Christaan Vogelaar, and Gregor J. M. Weber, 120–143. Leiden: Stedelijk Museum het Lakenhal, 2006.

(German edition: "Andeutung und Darstellung - die Maltechnik von Rembrandts Landschaften," 136–165. Rembrandts Landschaften. Gemäldegallerie Alte Meister. Kassel, 2006.)

Lomax, Suzanne Quillen, and Tom Learner. "A Review of the Classes, Structures, and Methods of Analysis of Synthetic Organic Pigments." Journal of the American Institute for Conservation 45 (2006): 107–126.

McCabe, Constance, and Christopher A. Maines, eds. Coatings on Photographs: Materials, Techniques, and Conservation. Washington: American Institute of Conservation, 2006.

McGlinchey, Christopher, and Christopher A. Maines. "Chemistry and Analysis of Coating Materials." In Coatings on Photographs: Materials, Techniques, and Conservation, edited by Constance McCabe, and Christopher A. Maines, 22–47. Washington: American Institute of Conservation, 2006.

2005

Berrie, Barbara H., and Louisa C. Matthew. "Material Innovation and Artistic Invention: New Materials and New Colors in Renaissance Venetian Paintings." In Scientific Examination of Art: Modern Techniques in Conservation and Analysis, 12–26. Washington: National Academies Press, 2005.
http://www.nap.edu/catalog/11413.html

Berrie, Barbara H., and Louisa C. Matthew. "New Materials on the Renaissance Artists’ Palette." In Materials Issues in Art and Archaeology VII, vol. 852, edited by Jennifer Mass, John Merkel, Alison Murray, and Pamela B. Vandiver, 131–140. Boston: Materials Research Society, 2005.
http://lucy.mrs.org/publications/epubs/proceedings/fall2004/oo/index.html

Delaney, John K., Elizabeth Walmsley, Barbara H. Berrie, and Colin F. Fletcher. "Multi-Spectral Imaging in the Infrared to Detect and Map Blue Pigments." In Scientific Examination of Art: Modern Techniques in Conservation and Analysis, 120–136. Washington: National Academies Press, 2005.
http://www.nap.edu/catalog/11413.html

Glinsman, Lisha Deming. "The Practical Application of Air-path X-ray Fluorescence Spectrometry in the Analysis of Museum Objects." Reviews in Conservation 6 (2005): 3–17.

Lomax, Suzanne Quillen. "Phthalocyanine and Quinacridone Pigments: Their History, Properties, and Use." Reviews in Conservation 6 (2005): 19–30.

Maines, Christopher A., and E. René de la Rie. "Size-exclusion Chromatography and Differential Scanning Calorimetry of Low Molecular Weight Resins Used as Varnishes for Paintings." Progress in Organic Coatings 52 (2005): 39–45.

Van den Berg, Klaas Jan, Christopher A. Maines, Ester S. B. Ferreira, Catherine Higgitt, and Ken Sutherland. "The Users’ Group for Mass Spectrometry and Chromatography and the Development of a Mass Spectral Database for the Study of Artistic and Cultural Objects." In Preprints of the 14th Triennial Meeting of the ICOM Committee for Conservation, The Hague, September 2005, vol. 2, edited by Isabelle Verger, 837. London: James and James (Science Publishers) Ltd., 2005.

2004

Berrie, Barbara H. "Fine Art Examination and Conservation." In Kirk-Othmer Encyclopedia of Chemical Technology. Hoboken, NJ: Wiley Interscience, 2004.
http://www.mrw.interscience.wiley.com/kirk/articles/finezels.a01/abstractfs.html

Dupont, Anne-Laurence, and Gabrielle Harrison. "Conformation and dn/dc Determination of Cellulose in N,N-dimethylacetamide Containing Lithium Chloride." Carbohydrate Polymers 58 (2004): 233–243.

Dupont, Anne-Laurence, and Gérard Mortha. "Comparative Evaluation of Size-exclusion Chromatography and Viscometry for the Characterization of Cellulose." Journal of Chromatography A 1026 (2004): 129–141.

Glinsman, Lisha Deming. "The Application of X-ray Fluorescence Spectrometry to the Study of Museum Objects." PhD diss., University of Amsterdam, 2004.

2003

Balta, Ileana Z., and Luc Robbiola. "Study of Black Patinas on Copper and Bronze Obtained by Using 19th Century Western Traditional Techniques of Artificial Patination." In Proceedings of the NACE (National Association of Corrosion Engineeers), September 2003. Ottawa, 2003.

