Press Images

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3631-020.jpg

Richard Diebenkorn
Touched Red (working proof 8), 1991
color aquatint, spitbite aquatint, softground etching, and drypoint with pasted-down elements
plate: 24 x 16 (61 x 40.6)
sheet: 36 x 26 1/2 (91.4 x 67.3)
National Gallery of Art, Washington, Gift of Crown Point Press, 1996
© The Richard Diebenkorn Foundation

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3631-090.jpg

Kiki Smith
Home (working proof 1), 2006
etching in black
plate: 20 25 in. (50.8 63.2 cm)
sheet: 24 3/4 29 1/8 in. (62.87 73.98 cm)
Crown Point Press
© Kiki Smith, Courtesy Pace Gallery

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3631-091.jpg

Kiki Smith
Home (working proof 5), 2006
etching and spitbite aquatint in black
plate: 20 25 in. (50.8 63.2 cm)
sheet: 25 29 1/4 in. (63.5 74.3 cm)
Crown Point Press
© Kiki Smith, Courtesy Pace Gallery

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3631-103.jpg

Sol LeWitt
Color Grids (18, Blue Straight/Blue Straight), 1975
etching in blue
sheet: 20 20 in. (50.8 50.8 cm)
Kathan Brown
© 2013 The LeWitt Estate / Artists Rights Society (ARS), New York

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3631-138.jpg

Richard Diebenkorn
Combination (working proof 12), 1981
spitbite aquatint, aquatint, and drypoint
plate: 15 1/2 x 13 1/2 (39.4 x 34.2)
sheet: 24 1/4 x 26 5/8 (61.6 x 55)
National Gallery of Art, Washington, Gift of Crown Point Press and the Artist, in Honor of the 50th Anniversary of the National Gallery of Art, 1991
© The Estate of Richard Diebenkorn

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3631-141.jpg

Richard Diebenkorn
Combination (working proof 8), 1981
aquatint and drypoint in black
plate: 15 1/2 x 13 1/2 (39.4 x 34.2)
sheet: 24 1/2 x 26 11/16 (62.3 x 67.8)
National Gallery of Art, Washington, Gift of Crown Point Press and the Artist, in Honor of the 50th Anniversary of the National Gallery of Art, 1991
© The Estate of Richard Diebenkorn

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3631-175.jpg

Chuck Close
Leslie (working proof 3), 1986
color woodcut on Japanese paper
image: 24 13/16 21 7/16 in. (63 54.5 cm)
sheet: 30 9/16 25 1/4 in. (77.7 64.2 cm)
Fine Arts Museums of San Francisco, Crown Point Press Archive, Gift of Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-176.jpg

Chuck Close
Leslie (working proof 4), 1986
color woodcut on Japanese paper
image: 24 13/16 21 7/16 in. (63 54.5 cm)
sheet: 30 9/16 25 1/4 in. (77.7 64.2 cm)
Fine Arts Museums of San Francisco, Crown Point Press Archive, Gift of Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-186.jpg

Chuck Close
Self-Portrait (study for unpublished progression print), proofs printed 2010, study assembled 2013
color photogravure: four color separation proofs and one full-color working proof
each plate: 29 23 1/4 in. (73.7 59.1 cm)
sheets (overall): 33 3/8 71 in. (84.8 180.3 cm)
Chuck Close
© Chuck Close, Courtesy Pace Gallery

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3631-185.jpg

Chuck Close
Self-Portrait (collage study for unpublished print with discarded cut-up proofs), proofs printed 2010, collage study assembled 2013
cut-and-arranged photogravure proofs with scrap cuttings
collage (excluding scraps) sight size: 13 1/2 13 3/4 in. (34.3 34.9 cm)
Chuck Close
© Chuck Close, Courtesy Pace Gallery

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3631-014.jpg

Chuck Close
Study for Keith, 1970
photographic maquette
backing: 22 x 17 (55.9 x 43.2)
The Dorothy and Herbert Vogel Collection
© Chuck Close, Courtesy Pace Gallery

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3631-059.jpg

Chuck Close
Keith (working proof), 1972
mezzotint
plate: 44 11/16 35 5/16 in. (113.51 89.69 cm)
sheet: 47 11/16 36 5/8 in. (121.13 93.03 cm)
Fine Arts Museums of San Francisco, Foundation purchase, Phyllis C. Wattis Fund for Major Acquisitions
© Chuck Close, Courtesy Pace Gallery

