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THE ENTHUSIASTS ARCHIVE

Banner stills from Reminiscences of a Journey to Lithuania, courtesy Anthology Film Archives

Series Filmography

 

1,2,3…Operator’s Exercise (1,2,3... Ćwiczenie operatorskie, Paweł Kwiek, Poland, 1972, 8 minutes)

10 Minutes Older (Vecāks par 10 minūtēm, Herz Frank, Latvia, 1978, 10 minutes)

19th Nervous Breakdown (19. Živčni Zlom, Naško Križnar and OHO, Slovenia, 1966, 4 minutes 31 seconds)

30 Sound Situations (30 sytuacji dźwiękowych, Ryszard Waśko, Poland, 1975, 9 minutes 28 seconds)

235 000 000 (Uldis Brauns, Latvia, 1967, 70 minutes)

Acceleration (Ubrzanje, Ivan Martinac, Croatia, 1969, 7 minutes 14 seconds)

Anthony’s Broken Mirror (Antonijevo razbijeno ogledalo, Dušan Makavejev, Serbia, 1957, 11 minutes 30 seconds)

Black Film (Crni film, Želmir Žilnik, Serbia, 1971, 14 minutes)

Boxing (Ion Grigorescu, Romania, 1977, 2 minutes 45 seconds)

Carousel (Karuzela, Krzysztof Szafraniec, AKF Nowa Huta, Kraków, Poland, 1984, 2 minutes 20 seconds)

Centaur (Kentaur, Tamás St. Auby, Hungary, 1973–75/2009, 40 minutes)

Centre (Centrum, Kazimierz Bendkowski, Poland, 1973, 5 minutes 20 seconds)

Checkmate (Mat, Pavel Bárta, Czech Republic, 1983, 16 minutes 30 seconds)

Cinéforms (Kineformy, Andrzej Pawłowski, Poland, 1957, 6 minutes 45 seconds)

Clapper (Klaskacz, Wojciech Bruszewski, Poland, 1971 5 minutes 53 seconds)

Contemporary Symphony (Współcześna Symfonia, Maciej Korus and Jerzy Ridan, Amateur Film Club (AKF) Nowa Huta, Kraków, Poland, 1971, 6 minutes 20 seconds)

Cut (Goran Trbuljak, Croatia, 1976, 31 seconds)

DM1978 Talks to DM2010 (Dalibor Martinis, Croatia, 1978/2010, 13 minutes)

Death of Metalosaurus (Smrt metalosaurusa, Igor Toholj, Serbia, 1989, 3 minutes)

Dok. Film (Naško Križnar and OHO, Slovenia, 1968, 4 minutes 11 seconds)

Drawings (Vladimir Havrilla, Slovakia, 1976, 3 minutes 30 seconds)

Encounter (Sretanje, Vladimir Petek, Croatia, 1963, 8 minutes)

Endless Day (Lõputu Päev, Jaan Tooming and Virve Aruoja, Estonia, 1971/1990, 30 minutes)

Four Bagatelles (Film Language Series) (Négy Bagatell, Gábor Bódy, Hungary, 1975, 27 minutes 40 seconds)

Function (Funkcja, Zdzisław Zinczuk, AKF Awa, Poznán, Poland, 1981, 1 minute 7 seconds)

Game (Divjad, Karpo Godina and Jure Pervanje, Slovenia, 1965, 6 minutes)

Gypsies (Cigányok, Sándor Sára, Hungary, 1962, 17 minutes)

Hello, Berlin! (Guten Tag, Berlin!, Thomas Werner, Germany (GDR), 1987, 11 minutes)

Humbug (G. Piszczek and M. Kuczminski, AKF IKS, Mikołów, Poland, 1970s, 3 minutes 40 seconds)

I'm Going (Ide, Josef Robakowski, Poland, 1973, 3 minutes)

Image Is Virus (Dalibor Martinis, Croatia, 1983,  5 minutes 17 seconds excerpt from 20 minutes)

Innocence Unprotected (Nevinost bez zaštite, Dušan Makavejev, Serbia, 1968, 79 minutes)

K3 or Clear Sky without Clouds (K3 ili čisto nebo bez oblaka, Mihovil Pansini, Croatia, 1963, 2 minutes 30 seconds)

Kalah (Dóra Maurer and Zoltán Jeney, Hungary, 1980, 12 minutes)

Kariokinesis (Kariokineza, Zlatko Hajdler, Croatia, 1965 reconstructed 1998, 2 minutes)

Litany of Happy People (Zdravi ljudi za razonodu, Karpo Godina, Slovenia, 1971, 14 minutes 26 seconds)

Long Distance Runner (Hosszú futásodra mindig számíthatunk, Gyula Gazdag, Hungary, 1968, 13 minutes)

Market (Rynek, Josef Robakowski, Poland, 1970, 4 minutes)