Berns, Roy S., and E. René de la Rie. "The Effect of a Varnish’s Refractive Index on the Appearance of Oil Paintings." Studies in Conservation 48 (2003): 251–262.

Berns, Roy S., and E. René de la Rie. "A Methodology for Analyzing the Effect of Varnishes on the Appearance of Paintings." Studies in Conservation 48 (2003): 73–82.

Brostoff, Lynn B. "Coating Strategies for the Protection of Outdoor Bronze Art and Ornamentation." PhD diss., University of Amsterdam, 2003.

de la Rie, E. René. "Why Use a Synthetic Picture Varnish?" In Art et chimie, les polymères, edited by Jean-Claude Bernier, François Guinot, Jean-Pierre Mohen, and Pierre Potier, 63–68. Paris: Centre national de la recherche scientifique (CNRS), 2003.

Dupont, Anne-Laurence. "Cellulose in Lithium Chloride/N,N-Dimethylacetamide, Optimisation of a Dissolution Method Using Paper Substrates and Stability of the Solutions." Polymer 44, no. 15 (2003): 4117–4126.

Dupont, Anne-Laurence. "Gelatine Sizing of Paper and Its Impact on the Degradation of Cellulose during Aging: A Study Using Size-Exclusion Chromatography." PhD diss., University of Amsterdam, 2003.

Dupont, Anne-Laurence. "Gelatine/Alum Sizing of Paper and Its Impact on the Degradation of Cellulose: A Study Using Size-exclusion Chromatography with Multiangle Light Scattering Detection." In Art et chimie, les polymères, edited by Jean-Claude Bernier, François Guinot, Jean-Pierre Mohen, and Pierre Potier, 69–74. Paris: Centre national de la recherche scientifique (CNRS), 2003.

Ellingson, Lisa A., Tara J. Shedlosky, Gordon P. Bierwagen, E. René de la Rie, and Lynn B. Brostoff. "The Use of Electrochemical Impedance Spectroscopy in the Evaluation of Coatings for Outdoor Bronze." Studies in Conservation 49 (2003): 53–62.

Gifford, E. Melanie, Susana M. Halpine, Suzanne Quillen Lomax, and Michael R. Schilling. "Issues Surrounding the Painting Medium: A Case Study of a Pre-Eyckian Altarpiece." In Recent Developments in the Technical Examination of Early Netherlandish Painting, edited by Mollie Faries, and Ron Spronk, 107–116. Cambridge, Mass.: Harvard University Art Museums, 2003.

2002

Berns, Roy S., and E. René de la Rie. "The Relative Importance of Surface Roughness and Refractive Index in the Effects of Varnishes on the Appearance of Paintings." In Preprints of the 13th Triennial Meeting of the ICOM Committee for Conservation, Rio de Janeiro, September 2002, vol. 1, edited by Roy Vontobel, 211–216. London: James and James (Science Publishers) Ltd., 2002.

Berns, Roy S., Jay Krueger, and Michael Swicklik. "Multiple Pigment Selection for Inpainting Using Visible Reflectance Spectrophotometry." Studies in Conservation 47 (2002): 46–61.

Berrie, Barbara H. "Book review of Bright Earth by Philip Ball." Chemical and Engineering News  (March 25, 2002): 47–48.

Berrie, Barbara H., Yoonjoo Strumfels, and Carol Tolocka. "Winslow Homer’s Watercolor Pigments." In The Broad Spectrum, Chicago, October 1999, edited by Harriet K. Stratis, and Britt Salvessen, 101–107. London: Archetype Publications, 2002.

Brostoff, Lynn B., Tara J. Shedlosky, and E. René de la Rie. "Research into Protective Coating Systems for Outdoor Bronze Sculpture and Ornamentation, Phase III." PTTPublications 2002–18. Natchitoches, LA: NCPTT, 2002.
http://www.ncptt.nps.gov

de la Rie, E. René, Suzanne Quillen Lomax, Michael R. Palmer, and Christopher A. Maines. "An Investigation of the Photochemical Stability of Films of the Urea-Aldehyde Resins Laropal® A 81 and Laropal® A 101." In 13th Triennial Meeting of the ICOM Committee for Conservation, Rio de Janeiro, September 2002, vol. 2, edited by Roy Vontobel, 881–887. London: James and James (Science Publishers) Ltd., 2002.