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3631-058.jpg

Chuck Close
Keith, 1972
mezzotint
plate: 44 11/16 35 5/16 in. (113.51 89.69 cm)
sheet: 50 15/16 41 13/16 in. (129.38 106.2 cm)
Collection of Catherine Woodard and Nelson Blitz, Jr.
© Chuck Close, Courtesy Pace Gallery

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3631-061.jpg

Chuck Close
John (working proof for unpublished print), 1972
color photo-etching
sheet: 10 1/2 8 13/16 in. (26.67 22.38 cm)
Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-062.jpg

Chuck Close
John (working proof for unpublished print), 1972
color photo-etching
sheet: 10 3/4 12 5/8 in. (27.31 32.07 cm)
Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-064.jpg

Chuck Close
John (working proof for unpublished print), 1972
color photo-etching and softground etching
plate: 27 3/4 21 7/8 in. (70.49 55.56 cm)
sheet: 29 22 7/8 in. (73.66 58.1 cm)
Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-060.jpg

Chuck Close
John (working proof for unpublished print), 1972
color photo-etching
plate: 44 3/4 35 1/2 in. (113.67 90.17 cm)
sheet: 53 1/2 42 1/8 in. (135.89 107 cm)
Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-177.jpg

Chuck Close
Leslie, 1986
watercolor
sheet: 30 1/2 22 1/4 in. (77.5 57 cm)
Barbara R. Palmer
© Chuck Close, Courtesy Pace Gallery

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3631-173.jpg

Chuck Close
Leslie (working proof 1), 1986
color woodcut on Japanese paper
image: 24 13/16 21 7/16 in. (63 54.5 cm)
sheet: 30 9/16 25 1/4 in. (77.7 64.2 cm)
Fine Arts Museums of San Francisco, Crown Point Press Archive, Gift of Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-174.jpg

Chuck Close
Leslie (working proof 2), 1986
color woodcut on Japanese paper
image: 24 13/16 21 7/16 in. (63 54.5 cm)
sheet: 30 9/16 25 1/4 in. (77.7 64.2 cm)
Fine Arts Museums of San Francisco, Crown Point Press Archive, Gift of Crown Point Press
© Chuck Close, Courtesy Pace Gallery

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3631-172.jpg

Chuck Close
Leslie, 1986
color woodcut on Japanese paper
image: 24 3/4 x 21 1/2 (62.8 x 54.6)
sheet: 33 3/4 x 25 1/4 (85.7 x 64.1)
National Gallery of Art, Washington, Gift of Kathan Brown, 1997
© Chuck Close, Courtesy Pace Gallery

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3631-190.jpg

Chuck Close
Self-Portrait (working proof for unpublished print), 2010
color photogravure
plate: 29 23 1/4 in. (73.7 59.06 cm)
sheet: 33 3/8 30 1/2 in. (84.8 77.47 cm)
Chuck Close
© Chuck Close, Courtesy Pace Gallery

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3631-066.jpg

Chuck Close
Self-Portrait (collage study for unpublished print), proofs printed 2010, collage study assembled 2013
cut-and-arranged color photogravure proofs
collage: 33 3/8 30 1/2 in. (84.8 77.5 cm)
Chuck Close
© Chuck Close, Courtesy Pace Gallery

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3631-136.jpg

Richard Diebenkorn
Combination (working proof 1), 1981
aquatint in black with chalk additions
plate: 15 1/2 x 13 1/2 (39.4 x 34.2)
sheet: 30 11/16 x 22 (78 x 55.9)
National Gallery of Art, Washington, Gift of Crown Point Press and the Artist, in Honor of the 50th Anniversary of the National Gallery of Art, 1991
© The Richard Diebenkorn Foundation

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3631-140.jpg

Richard Diebenkorn
Combination (working proof 4), 1981
aquatint in black
plate: 15 1/2 x 13 1/2 (39.4 x 34.2)
sheet: 24 1/2 x 21 5/8 (62.2 x 54.9)
National Gallery of Art, Washington, Gift of Crown Point Press and the Artist, in Honor of the 50th Anniversary of the National Gallery of Art, 1991
© The Estate of Richard Diebenkorn

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3631-137.jpg

Richard Diebenkorn
Combination (working proof 5), 1981
aquatint and drypoint in black with graphite additions and pasted-down elements
plate: 15 1/2 x 13 1/2 (39.4 x 34.2)
sheet: 30 3/4 x 21 5/8 (78.1 x 54.9)
National Gallery of Art, Washington, Gift of Crown Point Press and the Artist, in Honor of the 50th Anniversary of the National Gallery of Art, 1991
© The Richard Diebenkorn Foundation