Media (Zbigniew Rybczyński, Poland, 1980, 1 minute 36 seconds)

New Year's Eve (Szilveszter, Elemér Ragályi, Hungary, 1974, 15 minutes 29 seconds)

One Day More (Dan više, Vlatko Gilić, Serbia, 1971, 10 minutes)

Open Form – Game on an Actress’ Face (Forma Otwarta – Gra na twarzy aktorki, KwieKulik and Jan S. Wojciechowski with students of the Film School in Łódź, Poland, 1971,  3 minutes)

Oskar Hansen – Groping One’s Way (Po omacku, Piotr Andrejew, Poland, 1975, 11 minutes 13 seconds)

Painted in the Air (Malování do vzduchu, Radek Pilař, Czech Republic, 1965, 3 minutes)

Paweł Freisler – Puppets (Pajace, Piotr Andrejew, Poland, 1971, 6 minutes 44 seconds)

Personal Cuts (Osobni rezovi, Sanja Iveković, Croatia, 1982, 4 minutes)

Ping-Pong (Ivan Ladislav Galeta, Croatia, 1976–78, 2 minutes 18 seconds)

Pression (Ljubomir Šimunić, Serbia, 1970- 1975, 15 minutes)

Private History (Privát Történelem, Gábor Bódy and Peter Timar, Hungary, 1978, 25 minutes)

Prophecy (Věštba, Petr Skala, Czech Republic, 1980, 2 minutes)

Raven (Gavran, Nikola Đurić, Serbia, 1973, 6 minutes 30 seconds)

Reminiscences of a Journey to Lithuania (Jonas Mekas, US/Lithuania, 1972, 88 minutes)

Searching for Balance (Hledání rovnováhy, Petr Skala, Czech Republic, 1973, silent, 3 minutes)

Self Fashion Show (Öndivatbemutató, Tibor Hajas, Hungary, 1976, 14 minutes 41 seconds)

Sisyphus (Syzyfowie, Tadeusz Wudzki, AKF Wiedza, Warsaw, Poland, 1971, 5 minutes 30 seconds)

Somnambulists (Somnambulicy, Mieczysław Waśkowski and Tadeusz Kantor, Poland, 1958, 8 minutes 46 seconds)

Straight Line (Stevens Duke) (Pravac [Stevens-Duke], Tomislav Gotovac, Croatia, 1964, 7 minutes 20 seconds)

Symbiosis (Symbioza, Tadeusz Junak, STK Rotunda, Kraków, Poland, 1969, 10 minutes 14 seconds)

Termites (Termiti, Milan Šamec, Croatia, 1963, 1 minute 40 seconds)

The Enthusiasts Archive film program titles can be found here

The First Photo of Me Ever Taken (Kako su me prvi put fotografirali, Milenko Jovanović, Serbia, 1972, 1 minute)

The Flip Side of the Coin (Monētas dubultportrets, Romualds Pipars and Maija Selecka, Latvia, 2008, 100 minutes)

The Hands (Les Mains, Geta Brătescu, Romania, 1977, 6 minutes 45 seconds)

The Seal (Pečat, Dušan Makavejev, Serbia, 1955, 17 minutes 40 seconds)

The Space Transmission (Transmisja przestrzenna, Wojciech Bruszewski, Poland, 1974, 1 minute 8 seconds)

The Square (Kwadrat, Zbigniew Rybczyński, Poland, 1972, 3 minutes 30 seconds)

Together (Razem, Krzysztof Janicki and Marek Baranski, AKF Grunwald, Olsztyn, Poland, 1977, 3 minutes 30 seconds)

Touch the Sound (Dotknąć Dźwięku, Darek Skubel and Zdzisław Zinczuk, AKF Awa, Poznán, Poland, 1981, 6 minutes 13 seconds)

Trace (Slad, Helena Włodarczyk, Poland, 1976, 13 minutes)

Transformation (Transformacja, Grzegorz G. Zgraja, Poland, 1978, 3 minutes 38 seconds)

Transformations: Potter’s Bull (Verwandlungen: Potters Stier, Jürgen Böttcher, Germany (GDR), 1981, 17 minutes)

Twist Twist (Ante Verzotti, Croatia, 1962, 2 minutes 20 seconds)

Video A (Studio Situation) (Video A [Sytuacja studia], Paweł Kwiek, Poland, 1974, 3 minutes 25 seconds)

Video Manual (Dalibor Martinis, Croatia, 1978, 1 minute 27 seconds)

Vowels (Samoglasnici, Nikola Đurić, Serbia, 1973, 7 minutes 45 seconds)

White People (Beli Ljudje, Naško Križnar and OHO, Slovenia, 1970, 10 minutes 40 seconds)

Winding Paths (Kręte ścieżki, Andrzej Barański, Poland, 1970, 6 minutes)