Dupont, Anne-Laurence. "The Role of Gelatine/Alum Sizing in the Degradation of Paper: A Study by Size Exclusion Chromatography in Lithium Chloride/N,N-Dimethylacetamide Using Multiangle Light Scattering Detection." In Works of Art on Paper—Books, Documents and Photographs, IIC Baltimore Congress, edited by V. Daniels, A. Donnithorne, and Perry Smith, 59–64. London: International Institute for Conservation of Historic and Artistic Works (IIC), 2002.

Dupont, Anne-Laurence. "Study of the Degradation of Gelatine in Paper upon Aging Using Aqueous Size Exclusion Chromatography." Journal of Chromatography A 950 (2002): 113–124.

Schilling, Michael R., Susan Lake, Elizabeth Steele, and Suzanne Quillen Lomax. "Modern Science and Contemporary Paintings: Preserving an Evolving Legacy." GCI Newsletter 17, no. 3 (2002): 4–10.

Strumfels, Yoonjoo, and Barbara H. Berrie. "The Effect of pH of the Paper Support on the Fading of Carmine Watercolor Paint." Studies in Conservation 47, no. S2 (2002): 18.
http://dx.doi.org/10.1179/sic.2002.47.s2.018

Watts, Siobhan, and E. René de la Rie. "GCMS Analysis of Triterpenoid Resins; In situ Derivatization Procedures Using Quaternary Ammonium Hydroxides." Studies in Conservation 42 (2002): 257–272.

2001

Berns, Roy S. "The Science of Digitizing Paintings for Color-accurate Image Archives: A Review." Journal of Imaging Science and Technology 45 (2001): 305–325.

Berns, Roy S., and E. René de la Rie. "Evaluating the Effect of Varnishes on the Color and Spatial Image Quality of Paintings." In PICS 2001: Image Processing, Image Quality, Image Capture Systems Conference, Montreal, 181–184. Springfield VA: Society of Imaging Science and Technology (IS&T), 2001.
http://www.imaging.org/store/epub.cfm?abstrid=4617

Brostoff, Lynn B., Tara J. Shedlosky, and E. René de la Rie. "Research into Protective Coating Systems for Outdoor Bronze Sculpture and Ornamentation, Phase II." PTTPublications 2001–08. Natchitoches, LA: NCPTT, 2001.
http://www.ncptt.nps.gov

Sutherland, Ken. "Solvent Extractable Components of Oil Paint Films." PhD diss., University of Amsterdam, 2001.

2000

Brostoff, Lynn B., Tara J. Shedlosky, and E. René de la Rie. "External Reflection Study of Copperbenzotriazole Films on Bronze in Relation to Pretreatments of Coated Outdoor Bronzes." In Tradition and Innovation: Advances in Conservation, IIC 2000 Melbourne Congress, edited by Ashok Roy, and Perry Smith, 29–33. London: International Institute for Conservation of Historic and Artistic Works (IIC), 2000.

de la Rie, E. René, Suzanne Quillen Lomax, Michael R. Palmer, Lisha Deming Glinsman, and Christopher A. Maines. "An Investigation of the Photochemical Stability of Urea-aldehyde Resin Retouching Paints: Removability Tests and Colour Spectroscopy." In Tradition and Innovation: Advances in Conservation, IIC 2000 Melbourne Congress, edited by Ashok Roy, and Perry Smith, 51–59. London: International Institute for Conservation of Historic and Artistic Works (IIC), 2000.

Gifford, E. Melanie. "Assessing the Evolution of Van Eyck’s Iconography through Technical Study of the Washington Annunciation." In Investigating Van Eyck, edited by Susan Foister, Sue Jones, and Delphine Cool, 59–66. London: National Gallery, 2000.

Gifford, E. Melanie. "Book Review of Exh. Cat., Michael K. Komanecky, Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper 1575–1775, Phoenix Art Museum, Phoenix, 1999." New York: CAA Reviews, 2000.
http://www.caareviews.org

Leonard, Mark, Jill Whitten, Robert Gamblin, and E. René de la Rie. "Development of a New Material for Retouching." In Tradition and Innovation: Advances in Conservation, IIC 2000 Melbourne Congress, edited by Ashok Roy, and Perry Smith, 29–33. London: International Institute for Conservation of Historic and Artistic Works (IIC), 2000.