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3631-135.jpg

Richard Diebenkorn
Combination, 1981
spitbite aquatint, aquatint, and drypoint
plate: 15 1/2 x 13 1/2 (39.4 x 34.2)
sheet: 30 13/16 x 24 1/2 (78.3 x 62)
National Gallery of Art, Washington, Joshua P. Smith Collection, Gift in Honor of the 50th Anniversary of the National Gallery of Art, 1991
© The Richard Diebenkorn Foundation

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3631-023.jpg

Richard Diebenkorn
Green, 1986
color spitbite aquatint, soapground aquatint, and drypoint
plate: 45 x 35 1/4 (114.3 x 89.5)
sheet: 53 1/2 x 40 3/4 (135.9 x 103.5)
National Gallery of Art, Washington, Eugene L. and Marie-Louise Garbaty Fund and Patrons' Permanent Fund, 1996
© The Richard Diebenkorn Foundation

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3631-164.jpg

Richard Diebenkorn
Touched Red (working proof 1), 1991
aquatint reversal in black
plate: 24 x 16 (61 x 40.6)
sheet: 29 3/4 x 20 1/2 (75.6 x 52.1)
National Gallery of Art, Washington, Gift of Crown Point Press, 1996
© The Estate of Richard Diebenkorn

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3631-017.jpg

Richard Diebenkorn
Touched Red (working proof 3), 1991
color aquatint, spitbite aquatint, softground etching, and drypoint with pasted-down elements
plate: 24 x 16 (61 x 40.6)
sheet: 35 1/4 x 26 3/8 (90.2 x 67)
National Gallery of Art, Washington, Gift of Crown Point Press, 1996
© The Richard Diebenkorn Foundation

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3631-022.jpg

Richard Diebenkorn
Touched Red (working proof 10), 1991
color aquatint, spitbite aquatint, softground etching, and drypoint with pasted-and pinned-down elements
plate: 24 x 16 (61 x 40.6)
sheet: 40 x 26 3/4 (101.6 x 68)
National Gallery of Art, Washington, Gift of Crown Point Press, 1996
© The Richard Diebenkorn Foundation

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3631-015.jpg

Richard Diebenkorn
Touched Red, 1991
color aquatint, spitbite aquatint, softground etching, and drypoint
plate: 24 x 16 (61 x 40.6)
sheet: 35 3/4 x 26 3/4 (90.8 x 68)
National Gallery of Art, Washington, Eugene L. and Marie-Louise Garbaty Fund and Patrons' Permanent Fund, 1996
© The Richard Diebenkorn Foundation

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3631-156.jpg

Richard Diebenkorn
High Green Version I (working proof 8), 1992
soapground aquatint, softground etching, and etching in black
plate: 39 3/4 x 22 3/4 (101 x 57.8)
sheet: 53 3/4 x 32 (136.5 x 81.3)
National Gallery of Art, Washington, Gift of Crown Point Press, 1996
© The Richard Diebenkorn Foundation

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3631-145.jpg

Richard Diebenkorn
High Green Version I, 1992
color spitbite aquatint, soapground aquatint, softground etching, and etching with pasted-down element
plate: 39 3/4 x 22 3/4 (101 x 57.8)
sheet: 52 3/4 x 33 5/8 (134 x 85.4)
National Gallery of Art, Washington, Eugene L. and Marie-Louise Garbaty Fund and Patrons' Permanent Fund, 1996
© The Richard Diebenkorn Foundation

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3631-171.jpg

John Cage
Day One, 1978
etching and drypoint
plate: 1 1/4 x 2 3/4 (3.2 x 7)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-147.jpg

John Cage
Seven Day Diary (Not Knowing), 1978
portfolio of seven prints with title page and frontispiece
each sheet: 12 x 17 (30.5 x 43.2)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-165.jpg

John Cage
Day Two, 1978
etching, drypoint, and softground etching
plate: 1 3/16 x 4 1/8 (3 x 10.5)
National Gallery of Art, Washington, Gift of Kathan Brown
© John Cage Trust

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3631-166.jpg

John Cage
Day Three, 1978
etching, drypoint, softground etching, and sugarlift aquatint
plate: 7 1/16 x 2 1/4 (17.9 x 5.7)
National Gallery of Art, Washington, Gift of Kathan Brown
© John Cage Trust

