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The image-comparison tool enables users to explore technical images via overlay and cross-fading techniques, shown here in Andrea di Bartolo's Madonna of Humility, The Blessing Christ, Two Angels, and a Donor [obverse], c. 1380/1390 (National Gallery of Art, Washington, Samuel H. Kress Collection). On the right: Archival photograph of the painting, c. 1927. Image by Fondazione Roberto Longhi, Florence.
NGA Online Editions, National Gallery of Art

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Split-screen "reader mode" allows users to view scholarly text alongside the object image, notes, and comparative figures, as shown here in line with the text: Duccio di Buoninsegna's The Nativity with the Prophets Isaiah and Ezekiel, 1308–1311 (National Gallery of Art, Washington, Andrew W. Mellon Collection).
NGA Online Editions, National Gallery of Art

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Full-screen mode provides a centralized overview text with menu options in Andrea di Bartolo's Madonna of Humility, The Blessing Christ, Two Angels, and a Donor [obverse], c. 1380/1390 (National Gallery of Art, Washington, Samuel H. Kress Collection).
NGA Online Editions, National Gallery of Art

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The author's reconstructions of now-dispersed altarpieces are essential to the scholarship and show the National Gallery of Art's panels in color. This altarpiece by Paolo Veneziano includes The Crucifixion, c. 1340/1345 (National Gallery of Art, Washington, Samuel H. Kress Collection).
NGA Online Editions, National Gallery of Art

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Features in the altarpiece reconstructions include the ability to zoom into each panel individually for a closer view, in color. Seen here is the reconstructed altarpiece by Paolo Veneziano, c. 1340/1345 showing the Saint John the Baptist panel (Worcester Art Museum [MA], Museum Purchase. Image © Worcester Art Museum).
NGA Online Editions, National Gallery of Art

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The home page of NGA Online Editions allows you to search by author, artist, and edition. This is the banner, which displays details of paintings from the National Gallery's Dutch and Italian collections for which catalogs are available online.
NGA Online Editions, National Gallery of Art

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The home page banner of Italian Paintings of the Thirteenth and Fourteenth Centuries featuring a detail from Duccio di Buoninsegna's The Nativity with the Prophets Isaiah and Ezekiel, 1308–1311 (National Gallery of Art, Washington, Andrew W. Mellon Collection).
NGA Online Editions, National Gallery of Art

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National Gallery of Art Launches Italian Paintings of the 13th and 14th Centuries Online Edition

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