Strahan, Donna, and Christopher A. Maines. "Lacquer as an Adhesive for Gilding on Copper Alloy Sculpture in SE Asia." In Gilded Metals: History, Technology and Conservation, edited by Terry Drayman-Weisser, 185–201. London: Archetype Publications, 2000.

Sutherland, Ken. "The Extraction of Soluble Components from an Oil Paint Film by a Varnish Solution." Studies in Conservation 45 (2000): 54–62.

van den Berg, Klaas Jan, Margriet H. van Eikema Hommes, Karin M. Groen, Jaap J. Boon, and Barbara H. Berrie. "On Copper Green Glazes in Paintings." In Art et chimie: la couleur, edited by Jacques Goupy, and Jean-Pierre Mohen, 18–21. Paris: Centre national de la recherche scientifique (CNRS), 2000.

1999

de la Rie, E. René. "Conservation Science Unvarnished. Oration delivered on the assumption of the special chair for the Chemistry of Conservation and Restoration at the University of Amsterdam on 30 October 1997." Amsterdam: Stichting Bijzondere Leerstoel voor de Chemie van Conservering en Restauratie, 1999.

Gifford, E. Melanie. "Landscape Painting Style and Technique: Fidelity to the 16th Century Tradition in Early 17th Century Landscape Production." In Colloque XII pour l’étude du dessin sous-jacent et de la technologie dans la peinture, edited by R. van Schoute, and H. Verougstraete, 177–188. Louvain-la-Neuve: Peeters, 1999.

Gifford, E. Melanie. "Van Eyck’s Washington Annunciation: Technical Evidence for Iconographic Development." Art Bulletin 81, no. 2 (March 1999): 108–116.

Halpine, Susana M. "HPLC Applications in Art Conservation." In Handbook of HPLC, edited by Elena Katz, Roy Eksteen, and Peter Schoenmakers, 903–927. New York: Marcel Dekker, 1999.

Lake, Susan, Suzanne Quillen Lomax, and Michael R. Schilling. "A Technical Investigation of Willem de Kooning’s Paintings from the 1960’s and 1970’s." In Preprints of the 12th Triennial Meeting of the ICOM Conservation Committee, Lyon, September 1999, edited by Janet Bridgland, 381–385. London: James and James (Science Publishers) Ltd., 1999.

Shibayama, Nobuko, Suzanne Quillen Lomax, Ken Sutherland, and E. René de la Rie. "Atmospheric Pressure Chemical Ionization Liquid Chromatography Mass Spectrometry and Its Application to Conservation: Analysis of Triacylglycerols." Studies in Conservation 44 (1999): 253–268.

Sutherland, Ken, and Nobuko Shibayama. "The Components of Oil Paint Films Extracted by Organic Solvents." In Preprints of the 12th Triennial Meeting of the ICOM Conservation Committee, Lyon, edited by Janet Bridgland, 341–346. London: James and James (Science Publishers) Ltd., 1999.

1998

Brostoff, Lynn B., and E. René de la Rie. "Chemical Characterization of Metal/Coating Interfaces from Model Samples for Outdoor Bronzes by Reflection-absorption Infrared Spectroscopy (RAIR) and Attenuated Total Reflection Spectroscopy (ATR)." In Metal 98, Proceedings of the International Conference on Metals Conservation, Draguignan, France, edited by William Mourey, and Luc Robbiola, 320–328. London: James and James (Science Publishers) Ltd., 1998.

Gifford, E. Melanie. "Esaias van de Velde’s Technical Innovations: Translating a Graphic Tradition into Paint." In Painting Techniques: History, Materials, and Studio Practice, IIC 1998 Dublin Congress, edited by Ashok Roy, and Perry Smith, 145–149. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1998.

Gifford, E. Melanie. "Painting Light: Recent Observations on Vermeer’s Painting Technique." In New Vermeer Studies, Studies in the History of Art, vol. 55, edited by Ivan Gaskell, and Michiel Jonker, 185–199. Washington: National Gallery of Art, 1998.

Lomax, Suzanne Quillen. "Chemistry as Applied to the Study of Works of Art." The Chemical Intelligencer  (January 1998): 46–53.

Metzger, Catherine A., and Michael R. Palmer. "The Washington Portrait of a Lady by Rogier van der Weyden Reconsidered in Light of Recent Investigations." In Painting Techniques: History, Materials, and Studio Practice, IIC 1998 Dublin Congress, edited by Ashok Roy, and Perry Smith, 94–97. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1998.