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3631-167.jpg

John Cage
Day Four, 1978
etching, drypoint, softground etching, sugarlift aquatint, and photo-etching
plate: 10 1/16 x 3/4 (25.6 x 1.9)
National Gallery of Art, Washington, Gift of Kathan Brown
© John Cage Trust

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3631-168.jpg

John Cage
Day Five, 1978
etching, drypoint, softground etching, sugarlift aquatint, photo-etching, and found objects
plate: 1 1/2 x 6 5/8 (3.8 x 16.8)
National Gallery of Art, Washington, Gift of Kathan Brown
© John Cage Trust

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3631-169.jpg

John Cage
Day Six, 1978
etching, drypoint, softground etching, sugarlift aquatint, photo-etching, found objects, and color etching
plate: 7 3/16 x 5 3/4 (18.3 x 14.6)
National Gallery of Art, Washington, Gift of Kathan Brown
© John Cage Trust

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3631-170.jpg

John Cage
Day Seven, 1978
etching, drypoint, sugarlift aquatint, photo-etching, found objects, and color etching
plate: 5 x 3 (12.7 x 7.6)
National Gallery of Art, Washington, Gift of Kathan Brown
© John Cage Trust

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3631-160.jpg

John Cage
17 Drawings by Thoreau, 1978
uniquely inked color photo-etching on Japanese paper
plate: 21 15/16 x 28 (55.7 x 71.1)
sheet: 24 1/2 x 36 1/2 (62.2 x 92.7)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-055.jpg

John Cage
Changes and Disappearances 4, 1979
color engraving, drypoint, and photo-etching on blue-gray paper
sheet: 11 7/16 21 3/8 in. (29.1 54.3 cm)
Kevin Parker
© John Cage Trust

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3631-053.jpg

John Cage
Changes and Disappearances 12, 1980
color engraving, drypoint, and photo-etching on blue-gray paper
sheet: 11 7/16 21 3/8 in. (29.1 54.3 cm)
Tom Marioni
© John Cage Trust

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3631-052.jpg

John Cage
Changes and Disappearances 31, 1982
color engraving, drypoint, and photo-etching on blue-gray paper
sheet: 11 3/8 21 3/8 in. (29 54.3 cm)
Kevin Parker
© John Cage Trust

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3631-007.jpg

John Cage
Changes and Disappearances 32, 1982
color engraving, drypoint, and photo-etching on blue-gray paper
sheet: 11 1/4 x 21 3/8 (28.6 x 55.3)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-149.jpg

John Cage
R 2/1 (where R=Ryoanji), 1983
drypoint in black
plate: 7 x 21 3/8 (17.8 x 54.3)
sheet: 9 1/4 x 23 1/2 (23.5 x 59.7)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-148.jpg

John Cage
(R3) (where R=Ryoanji), 1983
drypoint in black
plate: 7 x 21 3/8 (17.8 x 54.3)
sheet: 9 x 23 1/2 (22.9 x 59.7)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-159.jpg

John Cage
R3 (where R=Ryoanji), 1983
drypoint in black
plate: 7 x 21 3/8 (17.8 x 54.3)
sheet: 9 1/4 x 23 1/2 (23.5 x 59.7)
National Gallery of Art, Washington, Gift of Kathan Brown
© John Cage Trust

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3631-158.jpg

John Cage
Fire 9, 1985
burned, smoked, and branded Japanese paper
sheet: 20 1/4 x 11 3/4 (51.4 x 29.9)
National Gallery of Art, Washington, Gift of Kathan Brown, 2001
© John Cage Trust

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3631-180.jpg

John Cage
Eninka (failure proof), 1986
burned and smoked paper
sheet: 24 1/4 18 1/2 in. (61.6 46.99 cm)
Crown Point Press
© John Cage Trust

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3631-157.jpg

John Cage
Eninka 29, 1986
burned, smoked, and branded gampi mounted to paper
sheet: 24 1/2 x 18 1/2 (62.2 x 47)
National Gallery of Art, Washington, Gift of Crown Point Press, 1996
© John Cage Trust

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3631-163.jpg

John Cage
Where There is Where There 17/ Urban Landscape, 1987, revised 1989
aquatint, flatbite etching and etching
plate: 17 x 24 (43.2 x 61)
sheet: 23 x 30 (58.4 x 76.2)
National Gallery of Art, Washington, Gift of Crown Point Press, 1996
© John Cage Trust

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3631-150.jpg

John Cage
10 Stones 2, 1989
color spitbite aquatint and sugarlift aquatint on smoked paper
plate: 13 7/8 x 15 7/8 (35.2 x 40.3)
sheet: 23 x 18 1/4 (58.4 x 46.4)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-012.jpg

