Press Images

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Film still from The Maiden Danced to Death (Ender Holes, 2011, DCP, English and Hungarian with subtitles, 100 minutes) to be shown at the National Gallery of Art on Friday, July 5, 3:00 p.m., as part of the film series Hungary, Hero and Myth: Immigrant Experience and the Artist’s Eye. Image courtesy of Magyar Filmunió/Hungarian National Film Fund

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Film still from American Postcard (Gábor Bódy, 1975, 35 mm, Hungarian, French, and German with subtitles, 91 minutes) to be shown at the National Gallery of Art on Friday, July 5, 1:00 p.m., as part of the film series Hungary, Hero and Myth: Immigrant Experience and the Artist’s Eye. Image courtesy of Magyar Filmunió/Hungarian National Film Fund

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Film still from Applause(Rouben Mamoulian, 1929, 35 mm, 80 minutes) to be shown at the National Gallery of Art on Saturday, September 28, 2:00 p.m., as part of the film series Rouben Mamoulian: Making Movies Musical. Image courtesy of Photofest

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Film still from Bánk bán(Csaba Káel, 2002, 35 mm, Hungarian with subtitles, 118 minutes) to be shown at the National Gallery of Art on Saturday, July 6, 4:00 p.m., as part of the film series Hungary, Hero and Myth: Immigrant Experience and the Artist’s Eye. Image courtesy of Magyar Filmunió/Hungarian National Film Fund

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Film still from Black Orpheus (Marcel Camus, 1958, 35 mm, Portuguese with subtitles, 105 minutes) to be shown at the National Gallery of Art on Sunday, September 1, 4:30 p.m., as part of the film series Kerry James Marshall Selects. Image courtesy of Photofest

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Film still from The Life and Death of Colonel Blimp (Michael Powell and Emeric Pressburger, 1943, DCP, 163 minutes) to be shown at the National Gallery of Art on Friday, July 12 and Saturday, July 13, 2:30 p.m. Image courtesy of Photofest

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Film still from Blood and Sand (Rouben Mamoulian, 1941, 35 mm, 123 minutes) to be shown at the National Gallery of Art on Sunday, September 29, 4:30 p.m., as part of the film series Rouben Mamoulian: Making Movies Musical. Image courtesy of Photofest

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Film still from Le Brasier ardent (Alexandre Volkoff, Ivan Mosjoukine, 1923, 35 mm, 97 minutes) to be shown at the National Gallery of Art on Saturday, August 17, 2:00 p.m., as part of the film series Russian Cinema in Exile in the Ballets Russes Era. Image courtesy of La Cinémathèque française

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Film still from Caesar Must Die (Paolo and Vittorio Taviani, 2012, 35 mm, Italian with subtitles, 76 minutes) to be shown at the National Gallery of Art on Saturday, August 31, 4:00 p.m. and Sunday, September 1, 2:00 p.m. Image courtesy of Adopt Films

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Film still from Children of Glory (Krisztina Goda and Joe Eszterhas, 2006, 35 mm, Hungarian with subtitles, 123 minutes ) to be shown at the National Gallery of Art on Sunday, July 7, 4:00 p.m. as part of the film series Hungary, Hero and Myth: Immigrant Experience and the Artist’s Eye. Image courtesy of Magyar Filmunió/Hungarian National Film Fund

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Film still from Closely Watched Trains(Jiří Menzel, 1966, 35 mm, Czech with subtitles, 91 minutes) to be shown at the National Gallery of Art on Saturday, September 14, 2:00 p.m. as part of the film series A Day with Jiří Menzel. Image courtesy of Photofest

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Film still from The Constant Nymph (Adrian Brunel, 1928, digibeta from 35 mm, 110 minutes) to be shown at the National Gallery of Art on Sunday, July 21, 5:30 p.m. , as part of the film series  The Hitchcock 9. Image courtesy of British Film Institute

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Film still from Daughters of the Dust (Julie Dash, 1991, 35 mm, 112 minutes) to be shown at the National Gallery of Art on Monday, September 2, 2:00 p.m., as part of the film series Kerry James Marshall Selects. Image courtesy of Photofest

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Film still from Downhill (Alfred Hitchcock, 1927, 35 mm, 74 minutes) to be shown at the National Gallery of Art on Sunday, July 21, 4:00 p.m., as part of the film series  The Hitchcock 9. Image courtesy of British Film Institute

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Film still from Easy Virtue (Alfred Hitchcock, 1927, 35 mm, 90 minutes) to be shown at the National Gallery of Art on Sunday, July 14, 4:00 p.m., as part of the film series  The Hitchcock 9. Image courtesy of British Film Institute

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Film still from The First Born (Miles Mander,1928, 35 mm, 88 minutes) to be shown at the National Gallery of Art on Sunday, July 14, 4:00 p.m., as part of the film series  The Hitchcock 9. Image courtesy of British Film Institute

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Film still from Glory (Ed Zwick, 1989, DCP, 122 minutes) to be shown at the National Gallery of Art on Sunday, September 15, 4:00 p.m. Image courtesy of Photofest

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Film still from Hors Satan (Bruno Dumont, 2011, 35 mm, French with subtitles, 109 minutes) to be shown at the National Gallery of Art on Sunday, August 25, 4:30 p.m. Image courtesy of New Yorker Films

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Film still from Hors Satan (Bruno Dumont, 2011, 35 mm, French with subtitles, 109 minutes) to be shown at the National Gallery of Art on Sunday, August 25, 4:30 p.m. Image courtesy of New Yorker Films

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Film still from Larks on a String (Jiří Menzel, 1969, 35 mm, Czech with subtitles, 96 minutes) to be shown at the National Gallery of Art on Saturday, September 14, 4:00 p.m., as part of the film series A Day with Jiří Menzel. Image courtesy of Photofest

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Film still from Le Joli Mai (Chris Marker and Pierre Lhomme, 1963, 35 mm, French with subtitles, 163 minutes) to be shown at the National Gallery of Art on Sunday, September 22, 4:30 p.m., as part of the film series From Vault to Screen. Image courtesy of "Warren Sonbert with 16mm Camera" © The Estate of Warren

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Summer Films 2013

Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted.

Important: The images displayed on this page are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please provide your name, press affiliation, and all other information as required(*) utilizing the order form at the end of this page.

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