Roy, Ashok, and Barbara H. Berrie. "A New Lead-based Yellow Pigment in the Seventeenth Century." In Painting Techniques: History, Materials, and Studio Practice, IIC 1998 Dublin Congress, edited by Ashok Roy, and Perry Smith, 160–165. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1998.

Samet, Wendy, and Jill Whitten. "General Application Techniques." In Painting Conservation Catalog: Varnishes and Surface Coatings, edited by Wendy Samet, 253–271. Washington: Paintings Specialty Group of the AIC, 1998.

van der Doelen, Gisela A., Klaas Jan van den Berg, Jaap J. Boon, Nobuko Shibayama, E. René de la Rie, and Wim J. Genuit. "Analysis of Fresh Triterpenoid Resins and Aged Triterpenoid Varnishes by HPLC APCI-MS (/MS)." Journal of Chromatography A 809 (1998): 21–37.

Whitten, Jill. "Characteristics of Low Molecular Weight Resins." In Painting Conservation Catalog: Varnishes and Surface Coatings, edited by Wendy Samet, 53–54. Washington: Paintings Specialty Group of the AIC, 1998.

Whitten, Jill. "Polymeric Varnishes." In Painting Conservation Catalog: Varnishes and Surface Coatings, edited by Wendy Samet, 133–134. Washington: Paintings Specialty Group of the AIC, 1998.

Whitten, Jill, and Robert Proctor. "Regalrez 1094." In Painting Conservation Catalog: Varnishes and Surface Coatings, edited by Wendy Samet, 109–116. Washington: Paintings Specialty Group of the AIC, 1998.

1997

Berrie, Barbara H. "Prussian Blue." In Artists’ Pigments: A Handbook of Their History and Characteristics, vol. 3, edited by Elisabeth West FitzHugh, 191–217. Washington: National Gallery of Art, 1997.

Berrie, Barbara H., and Suzanne Quillen Lomax. "Azo Pigments: Their History, Synthesis, Properties and Use in Artists’ Materials." In Conservation Research 1996/1997, Studies in the History of Art, vol. 57, 9–33. Washington: National Gallery of Art, 1997.

Brostoff, Lynn B. "Investigation into the Interaction of Benzotriazole with Copper Corrosion Minerals and Surfaces." In Metal 95, Proceedings of the International Conference on Metals Conservation, Semur en Auxois, France, 1995, edited by Ian D. MacLeod, Stéphane L. Pennec, and Luc Robbiola, 99–108. London: James and James (Science Publishers) Ltd., 1997.

Brostoff, Lynn B., and E. René de la Rie. "Research into Protective Coating Systems for Outdoor Bronze Sculpture and Ornamentation." In Metal 95, Proceedings of the International Conference on Metals Conservation, Semur en Auxois, France, 1995, edited by Ian D. MacLeod, Stéphane L. Pennec, and Luc Robbiola, 242–244. London: James and James (Science Publishers) Ltd., 1997.

Brostoff, Lynn B., and E. René de la Rie. "Research into Protective Coating Systems for Outdoor Bronze Sculpture and Ornamentation, Phase I." PTTPublications 1997-03. Natchitoches, LA: NCPTT, 1997.
http://www.ncptt.nps.gov

Gifford, E. Melanie. "Style and Technique in the Evolution of Naturalism: North Netherlandish Landscape Painting in the Early Seventeenth Century." Ph.D. diss., University of Maryland, 1997.

Glinsman, Lisha Deming. "Renaissance Portrait Medals by Matteo de Pasti: A Study of Their Casting Materials." In Conservation Research 1996/1997, Studies in the History of Art, vol. 57, 93–107. Washington: National Gallery of Art, 1997.

Glinsman, Lisha Deming, and Daphne Barbour. "Science and Art Converge at the National Gallery of Art." JOM: The Member Journal of TMS 49 (1997): 14–17.
http://www.tms.org/pubs/journals/JOM/9701/Glinsman-9701.html

Halpine, Susana M. "Analyses of Artists’ Materials Using High-performance Liquid Chromatography." In Early Italian Paintings: Techniques and Analysis, edited by Tonnie Bakkenist, René Hoppenbrouwers, and Hélène Dubois, 21–28. Maastricht: Limburg Conservation Institute (Stichting Restauratie Atelier Limburg), 1997.