John Cage
9 Stones 2, 1989
color spitbite aquatint and sugarlift aquatint on smoked paper
plate: 13 3/4 x 15 3/4 (34.9 x 40)
sheet: 23 x 18 1/4 (58.4 x 46.4)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-013.jpg

John Cage
75 Stones, 1989
color spitbite aquatint and sugarlift aquatint on smoked paper
top plate: 26 7/8 x 35 3/4 (68.3 x 90.8)
bottom plate: 17 7/8 x 35 (45.4 x 88.9)
sheet: 54 1/8 x 41 (137.5 x 104.1)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-162.jpg

John Cage
The Missing Stone, 1989
color spitbite aquatint and sugarlift aquatint on smoked paper
top plate: 17 7/8 x 35 (45.4 x 88.9)
bottom plate: 26 3/4 x 35 5/8 (67.9 x 90.5)
sheet: 54 x 40 3/4 (137.2 x 103.5)
National Gallery of Art, Washington, Gift of Kathan Brown, 1996
© John Cage Trust

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3631-101.jpg

Sol LeWitt
Color Grids (43, Red Broken/Red Broken), 1975
etching in red
sheet: 20 20 in. (50.8 50.8 cm)
Kathan Brown
© 2013 The LeWitt Estate / Artists Rights Society (ARS), New York

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3631-072.jpg

Joel Fisher
First Etching, 1980
inked and wiped plate printed on paper made from repulped defective prints by Sol LeWitt and Robert Kushner
plate: 19 1/2 9 3/4 in. (49.53 24.77 cm)
sheet: 27 54 in. (68.58 137.16 cm)
Kathan Brown

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3631-027.jpg

Tom Marioni
Drawing a Line as Far as I Can Reach, 1984
etching and aquatint in brown printed from three plates on three sheets of paper
each plate: dimensions extend beyond the width of the paper
sheets (overall): 75 1/2 x 30 (191.8 x 76.2)
National Gallery of Art, Washington, Gift of Kathan Brown, 1997

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3631-028.jpg

Tom Marioni
Drawing a Line as Far as I Can Reach (second version), 1996
etching with plate corrosion
each plate: 23 7/8 x 14 7/8 in. (60.6 x 37.8 cm.)
sheet: 77 1/4 x 19 1/8 in. (196.2 x 48.6 cm.)
National Gallery of Art, Washington, Gift of Kathan Brown, 2001

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3631-094.jpg

Pat Steir
Kweilin Dreaming 51, 1989
color woodcut with hand-painting
silk: 26 3/4 33 in. (67.9 83.82 cm)
sheet: 37 5/8 42 3/4 in. (95.57 108.59 cm)
Crown Point Press
© Pat Steir

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3631-093.jpg

Pat Steir
Kweilin Dreaming 88, 1998
color woodcut with hand-painting and pen-and-ink drawing on silk mounted to paper
silk: 26 1/4 32 5/8 in. (66.68 82.87 cm)
sheet: 37 1/2 42 1/2 in. (95.25 107.95 cm)
Crown Point Press
© Pat Steir

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3631-077.jpg

Sol LeWitt
Curvy Brushstrokes I (working proof), 1997
sugarlift aquatint in black (printed from "blue "plate)
plate: 39 3/4 14 3/4 in. (100.97 37.47 cm)
sheet: 52 3/8 20 3/4 in. (133.03 52.71 cm)
Crown Point Press
© 2013 The LeWitt Estate / Artists Rights Society (ARS), New York

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3631-078.jpg

Sol LeWitt
Curvy Brushstrokes I (working proof), 1997
sugarlift aquatint in black (printed from "red" and "yellow" plates)
plate: 39 3/4 14 3/4 in. (100.97 37.47 cm)
sheet: 52 7/16 20 1/8 in. (133.19 51.12 cm)
Crown Point Press
© 2013 The LeWitt Estate / Artists Rights Society (ARS), New York

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3631-079.jpg

Sol LeWitt
Curvy Brushstrokes I (working proof 6), 1997
sugarlift aquatint in blue, red, yellow, and two shades of gray
plate: 39 3/4 14 3/4 in. (100.97 37.47 cm)
sheet: 52 5/8 20 in. (133.67 50.8 cm)
Crown Point Press
© 2013 The LeWitt Estate / Artists Rights Society (ARS), New York

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3631-026.jpg

Sol LeWitt
Curvy Brushstrokes I, 1997
sugarlift aquatint in blue, red, yellow, and gray
plate: 39 3/4 x 14 3/4 (101 x 37.5)
sheet: 52 7/8 x 20 1/4 (134.3 x 51.4)
National Gallery of Art, Washington, Gift of Kathan Brown, 2001
© 2013 The LeWitt Estate / Artists Rights Society (ARS), New York

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3631-049.jpg

Brad Brown
Working proof for Untitled 1 and Untitled 2, 1999
color spitbite aquatint, sugarlift aquatint, etching, softground etching, and drypoint
plate: 18 23 1/8 in. (45.72 58.7cm)
sheet: 23 3/4 29 3/4 in. (60.33 75.57 cm)
Crown Point Press

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3631-183.jpg

Brad Brown
Untitled 1, 1999
color spitbite aquatint, sugarlift aquatint, etching, softground etching, and drypoint printed from forty plates
each plate: 4 1/2 x 5 3/4 (11.4 x 14.6)
sheet: 15 1/2 x 29 1/4 (39.4 x 74.3)
National Gallery of Art, Washington, Gift of Kathan Brown, 2001

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3631-051.jpg

Brad Brown
Untitled 2 (impression 9), 1999
color spitbite aquatint, sugarlift aquatint, etching, softground etching, and drypoint printed from forty plates
each plate: 4 1/2 5 3/4 in. (11.43 14.61 cm)
sheet: 15 29 1/4 in. (38.1 74.3 cm)
Kathan Brown

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3631-046.jpg

Anne Appleby
Verona Suite (working proof 2), 2003
color aquatint; overlaid with cut proof
each plate: 6 3 in. (15.24 7.62 cm)
sheet: 15 1/8 29 3/4 in. (38.42 75.57 cm)
Crown Point Press
© Anne Appleby

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3631-047.jpg

Anne Appleby
Verona Suite (working proof 3), 2003
color aquatint with burnishing; overlaid with cut proof
each plate: 6 3 in. (15.24 7.62 cm)
sheet: 15 1/8 29 3/4 in. (38.42 75.57 cm)
Crown Point Press
© Anne Appleby

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3631-003.jpg

Anne Appleby
Verona Suite, 2003
color aquatint with burnishing
each plate: 6 x 3 (15.2 x 7.6)
sheet: 16 3/4 x 30 (42.6 x 76.2)
National Gallery of Art, Washington, Gift of Kathan Brown, 2006
© Anne Appleby

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3631-098.jpg

Fred Wilson
Arise! (working proof), 2004
spitbite aquatint in black with graphite inscriptions
plate: 20 24 in. (50.8 60.96 cm)
sheet: 30 1/2 34 in. (77.47 86.36 cm)
Crown Point Press
© Fred Wilson, Courtesy Pace Gallery

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3631-039.jpg

Fred Wilson
Arise!, 2004
spitbite aquatint in black and direct gravure
plate: 20 x 24 (50.8 x 61)
sheet: 30 1/2 x 34 1/16 (77.5 x 86.5)
National Gallery of Art, Washington, Gift of Kathan Brown, 2006
© Fred Wilson, Courtesy Pace Gallery

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3631-086.jpg

Nathan Oliveira
Torso I (working proof), 2004
color sugarlift aquatint and spitbite aquatint with ballpoint pen, and colored-pencil additions
sheet: 31 5/8 23 5/8 in. (80.33 60.01 cm)
Crown Point Press
© The Estate of Nathan and Mona Oliveira

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3631-034.jpg

Nathan Oliveira
Torso I, 2004
color sugarlift aquatint, spitbite aquatint, softground etching, and aquatint
sheet: 31 3/8 x 23 3/4 (79.7 x 60.3)
National Gallery of Art, Washington, Gift of Kathan Brown, 2006
© The Estate of Nathan and Mona Oliveira

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3631-048.jpg

Robert Bechtle
Texas and 20th Intersection (lift drawing), 2004
colored-pencil on tracing paper
image: 22 3/16 31 1/8 in. (56.36 79.06 cm)
sheet: 26 1/4 36 3/8 in. (66.68 92.39 cm)
Crown Point Press

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3631-005.jpg

Robert Bechtle
Texas and 20th Intersection, 2004
color softground etching and aquatint
plate: 22 x 30 3/4 (55.9 x 78.1)
sheet: 30 7/8 x 39 (78.5 x 99.1)
National Gallery of Art, Washington, Gift of Kathan Brown, 2006