Palmer, Michael R., and E. Melanie Gifford. "Jan Steen’s Painting Practice: The Dancing Couple in the Context of the Artist’s Career." In Conservation Research 1996/1997, Studies in the History of Art, vol. 57, 127–155. Washington: National Gallery of Art, 1997.

Shibayama, Nobuko, Ken Sutherland, Suzanne Quillen Lomax, and E. René de la Rie. "Application of Liquid Chromatography / Mass Spectrometry (LC/MS) to the Analysis of Artists’ Materials." In Eastern Analytical Symposium, November. Somerset, NJ, 1997.

van den Berg, Klaas Jan, Jorrit van der Horst, Jaap J. Boon, Nobuko Shibayama, and E. René de la Rie. "Mass Spectrometry as a Tool to Study Aging Processes of Diterpenoid Resins in Works of Art: GC-and LC-MS Studies." In Advances in Mass Spectrometry, vol. 14, edited by E. J. Karjalainen, A. E. Hesso, J. E. Jalonen, and U. P. Karjalainen, 563–573. London: Elsevier, 1997.

Walsh, Judith, Barbara H. Berrie, and Michael R. Palmer. "The Connoisseurship Problems of Discolored Lead Pigments in Japanese Woodblock Prints." In Proceedings of the Fourth International Conference of The Institute of Paper Conservation, London, edited by Jane Eagan, 118–124. Leigh, UK: The Institute of Paper Conservation, 1997.

1996

Boon, Jaap J., E. R. E. van der Hage, Gisela A. van der Doelen, Klaas Jan van den Berg, G. B. Eijkel, J. Pureveen, S. Funk, and E. René de la Rie. "Role of MS Techniques in the Characterization of Fresh and Aged Natural and Synthetic Varnishes Used for Paintings." In Proceedings of the 44th ASMS Conference on Mass Spectrometry and Allied Topics, Portland, 1104. Santa Fe, NM: American Society for Mass Spectrometry, 1996.

Gifford, E. Melanie. "Jan van Goyen en de techniek van het naturalistiche landschap." In exh. cat. Jan van Goyen, edited by Christaan Vogelaar, 70–79, 81. Leiden: Stedelijk Museum Het Lakenhal, 1996.

Gifford, E. Melanie, Barbara Berrie, and Michael Palmer. "Some Observations on Georges de La Tour's Painting Practice." In Georges de La Tour and His World, edited by Philip Conisbee, 240-257. Washington, DC: National Gallery of Art, 1996.

Halpine, Susana M. "An Improved Dye and Lake Pigment Analysis Method Using High Performance Liquid Chromatography and Diode Array Detector." Studies in Conservation 41 (1996): 76–94.

McCabe, Constance, and Lisha Deming Glinsman. "Understanding Alfred Stieglitz’ Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry." In Preprints of Research Techniques in Photographic Conservation Conference, Copenhagen, 1995, edited by Mogens Koch, Jesper Stub Johnsen, Tim Padfield, and Ulla Kejser, 1–40. Copenhagen: Royal Danish Academy of Fine Arts, 1996.

1995

Gates, Glenn. "A Technical Note on the Historic Artists’ Pigment Aureolin: The Investigation of Sodium Substitution in the Lattice of Potassium Hexanitrocobalt (III)." Studies in Conservation 40 (1995): 201–206.

Gifford, E. Melanie. "Jan van Eyck’s Washington Annunciation: Development and Alterations." In Colloque X pour l’étude du dessin sous-jacent dans la peinture, edited by R. van Schoute, and H. Verougstraete, 85–93. Louvain-la-Neuve: Laboratoire d’étude des oeuvres d’art par les méthodes scientifiques, 1995.

Gifford, E. Melanie. "A Pre-Eyckian Altarpiece in the Context of European Painting Materials and Techniques around 1400." In Flanders in a European Perspective: Manuscript Illumination around 1400 in Flanders and Abroad, edited by M. Smeyers, and B. Cardon, 357–370. Leuven: Peeters, 1995.

Gifford, E. Melanie. "Style and Technique in Dutch Landscape Painting in the 1620s." In Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26–29 June 1995, edited by A. Wallert, E. Hermens, and M. Peek, 140–147. Marina del Rey, CA: Getty Conservation Institute, 1995.

Glinsman, Lisha Deming, and Lee-Ann Hayek. "Statistical Evaluation of Renaissance Art Objects." STATS  (January 1995): 15–18.