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3631-080.jpg

Julie Mehretu
Circulation (working proof 9), 2005
color etching, spitbite aquatint, aquatint, and engraving with ink wash, graphite, and additions
plate: 27 3/4 39 3/4 in. (70.49 100.97 cm)
sheet: 34 3/4 46 3/4 in. (88.27 118.75 cm)
Crown Point Press
© Julie Mehretu

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3631-029.jpg

Julie Mehretu
Circulation, 2005
color etching, aquatint, and engraving with chine colle
plate: 27 3/4 x 39 3/4 (70.5 x 101)
sheet: 35 3/4 x 47 (90.8 x 119.3)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
© Julie Mehretu

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3631-092.jpg

Kiki Smith
Home (working proof 11), 2006
color spitbite aquatint, aquatint, etching, softground etching, and drypoint with chin colle
plate: 20 25 in. (50.8 63.2 cm)
sheet: 24 3/4 29 1/8 in. (62.9 74 cm)
Crown Point Press
© Kiki Smith, Courtesy Pace Gallery

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3631-036.jpg

Kiki Smith
Home, 2006
color spitbite aquatint, flatbite etching, etching, softground etching, and drypoint with chine colle
plate: 20 x 25 (50.8 x 63.2)
sheet: 26 1/2 x 31 (67.3 x 78.7)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
© Kiki Smith, Courtesy Pace Gallery

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3631-130.jpg

Amy Sillman
O & N (working proof), 2007
color sugarlift aquatint and spitbite aquatint, and softground with print additions
plate: 26 20 in. (66.04 50.8 cm)
sheet: 33 7/8 28 1/4 in. (86.04 71.76 cm)
Crown Point Press
Courtesy of the artist

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3631-132.jpg

Amy Sillman
O & N, 2007
color sugarlift aquatint and spitbite aquatint, and softground etching
plate: 26 x 20 (66 x 50.8)
sheet: 35 x 28 (88.9 x 71.1)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
Courtesy of the artist

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3631-074.jpg

Pia Fries
Falc (working proof), 2007
photogravure in black with watercolor and crayon additions and cutout elements
plate: 28 1/4 21 1/4 in. (71.76 53.98 cm)
sheet: 36 3/16 28 in. (91.92 71.12 cm)
Crown Point Press
© 2013 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

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3631-073.jpg

Pia Fries
Falc (working proof), 2007
photogravure in black
plate: 27 1/2 19 1/2 in. (69.85 49.53 cm)
sheet: 35 5/8 26 3/4 in. (90.49 67.95 cm)
Crown Point Press
© 2013 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

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3631-025.jpg

Pia Fries
Falc, 2007
color soapground aquatint, spitbite aquatint, photogravure, and roulette
plate: 27 1/2 x 19 1/2 (69.9 x 49.5)
sheet: 34 3/4 x 25 1/2 (88.3 x 64.8)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
© 2013 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

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3631-082.jpg

Jockum Nordström
Back to the Land (working proof), 2008
color spitbite aquatint, sugarlift aquatint, aquatint and softground etching
sheet: 26 1/4 48 3/8 in. (66.7 122.87 cm)
Crown Point Press
© 2013 Artists Rights Society (ARS), New York / BUS, Stockholm

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3631-032.jpg

Jockum Nordström
Back to the Land, 2008
color spitbite aquatint, sugarlift aquatint, aquatint, and softground etching
sheet: 26 x 48 1/4 (66 x 122.6)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
© 2013 Artists Rights Society (ARS), New York / BUS, Stockholm

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3631-043.jpg

Mamma Andersson
Room Under the Influence (working proof), 2008
softground etching with ink additions
plate: 20 3/4 35 3/4 in. (52.71 90.81 cm)
sheet: 30 1/4 44 in. (76.84 111.76 cm)
Crown Point Press
© Mamma Andersson

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3631-044.jpg

Mamma Andersson
Room Under the Influence (working proof), 2008
sugarlift aquatint, aquatint, and softground etching with ink additions
plate: 20 3/4 35 3/4 in. (52.71 90.81 cm)
sheet: 30 1/2 43 7/8 in. (77.47 111.44 cm)
Crown Point Press
© Mamma Andersson

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3631-045.jpg

Mamma Andersson
Room Under the Influence (working proof), 2008
color spitbite aquatint, sugarlift aquatint, aquatint, and softground etching with artist's notations
plate: 20 3/4 35 3/4 in. (52.71 90.81 cm)
sheet: 30 7/8 44 in. (78.42 111.76 cm)
Crown Point Press
© Mamma Andersson