Halpine, Susana M. "Investigation of Artists’ Materials Using Amino Acid Analysis: Introduction of the One Hour Extraction Procedure." In Conservation Research 1995, Studies in the History of Art, vol. 51, 29–69. Washington: National Gallery of Art, 1995.

Halpine, Susana M. "Trace Amino Acid Composition of Natural Resins: Elucidating the Nature of Resinous Artists’ Materials." Amber, Resinite and Fossil Resins  (1995): 234–254.

Lomax, Suzanne Quillen. "How to Calculate the Concentration of Solutions." AIC News  (January 1995): 25–26.

McCabe, Constance, and Lisha Deming Glinsman. "Understanding Alfred Stieglitz’ Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry." In Conservation Research 1995, Studies in the History of Art, vol. 51, 71–85. Washington: National Gallery of Art, 1995.

Metzger, Catherine A., and Barbara H. Berrie. "Gerard David’s St. Anne Altarpiece: Evidence for Workshop Participation." In Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26–29 June 1995, edited by A. Wallert, E. Hermens, and M. Peek, 127–134. Los Angeles: Getty Conservation Institute, 1995.

Whitten, Jill. "Conference Review of Varnishes — Authenticity and Permanence." AIC News 20, no. 1 (January 1995): 15–16, 25.

Whitten, Jill. "Low-Molecular-Weight Resins for Picture Varnishes." In Paintings Specialty Group Postprints, 124–129. Washington: American Institute for Conservation, 1995.

Whitten, Jill. "Regalrez 1094: Properties and Uses." Western Association for Art Conservation (WAAC) Newsletter 17, no. 1 (1995): 11–12.

1994

Berrie, Barbara H. "Discovery of Clay in Dosso’s Imprimatura Using SEM/EDS." In Eastern Analytical Symposium. Somerset, NJ, 1994.

Berrie, Barbara H. "A Note on the Imprimatura in Two of Dosso Dossi’s Paintings." Journal of the American Institute for Conservation 33 (1994): 307–313.

Berrie, Barbara H., Shelley Sturman, and Mervin Richard. "The Special Requirements for Exhibiting Enameled Metal." In Preventive Conservation Practice, Theory and Research, IIC 1994 Ottawa Congress, edited by Ashok Roy, and Perry Smith. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1994.

Gifford, E. Melanie. "Review of Making and Meaning: The Wilton Diptych, by Dillian Gordon with an essay by Caroline M. Barron and contributions by Ashok Roy and Martin Wyld, National Gallery, London (1993)." AIC News 27 (November 1994): 24–25, 27.

Lomax, Suzanne Quillen. "Application of Chemistry to the Examination of Works of Art." In 208th ACS National Meeting. Washington: American Chemical Society, 1994.

Lomax, Suzanne Quillen. "Conservation Science: Applying Chemistry to Understanding Works of Art." In Eastern Analytical Symposium. Somerset, NJ, 1994.

1993

Barbour, Daphne, and Lisha Deming Glinsman. "An Investigation of Renaissance Practices as a Means for Identifying Forgeries." In Conservation Research, Studies in the History of Art, vol. 41, 14–29. Washington: National Gallery of Art, 1993.

Berrie, Barbara H., and Sarah L. Fisher. "A Technical Investigation of the Materials and Methods of Dosso Dossi." In Preprints of the 10th Triennial Meeting of the ICOM Committee for Conservation, Washington DC, edited by Janet Bridgland, 70–74. Paris: ICOM Committee for Conservation, 1993.

de la Rie, E. René. "The Identification of Historic Artists’ Oil Paint Media and Varnishes Using Pyrolysis-Gas Chromatography / Mass Spectrometry." In Euroanalysis VIII, Edinburgh, 1993, edited by D. Littlejohn, and D. Thorburn Burns, LD2. Cambridge: Royal Society of Chemistry, 1993.

de la Rie, E. René. "Polymer Additives for Synthetic Low-molecular-weight Varnishes." In Preprints of the 10th Triennial Meeting of the ICOM Committee for Conservation, Washington DC, edited by Janet Bridgland, 566–573. Paris: ICOM Committee for Conservation, 1993.

de la Rie, E. René, Karin M. Groen, Manja Zeldenrust, and Michael R. Palmer. "Analysis of the Binding Media of Rembrandt’s Jewish Bride Using Pyrolysis-Gas Chromatography / Mass Spectrometry." In Preprints of the 10th Triennial Meeting of the ICOM-Committee for Conservation, Washington, DC, edited by Janet Bridgland, 908. Paris: ICOM Committee for Conservation, 1993.