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3631-002.jpg

Mamma Andersson
Room Under the Influence, 2008
color spitbite aquatint, sugarlift aquatint, aquatint, and softground etching
plate: 20 3/4 x 35 3/4 (52.7 x 90.8)
sheet: 30 x 43 3/4 (76.2 x 111.1)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
© Mamma Andersson

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3631-182.jpg

Susan Middleton
Day Octopus, 2008
color photogravure
plate: 15 1/2 x 23 (39.4 x 58.4)
sheet: 27 x 33 (68.6 x 83.8)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
Courtesy Susan Middleton

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3631-030.jpg

Susan Middleton
Requiem, 2008
color photogravure
plate: 20 1/2 x 16 1/2 (52.1 x 41.9)
sheet: 31 x 26 (78.7 x 66)
National Gallery of Art, Washington, Gift of Kathan Brown
Courtesy Susan Middleton

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3631-083.jpg

Chris Ofili
Habio Green (working proof 1), 2009
etching in yellow with colored- pencil and graphite additions
plate: 23 1/2 14 3/4 in. (59.69 37.47 cm)
sheet: 29 7/8 22 1/2 in. (75.88 57.15 cm)
Crown Point Press
© Chris Ofili, Courtesy David Zwirner, New York/London

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3631-084.jpg

Chris Ofili
Habio Green (working proof 3), 2009
color spitbite aquatint
plate: 23 1/2 14 3/4 in. (59.69 37.47 cm)
sheet: 32 5/8 22 7/8 in. (82.87 58.1 cm)
Crown Point Press
© Chris Ofili, Courtesy David Zwirner, New York/London

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3631-085.jpg

Chris Ofili
Habio Green (working proof 8), 2009
color spitbite aquatint with watercolor and graphite additions
plate: 23 1/2 14 3/4 in. (59.69 37.47 cm)
sheet: 32 1/4 22 3/4 in. (81.92 57.79 cm)
Crown Point Press
© Chris Ofili, Courtesy David Zwirner, New York/London

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3631-033.jpg

Chris Ofili
Habio Green, 2009
color spitbite aquatint, aquatint, and drypoint
plate: 23 1/2 x 14 3/4 (59.7 x 37.5)
sheet: 32 3/4 x 22 3/4 (83.2 x 57.8)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011
© Chris Ofili, Courtesy David Zwirner, New York/London

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3631-040.jpg

Tomma Abts
Untitled (diagonals) (working proof), 2009
color aquatint and softground etching with colored-pencil and graphite additions
plate: 18 12 7/8 in. (45.72 32.7 cm)
sheet: 27 21 in. (68.58 53.34 cm)
Crown Point Press

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3631-001.jpg

Tomma Abts
Untitled (diagonals), 2009
color aquatint and softground etching
plate: 18 x 12 7/8 (45.7 x 32.7)
sheet: 23 1/4 x 17 3/4 (59.1 x 45.1)
National Gallery of Art, Washington, Gift of Kathan Brown, 2011

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3631-088.jpg

Laura Owens
Untitled (LO 425) (working proof), 2010
color softground etching, spitbite aquatint, and sugarlift aquatint with colored-pencil additions and artist's notations
plate: 28 3/4 41 1/4 in. (73.03 104.8 cm)
sheet: 37 49 5/8 in. (93.98 126.05 cm)
Crown Point Press
Courtesy of the artist and Gavin Brown's enterprise

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3631-087.jpg

Laura Owens
Untitled (LO 425), 2010
color soft ground etching, spitbite aquatint, and sugarlift aquatint
plate: 28 3/4 41 1/4 in. (73.03 104.78 cm)
sheet: 37 1/4 49 1/4 in. (94.62 125.1 cm)
Crown Point Press
Courtesy of the artist and Gavin Brown's enterprise

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3631-041.jpg

Darren Almond
Fullmoon@Rwenzori: Mountains of the Moon, 2010
color photogravure
plate: 20 20 in. (50.8 50.8 cm)
sheet: 29 1/4 28 1/2 in. (74.3 72.4 cm)
Kathan Brown
© Darren Almond

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3631-042.jpg

Darren Almond
Fullmoon@Kitandara: Mountains of the Moon, 2010
color photogravure
plate: 20 20 in. (50.8 50.8 cm)
sheet: 29 1/4 28 9/16 in. (74.3 72.55 cm)
Kathan Brown
© Darren Almond

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Exhibition Images: Yes, No, Maybe: Artists Working at Crown Point Press
September 1, 2013–January 5, 2014

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