Glinsman, Lisha Deming, and Lee-Ann Hayek. "A Multivariate Analysis of Renaissance Portrait Medals: An Expanded Nomenclature." Archaeometry 35 (1993): 49–67.

Steele, Elizabeth, and Susana M. Halpine. "Precision and Spontaneity: Jacob Lawrence’s Materials and Techniques." In exh. cat. Jacob Lawrence, The Migration Series, edited by Elizabeth Hutton Turner, 155–159. Washington: Rappahannock Press in association with the Phillips Collection, 1993.

1992

Berrie, Barbara H. "Investigations on a Mediaeval Spanish Enameled Ciborium." In Conservation of the Iberian and Latin American Heritage, IIC 1992 Madrid Congress, edited by H. W. M. Hodges, John S. Mills, and Perry Smith, 11–15. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1992.

Berrie, Barbara H. "Understanding Art through Technical Analysis: Inferences from Pigment Identification." In Materials Issues in Art and Archaeology II, vol. 267, edited by Pamela B. Vandiver, James Druzik, and George S. Wheeler, 195–204. Boston: Materials Research Society, 1992.

de la Rie, E. René. "Stability and Function of Coatings Used in Conservation." In Polymers in Conservation, edited by N. S. Allen, M. Edge, and C. V. Horie, 62–81. Cambridge: Royal Society of Chemistry, 1992.

Gifford, E. Melanie. "Technical Notes on an Altarpiece by Jacob de Punder." Journal of the Walters Art Gallery 49/50 (1992): 99–105.

Halpine, Susana M. "Amino Acid Analysis of Proteinaceous Media from Cosima Tura’s The Annunciation with Saint Francis and Saint Louis of Toulouse." Studies in Conservation 37 (1992): 22–38.

Lomax, Suzanne Quillen. "The Removability and Solubility of Aged Synthetic Picture Varnishes." Polymer Preprints 33 (1992): 654–655.

Maines, Christopher A. "Chemical and Physical Stability of Thermoplastic Polymers Used as Paint Binders in the Restoration of Paintings." Polymer Preprints 33 (1992): 648–649.

1991

de la Rie, E. René. "Degradation and Stabilization of Varnishes for Paintings." In Preprints to the Thirteenth International Conference on Advances in the Stabilization and Degradation of Polymers, 129–139. Lucerne, 1991.

1990

Christensen, Carol, Michael R. Palmer, and Michael Swicklik. "Van Dyck’s Painting Technique, His Writings, and Three Paintings." In exh. cat. Anthony van Dyck, edited by Arthur K. Wheelock, 45–52. Washington: National Gallery of Art, 1990.

de la Rie, E. René, and Christopher McGlinchey. "The Effect of a Hindered Amine Light Stabilizer on the Aging of Dammar and Mastic Varnish in an Environment Free of Ultraviolet Light." In Cleaning Retouching and Coatings, IIC 1990 Brussels Congress, edited by John S. Mills, and Perry Smith, 160–164. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1990.

de la Rie, E. René, and Christopher McGlinchey. "New Synthetic Resins for Picture Varnishes." In Cleaning Retouching and Coatings, IIC 1990 Brussels Congress, edited by John S. Mills, and Perry Smith, 168–173. London: International Institute for Conservation of Historic and Artistic Works (IIC), 1990.

Gifford, E. Melanie. "Maerten van Heemskerck’s Panoramic Landscape with the Rape of Helen: Preliminary Report on the Analysis and Treatment." The Painting Specialty Group Annual 3 (1990): 36–40.

Lomax, Suzanne Quillen, and Sarah L. Fisher. "An Investigation of the Removability of Naturally Aged Synthetic Picture Varnishes." Journal of the American Institute for Conservation 29 (1990): 181–191.

1989

de la Rie, E. René. "Old Master Paintings: A Study of the Varnish Problem." Analytical Chemistry 61 (1989): 1228A–1240A.

de la Rie, E. René, and Christopher McGlinchey. "Stabilized Dammar Picture Varnish." Studies in Conservation 34 (1989): 137–146.

Sturman, Shelley, and Barbara H. Berrie. "Technical Examination of Riccio Plaquettes." In Italian Plaquettes, Studies in the History of Art, vol. 22, edited by Alison Luchs, 175–188. Washington: National Gallery of Art, 1989.